Lydia Brawner
Biographic Data
| ID | 961591 |
|---|---|
| NAME | Lydia Brawner |
| GIVEN NAMES | Lydia |
| FAMILY NAME | Brawner |
| SIGNATURE | BRAWNER L |
| AFFILIATIONS | New York University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
Long suffering: American endurance art as prophetic witness
The Artist is Present: Performing the Icon
This article considers the work of performance artist Marina Abramović, focusing on the use of reperformance, the practice of hiring others to recreate historical performance works, in her 2010 retrospective at New York's Museum of Modern Art, The Artist is Present. Brawner utilizes Abramović's artistic work with iconography and icon making and draws on her own experience as one of the retrospective's reperformers to highlight both the affective …
Soundtracks
Linda Montano,Anorexia nervosaand an art of hunger
In performance artist Linda Montano's deceptively simple 1981 video Anorexia nervosa, five women are interviewed about their experiences with self-starvation. In the video's interplay between image and speech, Montano creates a correlation between internalized hunger and the perceivable body, placing notions of spirituality and physical hunger at the core of the video. This reflection considers Anorexia nervosa as a meditation on ascetic discipli…
No prominent works on this page.
Linda Montano,Anorexia nervosaand an art of hunger
In performance artist Linda Montano's deceptively simple 1981 video Anorexia nervosa, five women are interviewed about their experiences with self-starvation. In the video's interplay between image and speech, Montano creates a correlation between internalized hunger and the perceivable body, placing notions of spirituality and physical hunger at the core of the video. This reflection considers Anorexia nervosa as a meditation on ascetic discipli…
Soundtracks
The Artist is Present: Performing the Icon
This article considers the work of performance artist Marina Abramović, focusing on the use of reperformance, the practice of hiring others to recreate historical performance works, in her 2010 retrospective at New York's Museum of Modern Art, The Artist is Present. Brawner utilizes Abramović's artistic work with iconography and icon making and draws on her own experience as one of the retrospective's reperformers to highlight both the affective …
Long suffering: American endurance art as prophetic witness
Diversity and Impact of Dance (3 works) · History (3 works) · Aesthetics (2 works) · Art (2 works) · Art history (2 works) · Medicine (2 works) · Meditation (2 works) · Philosophy (2 works) · Afterlife (1 works) · Anorexia nervosa (1 works)