Adam Domalewski
Biographic Data
| ID | 9616732 |
|---|---|
| NAME | Adam Domalewski |
| GIVEN NAMES | Adam |
| FAMILY NAME | Domalewski |
| SIGNATURE | DOMALEWSKI A |
| AFFILIATIONS | Adam Mickiewicz University in Poznań |
| ORCID | 0000-0002-4313-5146 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Homo Viator in Contemporary European Comedy Movies
Forma i znaczenie. Style filmowe we współczesnym kinie artystycznym w praktyce dydaktycznej
Artykuł stanowi przegląd dominujących stylów filmowych we współczesnym kinie artystycznym. Autor traktuje styl filmowy jako pojęcie nadrzędne wobec wszystkich innych kategorii opisujących dzieło filmowe, mieszczące w sobie zarówno wykorzystane techniki filmowe, jak i struktury narracyjne i fabularne. Zgodnie z tym założeniem wyróżniono i omówiono style: realistyczny, formalistyczny, minimalistyczny, ekscesywny oraz slow cinema. Każdy z nich zosta…
Layers of Meaning, Layers of Earth
The authors analyse the film La Chimera, focusing on its numerous vegetal and animal motifs, as well as its representations of soil and graves. They interpret the film as a continuation of Alice Rohrwacher’s ecological cinema, placing it within a context of post-anthropocentric and necrohumanist thought. They argue that La Chimera displays a distinctive ecological sensibility – one that intertwines mythological and metaphysical references with a …
Świeccy pasterze polskiego kina. Analiza porównawcza filmów „Boże Ciało” (2019) Jana Komasy i „Wszystkie nasze strachy” (2021) Łukasza Rondudy i Łukasza Gutta
Two recent high-profile Polish films with church themes – Corpus Christi and All Our Fears – have as their protagonists lay people who, nonetheless, due to their religious commitment, take on the role of spiritual guides in their communities. Their inner strength is grounded in a personal relationship with God, yet they remain on a collision course with the institution and teachings of the Church. Corpus Christ tells the story of a false priest, …
Matka może odejść. Obrazy macierzyństwa i katastrofy w filmach "Wieża. Jasny dzień" (2017) Jagody Szelc oraz "Fuga" (2018) Agnieszki Smoczyńskiej
In the paper, two recent Polish movies about motherhood are considered: Tower. A Bright Day (2017) by Jagoda Szelc and The Fugue (2019) by Agnieszka Smoczynska. The authors argue that both movies transform the classic plot of a maternal melodrama to depict its heroines as mothers who can make their decision to leave. Simultaneously both main female characters – Kaja and Kinga – are portrayed as somewhat dysfunctional, “abjective”, and monstrous. …
No prominent works on this page.
Matka może odejść. Obrazy macierzyństwa i katastrofy w filmach "Wieża. Jasny dzień" (2017) Jagody Szelc oraz "Fuga" (2018) Agnieszki Smoczyńskiej
In the paper, two recent Polish movies about motherhood are considered: Tower. A Bright Day (2017) by Jagoda Szelc and The Fugue (2019) by Agnieszka Smoczynska. The authors argue that both movies transform the classic plot of a maternal melodrama to depict its heroines as mothers who can make their decision to leave. Simultaneously both main female characters – Kaja and Kinga – are portrayed as somewhat dysfunctional, “abjective”, and monstrous. …
Świeccy pasterze polskiego kina. Analiza porównawcza filmów „Boże Ciało” (2019) Jana Komasy i „Wszystkie nasze strachy” (2021) Łukasza Rondudy i Łukasza Gutta
Two recent high-profile Polish films with church themes – Corpus Christi and All Our Fears – have as their protagonists lay people who, nonetheless, due to their religious commitment, take on the role of spiritual guides in their communities. Their inner strength is grounded in a personal relationship with God, yet they remain on a collision course with the institution and teachings of the Church. Corpus Christ tells the story of a false priest, …
Homo Viator in Contemporary European Comedy Movies
Forma i znaczenie. Style filmowe we współczesnym kinie artystycznym w praktyce dydaktycznej
Artykuł stanowi przegląd dominujących stylów filmowych we współczesnym kinie artystycznym. Autor traktuje styl filmowy jako pojęcie nadrzędne wobec wszystkich innych kategorii opisujących dzieło filmowe, mieszczące w sobie zarówno wykorzystane techniki filmowe, jak i struktury narracyjne i fabularne. Zgodnie z tym założeniem wyróżniono i omówiono style: realistyczny, formalistyczny, minimalistyczny, ekscesywny oraz slow cinema. Każdy z nich zosta…
Layers of Meaning, Layers of Earth
The authors analyse the film La Chimera, focusing on its numerous vegetal and animal motifs, as well as its representations of soil and graves. They interpret the film as a continuation of Alice Rohrwacher’s ecological cinema, placing it within a context of post-anthropocentric and necrohumanist thought. They argue that La Chimera displays a distinctive ecological sensibility – one that intertwines mythological and metaphysical references with a …
Art (4 works) · Education and Cultural Studies (2 works) · Polish Historical and Cultural Studies (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Archaeology (1 work) · Catholicism, Bioethics, Media, Education (1 work) · Cinema and Media Studies (1 work) · Comedy (1 work) · Diverse Academic Research Studies (1 work)