Marija Maglov
Biographic Data
| ID | 9617518 |
|---|---|
| NAME | Marija Maglov |
| GIVEN NAMES | Marija |
| FAMILY NAME | Maglov |
| SIGNATURE | MAGLOV M |
| AFFILIATIONS | Institute of Musicology SASA, Belgrade, Serbia |
| ORCID | 0000-0003-3681-2767 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Lacrimosa by Ivana Stefanovic
This paper analyses the radiophonic work Lacrimosa (1993) by Serbian composer Ivana Stefanovic (1948-). More specifically, the work is interpreted from several thematic cores, as it addresses antiwar protests, exile, and motherhood, while echoing the lament as practice of expressing grief and loss. These topics are shaped in the framework of radio art, using various sound sources as building materials, from archive and field recordings to quotati…
Agency festivals in Serbia
The text is intended as an introduction to the research of the agency festivals in Serbia. The term agency festival is explained with examples of international equivalents and an overview of local and regional networks of agency festivals is provided. The most prevalent topics tackled at the agency festivals and, following their content, their significance for contemporary (popular) music beyond music industry goals are presented. The focus is on…
Aspects of interaction between radio and recording industry
A significant part of the Radio Belgrade programme, especially in the years before the establishment of instrumental and choral ensembles within this institution, was comprised of music recordings. Although gramophone record concerts were presented within the programme announcements, they were not considered in more detail in existing studies of music on Radio Belgrade. One of the reasons for this could be limited access to the data on the gramop…
Hidden Grooves
During the 1950s, Radio Belgrade commenced its own production of gramophone records, which is the topic of this paper. These 78rpm records were issued under the label Jugodisk, understood as forerunner of the later established PGP RTB/RTS. However, in the absence of catalogues, the information on those records is scarce. It seems that records were not issued regularly and that only some of them were intended for the market. The paper is aimed at …
In Memoriam Vesna Mikić (1967–2019)
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No prominent works on this page.
In Memoriam Vesna Mikić (1967–2019)
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Aspects of interaction between radio and recording industry
A significant part of the Radio Belgrade programme, especially in the years before the establishment of instrumental and choral ensembles within this institution, was comprised of music recordings. Although gramophone record concerts were presented within the programme announcements, they were not considered in more detail in existing studies of music on Radio Belgrade. One of the reasons for this could be limited access to the data on the gramop…
Hidden Grooves
During the 1950s, Radio Belgrade commenced its own production of gramophone records, which is the topic of this paper. These 78rpm records were issued under the label Jugodisk, understood as forerunner of the later established PGP RTB/RTS. However, in the absence of catalogues, the information on those records is scarce. It seems that records were not issued regularly and that only some of them were intended for the market. The paper is aimed at …
Agency festivals in Serbia
The text is intended as an introduction to the research of the agency festivals in Serbia. The term agency festival is explained with examples of international equivalents and an overview of local and regional networks of agency festivals is provided. The most prevalent topics tackled at the agency festivals and, following their content, their significance for contemporary (popular) music beyond music industry goals are presented. The focus is on…
Lacrimosa by Ivana Stefanovic
This paper analyses the radiophonic work Lacrimosa (1993) by Serbian composer Ivana Stefanovic (1948-). More specifically, the work is interpreted from several thematic cores, as it addresses antiwar protests, exile, and motherhood, while echoing the lament as practice of expressing grief and loss. These topics are shaped in the framework of radio art, using various sound sources as building materials, from archive and field recordings to quotati…
Balkan and Eastern European Studies (2 works) · Balkans: History, Politics, Society (2 works) · Computer Science (2 works) · Diverse Musicological Studies (2 works) · Aesthetics (1 work) · Art (1 work) · Artistic and Creative Research (1 work) · Chemistry (1 work) · Choir (1 work) · Cultural Industries and Urban Development (1 work)