Gisela M A Richter
Dados Biográficos
| ID | 961874 |
|---|---|
| NOME | Gisela M A Richter |
| PRENOMES | Gisela M A |
| SOBRENOME | Richter |
| ASSINATURA | RICHTER G M A |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 84 |
| TOTAL DE CITAÇÕES | 100 |
| TOTAL COMO AUTOR | 84 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1907 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2013 |
| ÍNDICE H | 4 |
Archaic Attic Gravestones
Perspective in Greek and Roman Art
New Signatures of Greek Sculptors
Newcomers
An Aristogeiton from Baiae
The Engraved Gems of the Greeks, Etruscans and Romans
The Pheidian Zeus at Olympia
The Archaic Gravestones of Attica
Kouroi
Greek Portraits, III
Greek Portraits. II
A Handbook of Greek Art
Calenian Pottery and Classical Greek Metalware
Was Roman Art of the First Centuries B.C. and A.D. classicizing
As our knowledge and understanding of ancient art increase it is possible to discard old theories that impede the proper appreciation of a certain period. I should like to place in this category of outworn creeds what is commonly called the classicizing or neo-classical art of the first centuries B.C. and A.D., as well as later. It has been thought that during that time there was a reaction from the baroque taste of the late Hellenistic period an…
Ancient Plaster Casts of Greek Metalware
Unpublished Gems in Various Collections
The Origin of Verism in Roman Portraits
Was the verism of Roman Republican portraits due to Italic, Etruscan, Roman, Egyptian, or Greek influence? This question has been much discussed, especially of late. Of particular interest is the recent theory that late Egyptian portraits played a decisive part. In this article I want first to discuss the evidence for the various influences that have been considered potent in the creation of Roman verism, and then try from this evidence to deduce…
Museo Nazionale Romano
Manuel d'archéologie grecque-La Sculpture (Tome IV)
The Marble Throne on the Akropolis and Its Replicas
T HE marble throne which was found in 1836 between the peristyle and the pronaos of the Parthenon' (pl. 47, figs. 1-4) has been published and republished many times, always as a work of the fourth century B.C.2 The reasons advanced for this date are: (1) the character of the letters in the inscription, (2) the use of o for ov in the inscription, (3) the style of the decoration. The case is an exceedingly interesting one, for in addition to the Ak…
The Sculpture and Sculptors of the Greeks
Accidental and Intentional Red Glaze on Athenian Vases
Professor Wace's many distinguished contributions to archaeology have been in a variety of fields. In all, however, he has kept an eye on the technical side of the problem, which so often illuminates our research. I, therefore, offer this investigation in his honour. After Mr. Charles F. Binns had in 1929 published his theory of the firing of Athenian vases successively under oxidising, reducing, and re-oxidising conditions it became clear that t…
Marburger Winckelmann-Programm, 1948
Greek Fifth-Century Silverware and Later Imitations
The Late "Achaemenian" or "Graecopersian" Gems
The Archaic Gravestones of Attica
Greeks in Persia
The Sculpture and Sculptors of the Greeks
Ancient Plaster Casts of Greek Metalware
The Origin of Verism in Roman Portraits
Was the verism of Roman Republican portraits due to Italic, Etruscan, Roman, Egyptian, or Greek influence? This question has been much discussed, especially of late. Of particular interest is the recent theory that late Egyptian portraits played a decisive part. In this article I want first to discuss the evidence for the various influences that have been considered potent in the creation of Roman verism, and then try from this evidence to deduce…
An Aristogeiton from Baiae
Accidental and Intentional Red Glaze on Athenian Vases
Professor Wace's many distinguished contributions to archaeology have been in a variety of fields. In all, however, he has kept an eye on the technical side of the problem, which so often illuminates our research. I, therefore, offer this investigation in his honour. After Mr. Charles F. Binns had in 1929 published his theory of the firing of Athenian vases successively under oxidising, reducing, and re-oxidising conditions it became clear that t…
A Fourth-Century Bronze Hydria in New York
Red-Figured Athenian Vases in the Metropolitan Museum of Art
Silk in Greece
Greek Portraits. II
Calenian Pottery and Classical Greek Metalware
Three Vases in the Metropolitan Museum, Illustrating Women's Life in Athens
A Greek Terracotta Head and the "Corinthian" School of Terracotta Sculpture
A Greek Silver Phiale in the Metropolitan Museum
An Aryballos by Nearchos
Classical Department
Dynamic Symmetry from the Designer's Point of View
Two Vases Signed by Hieron in the Metropolitan Museum of Art
A New Euphronios Cylix in the Metropolitan Museum of Art
An Archaic Etruscan Statuette
Three Vases in the Metropolitan Museum, Illustrating Women's Life in Athens
The Room of Ancient Glass
An Archaic Etruscan Statuette
Grotesques and the Mime
Two Colossal Athenian Geometric or "Dipylon" Vases in the Metropolitan Museum of Art
A Bronze Statue in the Metropolitan Museum of Art
A New Euphronios Cylix in the Metropolitan Museum of Art
Two Vases Signed by Hieron in the Metropolitan Museum of Art
Professor Carpenter's Reply
Dynamic Symmetry from the Designer's Point of View
Classical Department
Red-Figured Athenian Vases Recently Acquired by the Metropolitan Museum of Art
Athenian Red-Figured Vases
Two Hellenistic Portraits in the Metropolitan Museum
The Classical Collection
Gisela M. A. Richter, The Classical Collection: Rearrangement and Important Accessions, The Metropolitan Museum of Art Bulletin, Vol. 21, No. 4, Part 2: The Southern Extension of the Building, Wing K (Apr., 1926), pp. 7-11
The Basket of the Kanephoroi
"Attributed" Vases Recently Acquired by the Metropolitan Museum of Art
ΤΥΠΟΣ and Timotheos
Studi Etruschi, I
The Right Arm of Harmodios
Silk in Greece
A Tanagra Statuette
The Hermes of Praxiteles
Katalog der Sammlung antiker Kleinkunst des archäologischen Instituts der Universität Heidelberg. Erster Band
The Relief in New York
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