Lea Fink
Biographic Data
| ID | 9620874 |
|---|---|
| NAME | Lea Fink |
| GIVEN NAMES | Lea |
| FAMILY NAME | Fink |
| SIGNATURE | FINK L |
| AFFILIATIONS | Max Planck Institute for Empirical Aesthetics |
| ORCID | 0000-0003-3356-5529 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Listener Perception and Musical Structure
This study aims to create a dialogue between music psychology and music-theoretical discourse on the perception of musical form. In a lab and online study, we investigated how listeners segment Western classical music in real time, focusing on (1) inter-rater agreement, (2) alignment with music-theoretical analyses of sonata form, (3) subjective qualities of segment boundaries (beginnings, endings, importance ratings), and (4) the effects of repe…
Beginning, Middle, End
Research on the perception of musical form is characterized by strong inconsistencies between disciplines. While music theory traditionally emphasizes the importance of an entire work’s structural and formal unity, experimental research suggests that listeners have limited awareness of formal relationships over longer periods of time. This study critically comments on previous research and expands on it from a music-theoretical perspective. Laype…
The aesthetic experience of live concerts
Music listening can lead to strong aesthetic experiences.However, to gain deeper insights into such experiences, more empirical research outside of laboratory settings is required.The current exploratory study measured aesthetic experience (music-induced emotions and absorption) in combination with psychophysiology (facial electromyography and arousal measures) from 98 participants during three live concerts with a program of classical, romantic,…
Das Zukunftslabor - Eine Initiative der Deutschen Kammerphilharmonie Bremen
No prominent works on this page.
Das Zukunftslabor - Eine Initiative der Deutschen Kammerphilharmonie Bremen
The aesthetic experience of live concerts
Music listening can lead to strong aesthetic experiences.However, to gain deeper insights into such experiences, more empirical research outside of laboratory settings is required.The current exploratory study measured aesthetic experience (music-induced emotions and absorption) in combination with psychophysiology (facial electromyography and arousal measures) from 98 participants during three live concerts with a program of classical, romantic,…
Listener Perception and Musical Structure
This study aims to create a dialogue between music psychology and music-theoretical discourse on the perception of musical form. In a lab and online study, we investigated how listeners segment Western classical music in real time, focusing on (1) inter-rater agreement, (2) alignment with music-theoretical analyses of sonata form, (3) subjective qualities of segment boundaries (beginnings, endings, importance ratings), and (4) the effects of repe…
Beginning, Middle, End
Research on the perception of musical form is characterized by strong inconsistencies between disciplines. While music theory traditionally emphasizes the importance of an entire work’s structural and formal unity, experimental research suggests that listeners have limited awareness of formal relationships over longer periods of time. This study critically comments on previous research and expands on it from a music-theoretical perspective. Laype…
Neuroscience and Music Perception (3 works) · Active listening (1 works) · Aesthetic Perception and Analysis (1 works) · Aesthetics (1 works) · Ambiguity (1 works) · Art (1 works) · Arts, Culture, and Music Studies (1 works) · Categorical Perception (1 works) · Categorization (1 works) · Child and Animal Learning Development (1 works)