Max Tohline
Biographic Data
| ID | 9623056 |
|---|---|
| NAME | Max Tohline |
| GIVEN NAMES | Max |
| FAMILY NAME | Tohline |
| SIGNATURE | TOHLINE M |
| AFFILIATIONS | Film Independent |
| ORCID | 0000-0002-7065-6473 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
A Supercut of Supercuts
The genealogies of the supercut, which extend well past YouTube compilations, back to the 1920s and beyond, reveal it not as an aesthetic that trickled from avant-garde experimentation into mass entertainment, but rather the material expression of a newly-ascendant mode of knowledge and power: the database episteme
Why Is Reverse Motion Funny? Happy End and the Comic Potential of the Cinematographic Mechanism
Research Article| December 01 2021 Why Is Reverse Motion Funny? Happy End and the Comic Potential of the Cinematographic Mechanism Max Tohline Max Tohline MAX TOHLINE is an independent film scholar whose work focuses on temporal plasticity in cinema. He publishes video essays at maxtohline.com. His work has also appeared in Open Screens Journal and Bright Lights Film Journal. Search for other works by this author on: This Site Google Journal of F…
No prominent works on this page.
A Supercut of Supercuts
The genealogies of the supercut, which extend well past YouTube compilations, back to the 1920s and beyond, reveal it not as an aesthetic that trickled from avant-garde experimentation into mass entertainment, but rather the material expression of a newly-ascendant mode of knowledge and power: the database episteme
Why Is Reverse Motion Funny? Happy End and the Comic Potential of the Cinematographic Mechanism
Research Article| December 01 2021 Why Is Reverse Motion Funny? Happy End and the Comic Potential of the Cinematographic Mechanism Max Tohline Max Tohline MAX TOHLINE is an independent film scholar whose work focuses on temporal plasticity in cinema. He publishes video essays at maxtohline.com. His work has also appeared in Open Screens Journal and Bright Lights Film Journal. Search for other works by this author on: This Site Google Journal of F…
Art (2 works) · Computer Science (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Artificial Intelligence (1 work) · Asian Culture and Media Studies (1 work) · Cinema and Media Studies (1 work) · Citation (1 work) · Comics (1 work) · Database (1 work)