Jonathan Sapsed
Biographic Data
| ID | 9631314 |
|---|---|
| NAME | Jonathan Sapsed |
| GIVEN NAMES | Jonathan |
| FAMILY NAME | Sapsed |
| SIGNATURE | SAPSED J |
| AFFILIATIONS | Newcastle University |
| ORCID | 0000-0002-3602-849X |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Innovation and Diversity in the Digital Cultural and Creative Industries
Starving the golden goose? Access to finance for innovators in the creative industries
This paper extends research on innovating firms’ access to finance in the creative industries. While we know that entrepreneurial firms experience barriers to applying for funding and difficulties in securing positive outcomes, prior studies have shown that firms may use patents to signal innovative quality to potential investors. Yet these studies typically focus on R&D-oriented innovation in ‘traditional’ technological sectors. Creative industr…
Innovation and diversity in the digital cultural and creative industries
The Oxford Handbook of Creative Industries
User innovation is a potent economic and social force; the process, however, can be challenging, complex, and involve multiple actors with diverse and possibly conflicting motivations. It is prevalent in the music software industry, a sector characterized by low-cost shareware and customers equipped with high levels of technical skills. Here we explore how one firm in this sector—Sibelius—extracts value from their users by offering partially open…
Creative Industries
Creative Industries and the Wider Economy
Researchers have argued that the creative industries have significant effects on the wider economy, with early agendas focused on urban regeneration, job creation, and economic value-added. Later work extended to new firm creation, the growth of new markets, and regional clustering and development. This chapter reviews the evolution of thinking on classifying the creative industries as a ‘sector’, or group of sectors, and outlines contributions o…
Disassembly and reassembly
Innovation as politics
Organizing Events for Configuring and Maintaining Creative Fields
The Oxford Handbook of Creative Industries is a reference work, bringing together many of the world's leading scholars in the application of creativity in economics, business and management, law, policy studies, organization studies and psychology.
No prominent works on this page.
Innovation as politics
Organizing Events for Configuring and Maintaining Creative Fields
The Oxford Handbook of Creative Industries is a reference work, bringing together many of the world's leading scholars in the application of creativity in economics, business and management, law, policy studies, organization studies and psychology.
Disassembly and reassembly
The Oxford Handbook of Creative Industries
User innovation is a potent economic and social force; the process, however, can be challenging, complex, and involve multiple actors with diverse and possibly conflicting motivations. It is prevalent in the music software industry, a sector characterized by low-cost shareware and customers equipped with high levels of technical skills. Here we explore how one firm in this sector—Sibelius—extracts value from their users by offering partially open…
Creative Industries
Creative Industries and the Wider Economy
Researchers have argued that the creative industries have significant effects on the wider economy, with early agendas focused on urban regeneration, job creation, and economic value-added. Later work extended to new firm creation, the growth of new markets, and regional clustering and development. This chapter reviews the evolution of thinking on classifying the creative industries as a ‘sector’, or group of sectors, and outlines contributions o…
Innovation and diversity in the digital cultural and creative industries
Innovation and Diversity in the Digital Cultural and Creative Industries
Starving the golden goose? Access to finance for innovators in the creative industries
This paper extends research on innovating firms’ access to finance in the creative industries. While we know that entrepreneurial firms experience barriers to applying for funding and difficulties in securing positive outcomes, prior studies have shown that firms may use patents to signal innovative quality to potential investors. Yet these studies typically focus on R&D-oriented innovation in ‘traditional’ technological sectors. Creative industr…
Cultural Industries and Urban Development (8 works) · Business (6 works) · Economics (5 works) · Political science (5 works) · Creative industries (4 works) · Entrepreneurship Studies and Influences (3 works) · Sociology (3 works) · Computer Science (2 works) · Diversity (politics) (2 works) · Economic geography (2 works)