George J Buelow
Biographic Data
| ID | 963894 |
|---|---|
| NAME | George J Buelow |
| GIVEN NAMES | George J |
| FAMILY NAME | Buelow |
| SIGNATURE | BUELOW G J |
| AFFILIATIONS | Professor and Chairman of Music, Rutgers, The State University of New Jersey, New Brunswick |
| VERIFIED | No |
| TOTAL WORKS | 57 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 56 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1963 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
The Tainted Muse: Prejudice and Presumption in Shakespeare and his Time
This book is a masterful and engaging exploration of both Shakespeare's works and his age. Concentrating on six recurring prejudices in Shakespeare’s plays such as misogyny, elitism, distrust of effeminacy, and racism Robert Brustein examines how Shakespeare and his contemporaries treated them. More than simply a thematic study, the book reveals a playwright constantly exploiting and exploring his own personal stances. These prejudices, Brustein …
Conradi, Johann Georg (opera)
Hamburg (opera)
Gebel, Georg (ii)
Affects, theory of the
Daube, Johann Friedrich
Mattheson, Johann
Gebel, Georg (i)
Kuhnau [Kuhn, Cuno], Johann
Kircher, Athanasius
Gebel family
Knüpfer, Sebastian
Bokemeyer, Heinrich
Scheibe, Johann Adolph
Spiess, Meinrad
Kürzinger, Fortunatus
Ahle, Johann Rudolf
Gottsched, Johann Christoph
Kürzinger, Johann
Lippius, Johannes
Werckmeister, Andreas
Reusner [Reussner], Esaias (ii)
Kürzinger, Ignaz Franz Xaver
Gebel, Georg Siegmund
Kürzinger, Paul Ignaz
The Full-Voiced Style of Thorough-Bass Realization
Thourough-Bass Accompaniement according to Johann David Heinichen
Figured Bass as Improvisation
Die schöne und getreue Ariadne (Hamburg 1691): A Lost Opera by J. G. Conradi Rediscovered
A Bibliography of the History of Music Theory
Mizler Facsimile
The "Ariadne auf Naxos" of Hugo von Hofmannsthal and Richard Strauss
This book presents in comprehensive fashion the extraordinary development of "Ariadne auf Naxos" from its conception to the final operatic version. The unique collaboration of Hofmannsthal and Strauss is examined and the classical myths that served as a basis for the libretto are investigated. The detailed analysis and interpretation of both the text and the music demonstrate that this work is epochal in the history of early nineteenth-century op…
German Music Theory in the Early 17th Century: The Treatises of Johannes Lippius
Mattheson
The Hole Truth
Gebel, Georg (ii)
Affects, theory of the
Daube, Johann Friedrich
Mattheson, Johann
Gebel, Georg (i)
Kuhnau [Kuhn, Cuno], Johann
Kircher, Athanasius
Gebel family
Knüpfer, Sebastian
Bokemeyer, Heinrich
Scheibe, Johann Adolph
Spiess, Meinrad
Kürzinger, Fortunatus
Ahle, Johann Rudolf
Gottsched, Johann Christoph
Art (32 works) · German Literature and Culture Studies (15 works) · Computer Science (14 works) · Art history (13 works) · Philosophy (13 works) · Musicology and Musical Analysis (12 works) · Geology (8 works) · History and Developments in Astronomy (7 works) · Psychology (4 works) · Reformation and Early Modern Christianity (4 works)