Domenica Romagni
Biographic Data
| ID | 9639903 |
|---|---|
| NAME | Domenica Romagni |
| GIVEN NAMES | Domenica |
| FAMILY NAME | Romagni |
| SIGNATURE | ROMAGNI D |
| AFFILIATIONS | Colorado State University |
| ORCID | 0000-0002-2805-1681 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
“Of the octave the relation 2
In this paper, I address how music theory, generally, and the case of the octave more specifically, played an instrumental and under-appreciated role in the development of seventeenth-century mechanization of sensory perception. In particular, I argue that investigation into the causes of the octave, Aristotle’s chosen example of a formal cause, and other musical intervals like it served to undermine the Neo-Aristotelian framework, while also pro…
Cartesian sensory perception, agreeability, and the puzzle of aesthetic pleasure
In this paper, I address Descartes’ claims that sensory perceptions function to aid and preserve the subject in interacting with the world, and focus specifically on the ‘valence’, or agreeable/disagreeable quality, that characterizes many sensations. I show how Descartes considers this aspect of sensation to be a significant factor in the ecological role of sensory perception and I then turn to a kind of case that seems to pose a problem for thi…
No prominent works on this page.
Cartesian sensory perception, agreeability, and the puzzle of aesthetic pleasure
In this paper, I address Descartes’ claims that sensory perceptions function to aid and preserve the subject in interacting with the world, and focus specifically on the ‘valence’, or agreeable/disagreeable quality, that characterizes many sensations. I show how Descartes considers this aspect of sensation to be a significant factor in the ecological role of sensory perception and I then turn to a kind of case that seems to pose a problem for thi…
“Of the octave the relation 2
In this paper, I address how music theory, generally, and the case of the octave more specifically, played an instrumental and under-appreciated role in the development of seventeenth-century mechanization of sensory perception. In particular, I argue that investigation into the causes of the octave, Aristotle’s chosen example of a formal cause, and other musical intervals like it served to undermine the Neo-Aristotelian framework, while also pro…
Aesthetics (2 works) · Epistemology (2 works) · Historical Philosophy and Science (2 works) · Perception (2 works) · Philosophy (2 works) · Acoustics (1 work) · Art (1 work) · Causation (1 work) · Cognitive psychology (1 work) · Computer Science (1 work)