Elizabeth Bartman
Dados Biográficos
| ID | 964384 |
|---|---|
| NOME | Elizabeth Bartman |
| PRENOMES | Elizabeth |
| SOBRENOME | Bartman |
| ASSINATURA | BARTMAN E |
| AFILIAÇÕES | Medical Protective |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 26 |
| TOTAL DE CITAÇÕES | 19 |
| TOTAL COMO AUTOR | 26 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1988 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 2 |
Taste and the Antique
The Torlonia Marbles
The Torlonia Marbles showcases nearly 100 ancient statues selected from the thousands acquired by the rich and powerful Torlonia family in 19th-century Rome. Hidden from view for half a century, the works have been cleaned, conserved, and studied for the exhibition. Some of these are so famous that they are eponymous with the family: the Torlonia Port Relief, depicting the port of Ostia; the Torlonia Girl, depicting a young maiden; and the Torlon…
The Roman Nude
Reviewed by: The Roman Nude: Heroic Portrait Statuary 200 B.C.-A.D. 300 Elizabeth Bartman Christopher H. Hallett . The Roman Nude: Heroic Portrait Statuary 200 B.C.-A.D. 300. Oxford Studies in Ancient Culture. Oxford: Oxford University Press, 2005. Pp. xxi, 391. $150.00. ISBN 0-19-924049-4. Hallett's thorough and well-researched study aims to explain a conundrum of Roman art: why did the Romans, who associated nudity with shame, commission public…
Classical Art in Copenhagen
The Villa dei Papiri at Herculaneum
The mock face of battle
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The New Galleries of Ancient Art at the Walters Art Museum, Baltimore
Ancient Rome
Ancient Rome
Statuette
Ancient Greece
Death and the Emperor
Hair and the Artifice of Roman Female Adornment
Roman female hairstyles were highly individualized, gendered cultural markers, in many cases having a physiognomic role in a portrait like the face itself. The paucity of surviving organic remains requires that we consult artistic representations in painting and sculpture to assess the forms of these hairstyles. Despite their often fanciful conceptions, they do not represent artistic inventions, but rather elaborate coiffures made with real human…
Die Skulpturen von Fianello Sabino
Portraits of Livia
The Artists of the Ara Pacis
Roman Children's Sarcophagi
The Ara Pacis Augustae and the Imagery of Abundance in Later Greek and Early Roman Imperial Art
L'immagine del vincitore
Faces of Power
Roman Sculpture
Greek Sculpture
Roman Painting
Octavian's Campsite Memorial for the Actian War
Kaiser Augustus und die verlorene Republik
Decor et Duplicatio
Using a statuary group found under the Via Cavour in Rome as its starting point, this article investigates some of the formal and conceptual principles that directed sculptural display in the private realm during the Roman Imperial period. The Cavour discovery raises the subject of the sculptural pendant, for it includes two versions of the same statuary type set side by side. Like similarly conceived pairs from villas at Herculaneum, Sperlonga, …
Hair and the Artifice of Roman Female Adornment
Roman female hairstyles were highly individualized, gendered cultural markers, in many cases having a physiognomic role in a portrait like the face itself. The paucity of surviving organic remains requires that we consult artistic representations in painting and sculpture to assess the forms of these hairstyles. Despite their often fanciful conceptions, they do not represent artistic inventions, but rather elaborate coiffures made with real human…
Kaiser Augustus und die verlorene Republik
The mock face of battle
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Decor et Duplicatio
Using a statuary group found under the Via Cavour in Rome as its starting point, this article investigates some of the formal and conceptual principles that directed sculptural display in the private realm during the Roman Imperial period. The Cavour discovery raises the subject of the sculptural pendant, for it includes two versions of the same statuary type set side by side. Like similarly conceived pairs from villas at Herculaneum, Sperlonga, …
Kaiser Augustus und die verlorene Republik
Octavian's Campsite Memorial for the Actian War
Roman Painting
Roman Sculpture
Greek Sculpture
L'immagine del vincitore
Faces of Power
Portraits of Livia
The Artists of the Ara Pacis
Roman Children's Sarcophagi
The Ara Pacis Augustae and the Imagery of Abundance in Later Greek and Early Roman Imperial Art
Die Skulpturen von Fianello Sabino
Hair and the Artifice of Roman Female Adornment
Roman female hairstyles were highly individualized, gendered cultural markers, in many cases having a physiognomic role in a portrait like the face itself. The paucity of surviving organic remains requires that we consult artistic representations in painting and sculpture to assess the forms of these hairstyles. Despite their often fanciful conceptions, they do not represent artistic inventions, but rather elaborate coiffures made with real human…
Ancient Rome
Ancient Rome
Statuette
Ancient Greece
Death and the Emperor
The New Galleries of Ancient Art at the Walters Art Museum, Baltimore
The mock face of battle
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Villa dei Papiri at Herculaneum
The Roman Nude
Reviewed by: The Roman Nude: Heroic Portrait Statuary 200 B.C.-A.D. 300 Elizabeth Bartman Christopher H. Hallett . The Roman Nude: Heroic Portrait Statuary 200 B.C.-A.D. 300. Oxford Studies in Ancient Culture. Oxford: Oxford University Press, 2005. Pp. xxi, 391. $150.00. ISBN 0-19-924049-4. Hallett's thorough and well-researched study aims to explain a conundrum of Roman art: why did the Romans, who associated nudity with shame, commission public…
Classical Art in Copenhagen
The Torlonia Marbles
The Torlonia Marbles showcases nearly 100 ancient statues selected from the thousands acquired by the rich and powerful Torlonia family in 19th-century Rome. Hidden from view for half a century, the works have been cleaned, conserved, and studied for the exhibition. Some of these are so famous that they are eponymous with the family: the Torlonia Port Relief, depicting the port of Ostia; the Torlonia Girl, depicting a young maiden; and the Torlon…
Art (22 obras) · History (15 obras) · Ancient Mediterranean Archaeology and History (13 obras) · Classical Antiquity Studies (13 obras) · Art history (10 obras) · Sculpture (8 obras) · Computer Science (7 obras) · Visual arts (7 obras) · Archaeology (5 obras) · Aesthetics (4 obras)