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Margaret Dickie

Biographic Data

ID964558
NAMEMargaret Dickie
GIVEN NAMESMargaret
FAMILY NAMEDickie
SIGNATUREDICKIE M
VERIFIEDNo
TOTAL WORKS24
TOTAL CITATIONS4
AUTHOR COUNT23
EDITOR COUNT1
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2000
H-INDEX1
  • Challenging Boundaries: Gender and Periodization

    Jacqueline Vaught Brogan, Josephine Donovan et al.•BOOK•Challenging Boundaries•2000

  • Elizabeth Bishop: Text and Subtext

    Margaret Dickie•ARTICLE•South Atlantic Review•1994

  • Lyric Contingencies: Emily Dickinson and Wallace Stevens

    Theodore Haddin, Margaret Dickie et al.•ARTICLE•South Atlantic Review•1993

  • Choosing Not Choosing: Dickinson's Fascicles

    Open Access•Margaret Dickie, Sharon Cameron et al.•ARTICLE•South Central Review•1993

  • Seeing is Re-Seeing: Sylvia Plath and Elizabeth Bishop

    Margaret Dickie•ARTICLE•American Literature•1993

    Le detail de l'oeil dans The Man-Moth de E. Bishop et The Beekeeper's Daughter de S. Plath. Approche psychanalytique de la subjectivite feminine des deux poetesses

  • Lyric Contingencies: Emily Dickinson and Wallace Stevens

    Albert Gelpi, Margaret Dickie et al.•ARTICLE•The New England Quarterly•1992

  • Lyric Contingencies: Emily Dickinson and Wallace Stevens

    Milton J Bates, Margaret Dickie et al.•ARTICLE•American Literature•1992

  • Elizabeth Bishop: Questions of Mastery

    Margaret Dickie, Bonnie Costello•ARTICLE•American Literature•1992

    Active displacements in perspective attractive mortality imaginary heights, invisible depths excursive sight memory's eye art as commemoration epilogue - maps and mirrors

  • Emily Dickinson's Reading of Men and Books: Sacred Soundings

    Margaret Dickie, Margaret M Dickie et al.•ARTICLE•American Literature•1991

  • Women Poets and the American Sublime

    Margaret Dickie, Joanne Feit Diehl•ARTICLE•American Literature•1991•Cited by: 4

    This is the best book on American women poets I have yet seen." Â -American Literature "... sophisticated and eloquently argued analysis of a female counter-sublime..." -Sandra Gilbert "... strong readings of Dickinson and Moore and... a vital polemic on behalf of feminist criticism." -Harold Bloom "This brilliant re-evaluation of major American women poets will be indispensable reading... A stunning and a magisterial achievement." -Susan Gubar "…

  • Columbia Literary History of the United States

    Margaret Dickie, Emory Elliott•ARTICLE•South Atlantic Review•1989

    Beginnings to 1810I. A Key into the Languages of AmericaII. The Prose and Poetry of Colonial AmericaIII. America in TransitionIV. The Literature of the New RepublicPart Two. 1810-1865I. The Age in PerspectiveII. Cultural Diversity and Literary FormsIII. Intellectual Movements and Social ChangeIV. The American RenaissancePart Three. 1865-1910I. Signs of the TimesII. Genre DeliberationsIII. Literary DiversitiesIV. Major VoicesPart Four. 1910-1945I.…

  • Virgin and Whore: The Image of Women in the Poetry of William Carlos Williams

    Margaret Dickie, Margaret M Dickie et al.•ARTICLE•American Literature•1988

  • On the Modernist Long Poem

    Stephen Fredman, Margaret Dickie•ARTICLE•American Literature•1988

  • Transmemberment of Song: Hart Crane's Anatomies of Rhetoric and Desire

    Margaret Dickie, Lee Edelman•ARTICLE•American Literature•1988

  • Dickinson's Discontinuous Lyric Self

    Margaret Dickie•ARTICLE•American Literature•1988

    JT is the habit of our times to read poetry as if it were prose perhaps because recent strategies for reading derive from and are most easily applied to prose. Psychoanalytic, Marxist, feminist models for reading all depend to one extent or another upon a plot, upon character, and upon extended development. When these models are applied to a form such as a lyric poem that is brief, repetitive, and figurative, they fit uneasily and most usefully o…

  • H. D: The Career of that Struggle

    Margaret Dickie, Rachel Blau Duplessis•ARTICLE•American Literature•1987

    This volume fills a real gap in H. D. scholarship. It is situated at the crossroads of contemporary hermeneutics and feminist criticism

  • Visions and Revisions of American Poetry

    Margaret Dickie, Lewis Putnam Turco et al.•ARTICLE•American Literature•1987

    not revisions but one thoroughgoing and far-reaching revision -- of the course of American poetry through centuries, as commonly understood. It is polemical but good-humored, lightly and racily written but with passion, deeply serious, discerning and timely. -- Donald Davie

  • Oedipus Anne: The Poetry of Anne Sexton

    Margaret Dickie, Margaret M Dickie et al.•ARTICLE•American Literature•1987

  • Williams Reading Paterson

    Margaret Dickie•ARTICLE•ELH•1986

  • Modern American Women Poets

    Margaret Dickie, Jean Gould•ARTICLE•American Literature•1986

  • The Backward Flight of The Bridge

    Margaret Dickie•ARTICLE•American Literature•1985

    H ART Crane finished the last section of The Bridge first, and JlJhe called it Atlantis. With that beginning, the long poem was hard to start, harder still because Crane saw the ending as symphonic in including the convergence of all the strands separately detailed in antecedent sections of the poem-Columbus, conquests of water, land, etc., Pokahantus, subways, offices, etc., etc.' To begin at the end, where Edgar Allan Poe thought all works of a…

  • Plath's Incarnations: Woman and the Creative Process

    Margaret Dickie, Margaret M Dickie et al.•ARTICLE•The New England Quarterly•1984

  • The Cantos: Slow Reading

    Margaret Dickie•ARTICLE•ELH•1984

  • The female hero in American and British literature

    Open Access•Margaret Dickie•ARTICLE•Women s Studies International Forum•1983

  • Women Poets and the American Sublime

    Margaret Dickie, Joanne Feit Diehl•ARTICLE•American Literature•1991•Cited by: 4

    This is the best book on American women poets I have yet seen." Â -American Literature "... sophisticated and eloquently argued analysis of a female counter-sublime..." -Sandra Gilbert "... strong readings of Dickinson and Moore and... a vital polemic on behalf of feminist criticism." -Harold Bloom "This brilliant re-evaluation of major American women poets will be indispensable reading... A stunning and a magisterial achievement." -Susan Gubar "…

  • The female hero in American and British literature

    Open Access•Margaret Dickie•ARTICLE•Women s Studies International Forum•1983

  • Plath's Incarnations: Woman and the Creative Process

    Margaret Dickie, Margaret M Dickie et al.•ARTICLE•The New England Quarterly•1984

  • The Cantos: Slow Reading

    Margaret Dickie•ARTICLE•ELH•1984

  • The Backward Flight of The Bridge

    Margaret Dickie•ARTICLE•American Literature•1985

    H ART Crane finished the last section of The Bridge first, and JlJhe called it Atlantis. With that beginning, the long poem was hard to start, harder still because Crane saw the ending as symphonic in including the convergence of all the strands separately detailed in antecedent sections of the poem-Columbus, conquests of water, land, etc., Pokahantus, subways, offices, etc., etc.' To begin at the end, where Edgar Allan Poe thought all works of a…

  • Williams Reading Paterson

    Margaret Dickie•ARTICLE•ELH•1986

  • Modern American Women Poets

    Margaret Dickie, Jean Gould•ARTICLE•American Literature•1986

  • H. D: The Career of that Struggle

    Margaret Dickie, Rachel Blau Duplessis•ARTICLE•American Literature•1987

    This volume fills a real gap in H. D. scholarship. It is situated at the crossroads of contemporary hermeneutics and feminist criticism

  • Visions and Revisions of American Poetry

    Margaret Dickie, Lewis Putnam Turco et al.•ARTICLE•American Literature•1987

    not revisions but one thoroughgoing and far-reaching revision -- of the course of American poetry through centuries, as commonly understood. It is polemical but good-humored, lightly and racily written but with passion, deeply serious, discerning and timely. -- Donald Davie

  • Oedipus Anne: The Poetry of Anne Sexton

    Margaret Dickie, Margaret M Dickie et al.•ARTICLE•American Literature•1987

  • Virgin and Whore: The Image of Women in the Poetry of William Carlos Williams

    Margaret Dickie, Margaret M Dickie et al.•ARTICLE•American Literature•1988

  • On the Modernist Long Poem

    Stephen Fredman, Margaret Dickie•ARTICLE•American Literature•1988

  • Transmemberment of Song: Hart Crane's Anatomies of Rhetoric and Desire

    Margaret Dickie, Lee Edelman•ARTICLE•American Literature•1988

  • Dickinson's Discontinuous Lyric Self

    Margaret Dickie•ARTICLE•American Literature•1988

    JT is the habit of our times to read poetry as if it were prose perhaps because recent strategies for reading derive from and are most easily applied to prose. Psychoanalytic, Marxist, feminist models for reading all depend to one extent or another upon a plot, upon character, and upon extended development. When these models are applied to a form such as a lyric poem that is brief, repetitive, and figurative, they fit uneasily and most usefully o…

  • Columbia Literary History of the United States

    Margaret Dickie, Emory Elliott•ARTICLE•South Atlantic Review•1989

    Beginnings to 1810I. A Key into the Languages of AmericaII. The Prose and Poetry of Colonial AmericaIII. America in TransitionIV. The Literature of the New RepublicPart Two. 1810-1865I. The Age in PerspectiveII. Cultural Diversity and Literary FormsIII. Intellectual Movements and Social ChangeIV. The American RenaissancePart Three. 1865-1910I. Signs of the TimesII. Genre DeliberationsIII. Literary DiversitiesIV. Major VoicesPart Four. 1910-1945I.…

  • Emily Dickinson's Reading of Men and Books: Sacred Soundings

    Margaret Dickie, Margaret M Dickie et al.•ARTICLE•American Literature•1991

  • Women Poets and the American Sublime

    Margaret Dickie, Joanne Feit Diehl•ARTICLE•American Literature•1991•Cited by: 4

    This is the best book on American women poets I have yet seen." Â -American Literature "... sophisticated and eloquently argued analysis of a female counter-sublime..." -Sandra Gilbert "... strong readings of Dickinson and Moore and... a vital polemic on behalf of feminist criticism." -Harold Bloom "This brilliant re-evaluation of major American women poets will be indispensable reading... A stunning and a magisterial achievement." -Susan Gubar "…

  • Lyric Contingencies: Emily Dickinson and Wallace Stevens

    Albert Gelpi, Margaret Dickie et al.•ARTICLE•The New England Quarterly•1992

  • Lyric Contingencies: Emily Dickinson and Wallace Stevens

    Milton J Bates, Margaret Dickie et al.•ARTICLE•American Literature•1992

  • Elizabeth Bishop: Questions of Mastery

    Margaret Dickie, Bonnie Costello•ARTICLE•American Literature•1992

    Active displacements in perspective attractive mortality imaginary heights, invisible depths excursive sight memory's eye art as commemoration epilogue - maps and mirrors

  • Lyric Contingencies: Emily Dickinson and Wallace Stevens

    Theodore Haddin, Margaret Dickie et al.•ARTICLE•South Atlantic Review•1993

  • Choosing Not Choosing: Dickinson's Fascicles

    Open Access•Margaret Dickie, Sharon Cameron et al.•ARTICLE•South Central Review•1993

  • Seeing is Re-Seeing: Sylvia Plath and Elizabeth Bishop

    Margaret Dickie•ARTICLE•American Literature•1993

    Le detail de l'oeil dans The Man-Moth de E. Bishop et The Beekeeper's Daughter de S. Plath. Approche psychanalytique de la subjectivite feminine des deux poetesses

  • Elizabeth Bishop: Text and Subtext

    Margaret Dickie•ARTICLE•South Atlantic Review•1994

  • Challenging Boundaries: Gender and Periodization

    Jacqueline Vaught Brogan, Josephine Donovan et al.•BOOK•Challenging Boundaries•2000

Art (19 works) · History (18 works) · Poetry Analysis and Criticism (17 works) · Literature (12 works) · Philosophy (9 works) · Aesthetics (5 works) · French Literature and Poetry (5 works) · American and British Literature Analysis (4 works) · Linguistics (4 works) · Poetry (4 works)

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