Timothy Raser
Biographic Data
| ID | 964585 |
|---|---|
| NAME | Timothy Raser |
| GIVEN NAMES | Timothy |
| FAMILY NAME | Raser |
| SIGNATURE | RASER T |
| ORCID | 0000-0001-9085-3805 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1985 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Capturing images
Letters written over the course of 1859–60 tell of an effort on Charles Baudelaire’s part to republish Charles Meryon’s Vues sur Paris, augmented with descriptive texts by the poet. The collaboration failed and, ever since, readers have wondered what would have come of it. At the same time, Baudelaire was “courting” Victor Hugo, sending him new and not-quite-new poems dedicated to him. At the very end of 1859, Baudelaire includes his Salon descri…
Blank Darkness
Stendhal
Double Heart
Criticism and Truth
Double Dealing
The Fallacies of Imitation
The concept of mimesis has long received much attention from literary theorists, and, since the romantics, much of that has been unfavorable. Imitation is the doctrine against which very different movements have sought to define themselves. But while we have learned to despise imitative theories of art, there is no agreement on what it is exactly we condemn or, more importantly, what we put in its place. Three decades ago, M. H. Abrams analyzed e…
No prominent works on this page.
The Fallacies of Imitation
The concept of mimesis has long received much attention from literary theorists, and, since the romantics, much of that has been unfavorable. Imitation is the doctrine against which very different movements have sought to define themselves. But while we have learned to despise imitative theories of art, there is no agreement on what it is exactly we condemn or, more importantly, what we put in its place. Three decades ago, M. H. Abrams analyzed e…
Double Heart
Criticism and Truth
Double Dealing
Stendhal
Blank Darkness
Capturing images
Letters written over the course of 1859–60 tell of an effort on Charles Baudelaire’s part to republish Charles Meryon’s Vues sur Paris, augmented with descriptive texts by the poet. The collaboration failed and, ever since, readers have wondered what would have come of it. At the same time, Baudelaire was “courting” Victor Hugo, sending him new and not-quite-new poems dedicated to him. At the very end of 1859, Baudelaire includes his Salon descri…
Art (6 works) · Philosophy (5 works) · Literature (4 works) · Art history (2 works) · Epistemology (2 works) · History (2 works) · Linguistics (2 works) · Psychology (2 works) · Aesthetics (1 work) · American Jewish Fiction Analysis (1 work)