Annamaria Motrescu-Mayes
Biographic Data
| ID | 96504 |
|---|---|
| NAME | Annamaria Motrescu-Mayes |
| GIVEN NAMES | Annamaria |
| FAMILY NAME | Motrescu-Mayes |
| SIGNATURE | MOTRESCU-MAYES A |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Amateur Media and Participatory Cultures
British Women Amateur Filmmakers
British Women’s Media Narratives of Gender and Collective Memory
This chapter engages with theoretical and historical perspectives on gender, post-colonialism and new media with the aim to trace the visual literacy defined by several examples of British women amateur film and media practice. This literacy appears to inform new understandings of amateur/new media making and to elucidate how gender-driven visual narratives of gender, race and national identities function today within global online networks. It e…
Resisting Colonial Gendering while Domesticating the Empire
This chapter examines how colonial women amateur filmmakers often documented in detail their early and mid-twentieth century overseas travel and settlement experiences, jobs, sports and private and official events. Relying on cross-archival primary sources, it discusses the filmmakers’ simultaneous roles as vectors of colonising credos and commodified subalterns of imperial paternalism. It explores the historical discourse present across several …
Paradoxical Legacies
6. Paradoxical Legacies: Colonial Missionary Films, Corporate Philanthropy in South Asia and the Griersonian Documentary Tradition was published in The Colonial Documentary Film in South and South-East Asia on page 128.
No prominent works on this page.
Paradoxical Legacies
6. Paradoxical Legacies: Colonial Missionary Films, Corporate Philanthropy in South Asia and the Griersonian Documentary Tradition was published in The Colonial Documentary Film in South and South-East Asia on page 128.
British Women Amateur Filmmakers
British Women’s Media Narratives of Gender and Collective Memory
This chapter engages with theoretical and historical perspectives on gender, post-colonialism and new media with the aim to trace the visual literacy defined by several examples of British women amateur film and media practice. This literacy appears to inform new understandings of amateur/new media making and to elucidate how gender-driven visual narratives of gender, race and national identities function today within global online networks. It e…
Resisting Colonial Gendering while Domesticating the Empire
This chapter examines how colonial women amateur filmmakers often documented in detail their early and mid-twentieth century overseas travel and settlement experiences, jobs, sports and private and official events. Relying on cross-archival primary sources, it discusses the filmmakers’ simultaneous roles as vectors of colonising credos and commodified subalterns of imperial paternalism. It explores the historical discourse present across several …
Amateur Media and Participatory Cultures
History (4 works) · African history and culture studies (3 works) · Amateur (3 works) · Art (3 works) · Colonialism (3 works) · Gender Studies (3 works) · Literature (3 works) · Media studies (3 works) · Narrative (3 works) · Sociology (3 works)