Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Jan Fairley

Biographic Data

ID965685
NAMEJan Fairley
GIVEN NAMESJan
FAMILY NAMEFairley
SIGNATUREFAIRLEY J
AFFILIATIONSUniversity of Liverpool
VERIFIEDNo
TOTAL WORKS23
TOTAL CITATIONS30
AUTHOR COUNT23
EDITOR COUNT0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2016
H-INDEX4
  • Living Politics, Making Music

    Edited By Simon Frith, Ian Christie et al.•BOOK•Living Politics, Making Music•2016

  • La Nueva Canción Latinoamericana (1984)

    Jan Fairley, Frith et al.•CHAPTER•Living Politics, Making Music•2016

    In 1998 the Chilean musical group Inti-Illimani celebrated their thirtieth anniversary. During these 30 years they have achieved the greatest international reputation of any of Chile’s nueva canción groups, enjoying periods of enormous popularity at home and abroad, especially in Italy. In 2002, as I write this piece, they are a year short of celebrating 35 years. Yet between 1998 and 2002 two key members left the group: musical director Horacio …

  • Introduction

    Open Access•Murray Forman, Jan Fairley•ARTICLE•Popular Music•2012•References: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Introduction

    Open Access•Barbara Bradby, Jan Fairley et al.•ARTICLE•Popular Music•2011•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Conference Report. Alma corazón y vida

    Open Access•Jan Fairley•ARTICLE•Popular Music•2009

    Conference Report. Alma corazón y vida: La canción popular y sus discursos analíticos, VIII Congreso IASPM –AL (the 8th Congress of the International Association for the Study of Popular Music [IASPM] Latin America), 18–22 June 2008, Lima, Perú - Volume 28 Issue 2

  • Bill Drummond's 'The 17' project at IASPM Glasgow

    Open Access•Jan Fairley•ARTICLE•Popular Music•2009

    Those of us who found we were sitting on or next to an empty cinema type numbered seat with black gaffer tape covering its number gathered at the front of the room and then, after a ten-minute break, entered into a windowless studio where two rows of seats were arranged in a semi-circle. In front of the seats were three high microphones, a keyboard, and a table with an Apple Mac laptop on it (the iconic corporate apple sign was the only thing tha…

  • Que viva la música popular! International Association for the Study of Popular music, 14th Biennial Conference, 25–29 June 2007, Mexico City

    Open Access•Ruth Till, Rupert Till et al.•ARTICLE•Popular Music•2007

    The International Association for the Study of Popular Music’s biennial international conference took place in July this year in Mexico City. The facilities in the Universidad Iberoamericana, a modern private Jesuit University in the city’s business quarter, were excellent, with video projection and a good sound system in all the air-conditioned rooms. The plenary sessions were translated to and from Spanish and also video recorded and streamed o…

  • Introduction to 'Dance' special issue

    Open Access•Sara Cohen, Jan Fairley•ARTICLE•Popular Music•2006

    Are ye dancin'?' 'Are ye askin'?' 'Yes I'm askin" 'Then I'm dancin'!' This was the exchange between couples in Glasgow early in the twentieth century at the height of the ballroom dancing boom that made the city one of the dancing capitals of the world. It lingers on in Scottish dancing parlance. In Havana, people were dancing danzón; in Buenos Aires, tango; and in Río de Janeiro, samba. It was a time of big orchestras when women wore evening dre…

  • Dancing back to front

    Open Access•Jan Fairley•ARTICLE•Popular Music•2006•Cited by: 4

    In this Middle Eight using ethnographic observation and interviews made in Cuba in May-July 2005 and March-April 2006 I problematise the new Latina/o dance music 'reggaetón' which in the USA is being heralded as ''an expression of pan-Latino identity ... the latest Latin musical style to sweep the world ... the one with the most promise of finding a permanent, prominent place not just in US but in global popular culture ..." (Marshall, 2006). Not…

  • Habanera

    Frances Barulich, Jan Fairley•CHAPTER•The new Grove dictionary of music…•2001

  • Recordings

    Trevor Wiggins, Jelena Jovanović et al.•ARTICLE•British Journal of Ethnomusicology•2001

    Akom: the art of possession. Village Pulse VPU‐1009, 1999. 72 mins. Recordings and booklet (24pp.) by Scott Kiehl in English. Soungalo Coulibaly: Dengo. Ethnomad ARN 64544, 2001 (recorded in 1995). 51 mins. Booklet (16pp.) in French, English. Serbie: antholagie de la musique populaire serbe / Serbia: an anthology of Serbian folk musk. VDE‐GALLO, CP 945/ AIMP LX, 1999. 72.22 mins. Recordings (1975–96) and accompanying notes in French and English (…

  • Essay Review

    Open Access•Jan Fairley•ARTICLE•Popular Music•1994

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Essay review

    Open Access•Jan Fairley•ARTICLE•Popular Music•1992•References: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • European world music charts

    Open Access•Jan Fairley•ARTICLE•Popular Music•1992•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Remembering - John Blacking

    Open Access•Jan Fairley•ARTICLE•Popular Music•1991•Cited by: 2•References: 2

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Masters of Contemporary Brazilian Song MPB 1965-1985

    Open Access•Jan Fairley•ARTICLE•Popular Music•1991

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Analysing performance

    Open Access•Jan Fairley•ARTICLE•Popular Music•1989•Cited by: 5•References: 11

    In September 1974 a group of musicians came together in Paris to perform at meetings to mark the first anniversary of the 1973 Chileancoup d'état. The group took the name ¡Karaxú! which is variously translated in performance as 'to go forward' or as 'a war cry'. In fact ¡Karaxú! is a Quechuasied version of the spanishcarajowhich colloquially can be loosely translated as 'bugger off' but in fact meansgrito de couraje y de rebeldía(a cry of courage…

  • Selected discography

    Open Access•Stan Rijven, Jan Fairley•ARTICLE•Popular Music•1989

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Popular Music

    Catherine Boyle, Catherine M Boyle et al.•ARTICLE•Bulletin of Latin American Research•1989

  • Out of the Archive and into the World of Music

    Open Access•Jan Fairley•ARTICLE•Popular Music•1989

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Essay review

    Open Access•Jan Fairley•ARTICLE•Popular Music•1988

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Annotated bibliography of Latin-American popular music with particular reference to Chile and to nueva canciòn

    Open Access•Jan Fairley•ARTICLE•Popular Music•1985•Cited by: 4

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • La Nueva Canción Latinoamericana

    Jan Fairley•ARTICLE•Bulletin of Latin American Research•1984•Cited by: 13

  • La Nueva Canción Latinoamericana

    Jan Fairley•ARTICLE•Bulletin of Latin American Research•1984•Cited by: 13

  • Analysing performance

    Open Access•Jan Fairley•ARTICLE•Popular Music•1989•Cited by: 5•References: 11

    In September 1974 a group of musicians came together in Paris to perform at meetings to mark the first anniversary of the 1973 Chileancoup d'état. The group took the name ¡Karaxú! which is variously translated in performance as 'to go forward' or as 'a war cry'. In fact ¡Karaxú! is a Quechuasied version of the spanishcarajowhich colloquially can be loosely translated as 'bugger off' but in fact meansgrito de couraje y de rebeldía(a cry of courage…

  • Dancing back to front

    Open Access•Jan Fairley•ARTICLE•Popular Music•2006•Cited by: 4

    In this Middle Eight using ethnographic observation and interviews made in Cuba in May-July 2005 and March-April 2006 I problematise the new Latina/o dance music 'reggaetón' which in the USA is being heralded as ''an expression of pan-Latino identity ... the latest Latin musical style to sweep the world ... the one with the most promise of finding a permanent, prominent place not just in US but in global popular culture ..." (Marshall, 2006). Not…

  • Annotated bibliography of Latin-American popular music with particular reference to Chile and to nueva canciòn

    Open Access•Jan Fairley•ARTICLE•Popular Music•1985•Cited by: 4

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Remembering - John Blacking

    Open Access•Jan Fairley•ARTICLE•Popular Music•1991•Cited by: 2•References: 2

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Introduction

    Open Access•Barbara Bradby, Jan Fairley et al.•ARTICLE•Popular Music•2011•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • European world music charts

    Open Access•Jan Fairley•ARTICLE•Popular Music•1992•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • La Nueva Canción Latinoamericana

    Jan Fairley•ARTICLE•Bulletin of Latin American Research•1984•Cited by: 13

  • Annotated bibliography of Latin-American popular music with particular reference to Chile and to nueva canciòn

    Open Access•Jan Fairley•ARTICLE•Popular Music•1985•Cited by: 4

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Essay review

    Open Access•Jan Fairley•ARTICLE•Popular Music•1988

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Analysing performance

    Open Access•Jan Fairley•ARTICLE•Popular Music•1989•Cited by: 5•References: 11

    In September 1974 a group of musicians came together in Paris to perform at meetings to mark the first anniversary of the 1973 Chileancoup d'état. The group took the name ¡Karaxú! which is variously translated in performance as 'to go forward' or as 'a war cry'. In fact ¡Karaxú! is a Quechuasied version of the spanishcarajowhich colloquially can be loosely translated as 'bugger off' but in fact meansgrito de couraje y de rebeldía(a cry of courage…

  • Selected discography

    Open Access•Stan Rijven, Jan Fairley•ARTICLE•Popular Music•1989

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Popular Music

    Catherine Boyle, Catherine M Boyle et al.•ARTICLE•Bulletin of Latin American Research•1989

  • Out of the Archive and into the World of Music

    Open Access•Jan Fairley•ARTICLE•Popular Music•1989

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Remembering - John Blacking

    Open Access•Jan Fairley•ARTICLE•Popular Music•1991•Cited by: 2•References: 2

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Masters of Contemporary Brazilian Song MPB 1965-1985

    Open Access•Jan Fairley•ARTICLE•Popular Music•1991

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Essay review

    Open Access•Jan Fairley•ARTICLE•Popular Music•1992•References: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • European world music charts

    Open Access•Jan Fairley•ARTICLE•Popular Music•1992•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Essay Review

    Open Access•Jan Fairley•ARTICLE•Popular Music•1994

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Habanera

    Frances Barulich, Jan Fairley•CHAPTER•The new Grove dictionary of music…•2001

  • Recordings

    Trevor Wiggins, Jelena Jovanović et al.•ARTICLE•British Journal of Ethnomusicology•2001

    Akom: the art of possession. Village Pulse VPU‐1009, 1999. 72 mins. Recordings and booklet (24pp.) by Scott Kiehl in English. Soungalo Coulibaly: Dengo. Ethnomad ARN 64544, 2001 (recorded in 1995). 51 mins. Booklet (16pp.) in French, English. Serbie: antholagie de la musique populaire serbe / Serbia: an anthology of Serbian folk musk. VDE‐GALLO, CP 945/ AIMP LX, 1999. 72.22 mins. Recordings (1975–96) and accompanying notes in French and English (…

  • Introduction to 'Dance' special issue

    Open Access•Sara Cohen, Jan Fairley•ARTICLE•Popular Music•2006

    Are ye dancin'?' 'Are ye askin'?' 'Yes I'm askin" 'Then I'm dancin'!' This was the exchange between couples in Glasgow early in the twentieth century at the height of the ballroom dancing boom that made the city one of the dancing capitals of the world. It lingers on in Scottish dancing parlance. In Havana, people were dancing danzón; in Buenos Aires, tango; and in Río de Janeiro, samba. It was a time of big orchestras when women wore evening dre…

  • Dancing back to front

    Open Access•Jan Fairley•ARTICLE•Popular Music•2006•Cited by: 4

    In this Middle Eight using ethnographic observation and interviews made in Cuba in May-July 2005 and March-April 2006 I problematise the new Latina/o dance music 'reggaetón' which in the USA is being heralded as ''an expression of pan-Latino identity ... the latest Latin musical style to sweep the world ... the one with the most promise of finding a permanent, prominent place not just in US but in global popular culture ..." (Marshall, 2006). Not…

  • Que viva la música popular! International Association for the Study of Popular music, 14th Biennial Conference, 25–29 June 2007, Mexico City

    Open Access•Ruth Till, Rupert Till et al.•ARTICLE•Popular Music•2007

    The International Association for the Study of Popular Music’s biennial international conference took place in July this year in Mexico City. The facilities in the Universidad Iberoamericana, a modern private Jesuit University in the city’s business quarter, were excellent, with video projection and a good sound system in all the air-conditioned rooms. The plenary sessions were translated to and from Spanish and also video recorded and streamed o…

  • Conference Report. Alma corazón y vida

    Open Access•Jan Fairley•ARTICLE•Popular Music•2009

    Conference Report. Alma corazón y vida: La canción popular y sus discursos analíticos, VIII Congreso IASPM –AL (the 8th Congress of the International Association for the Study of Popular Music [IASPM] Latin America), 18–22 June 2008, Lima, Perú - Volume 28 Issue 2

  • Bill Drummond's 'The 17' project at IASPM Glasgow

    Open Access•Jan Fairley•ARTICLE•Popular Music•2009

    Those of us who found we were sitting on or next to an empty cinema type numbered seat with black gaffer tape covering its number gathered at the front of the room and then, after a ten-minute break, entered into a windowless studio where two rows of seats were arranged in a semi-circle. In front of the seats were three high microphones, a keyboard, and a table with an Apple Mac laptop on it (the iconic corporate apple sign was the only thing tha…

  • Introduction

    Open Access•Barbara Bradby, Jan Fairley et al.•ARTICLE•Popular Music•2011•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Introduction

    Open Access•Murray Forman, Jan Fairley•ARTICLE•Popular Music•2012•References: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Living Politics, Making Music

    Edited By Simon Frith, Ian Christie et al.•BOOK•Living Politics, Making Music•2016

  • La Nueva Canción Latinoamericana (1984)

    Jan Fairley, Frith et al.•CHAPTER•Living Politics, Making Music•2016

    In 1998 the Chilean musical group Inti-Illimani celebrated their thirtieth anniversary. During these 30 years they have achieved the greatest international reputation of any of Chile’s nueva canción groups, enjoying periods of enormous popularity at home and abroad, especially in Italy. In 2002, as I write this piece, they are a year short of celebrating 35 years. Yet between 1998 and 2002 two key members left the group: musical director Horacio …

History (17 works) · History (17 works) · Art (12 works) · Computer Science (11 works) · Visual arts (8 works) · Content (measure theory (7 works) · Mathematics (7 works) · Music History and Culture (7 works) · Political science (6 works) · World Wide Web (6 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae