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Derek Connon

Biographic Data

ID965976
NAMEDerek Connon
GIVEN NAMESDerek
FAMILY NAMEConnon
SIGNATURECONNON D
AFFILIATIONSSwansea University
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2012
H-INDEX0
  • Jean's Just Wild(e) About Oscar

    Derek Connon•ARTICLE•Australian Journal of French…•2012

    In 1908 Jean Cocteau completed with his friend Jacques Renaud an adaptation for the stageof Oscar Wilde's Picture of Dorian Gray. Wilde's death in Paris in 1900 had made him animportant figure for young French writers, and references to his works can be found in anumber of the very early works of Cocteau. The nature of the adaptation and the way that thestructure of the novel facilitates the creation of a stage version are examined, as well as is…

  • Diderot and Destouches

    Open Access•Derek Connon•CHAPTER•New Essays on Diderot•2011

    To say that Diderot's most famous contribution to the theatre is his invention of the drame , which combines sentimentalism and didacticism, is simply to repeat a commonplace. Yet one can argue that the sentimental strain was already well established in French theatre when he began his dramatic experiments in the 1750s, and that the recognition of the didactic possibilities of theatre went back much further. Nevertheless, it remains Diderot who g…

  • Notes From a Collaboration

    Derek Connon•ARTICLE•French Studies•2011

    In 1925 Cocteau received a request from Stravinsky to write a libretto for a work based on Sophocles' Oedipus Rex . After going through various revisions, Cocteau's libretto was eventually translated into Latin before Stravinsky set it to music, with only a series of narrations for the character of the Speaker remaining in French. Various aspects of the performance history of the work contribute to a sense of Cocteau's progressive elision from it…

  • La Matrone chinoise; ou, l'épreuve ridicule

    Derek Connon•ARTICLE•French Studies•2005

    Pierre-René Lemmonier: Édition critique par Ling-Ling Sheu. (Exeter Textes Littéraires, 4). University of Exeter Press, 2003. xii+116 pp. Pb £16.99. Lemmonier's La Matrone chinoise; ou, l'épreuve ridicule (1765) is an entertaining comedy in two acts written for the Théâtre Italien. Although billed on the title page as a comédie ballet, it in fact includes only one dance interlude introduced by a song, and has a vaudeville finale. One of its most …

  • Sedaine, Greuze and the Boundaries of Genre

    Derek Connon, Derek F Connon et al.•ARTICLE•The Modern Language Review•2001

    Hierarchy or opposition? Understanding genre in eighteenth-century France 2. The Salon and the Opera-Comique 3. Savetier and philosophe: Sedaine's career from 1756 to 1765 4. Le Fils ingrat? Greuze's career from 1755 to 1763 5. Reproaching Greuze: Septime Severe 6. Maillard, or Sedaine thwarted 7. From opera-comique to melodrama: Sedaine and Greuze in the 1770s 8. 'Vous y trouverez une famille': Sedaine and David Conclusion: 'Murailles que separe…

  • French Theatre in the Neo-Classical Era, 1550-1789

    Derek Connon, Derek F Connon et al.•ARTICLE•The Modern Language Review•1999

  • Innovation and Renewal

    Agnes G Raymond, Diderot Diderot et al.•ARTICLE•The Modern Language Review•1991

  • Diderot—Le XVIIIe Siècle en Europe et au Japon

    Derek Connon, Derek F Connon•ARTICLE•History of European Ideas•1989

    (1989). Diderot—Le XVIIIe Siecle en Europe et au Japon. History of European Ideas: Vol. 10, No. 6, pp. 748-749

No prominent works on this page.

  • Diderot—Le XVIIIe Siècle en Europe et au Japon

    Derek Connon, Derek F Connon•ARTICLE•History of European Ideas•1989

    (1989). Diderot—Le XVIIIe Siecle en Europe et au Japon. History of European Ideas: Vol. 10, No. 6, pp. 748-749

  • Innovation and Renewal

    Agnes G Raymond, Diderot Diderot et al.•ARTICLE•The Modern Language Review•1991

  • French Theatre in the Neo-Classical Era, 1550-1789

    Derek Connon, Derek F Connon et al.•ARTICLE•The Modern Language Review•1999

  • Sedaine, Greuze and the Boundaries of Genre

    Derek Connon, Derek F Connon et al.•ARTICLE•The Modern Language Review•2001

    Hierarchy or opposition? Understanding genre in eighteenth-century France 2. The Salon and the Opera-Comique 3. Savetier and philosophe: Sedaine's career from 1756 to 1765 4. Le Fils ingrat? Greuze's career from 1755 to 1763 5. Reproaching Greuze: Septime Severe 6. Maillard, or Sedaine thwarted 7. From opera-comique to melodrama: Sedaine and Greuze in the 1770s 8. 'Vous y trouverez une famille': Sedaine and David Conclusion: 'Murailles que separe…

  • La Matrone chinoise; ou, l'épreuve ridicule

    Derek Connon•ARTICLE•French Studies•2005

    Pierre-René Lemmonier: Édition critique par Ling-Ling Sheu. (Exeter Textes Littéraires, 4). University of Exeter Press, 2003. xii+116 pp. Pb £16.99. Lemmonier's La Matrone chinoise; ou, l'épreuve ridicule (1765) is an entertaining comedy in two acts written for the Théâtre Italien. Although billed on the title page as a comédie ballet, it in fact includes only one dance interlude introduced by a song, and has a vaudeville finale. One of its most …

  • Diderot and Destouches

    Open Access•Derek Connon•CHAPTER•New Essays on Diderot•2011

    To say that Diderot's most famous contribution to the theatre is his invention of the drame , which combines sentimentalism and didacticism, is simply to repeat a commonplace. Yet one can argue that the sentimental strain was already well established in French theatre when he began his dramatic experiments in the 1750s, and that the recognition of the didactic possibilities of theatre went back much further. Nevertheless, it remains Diderot who g…

  • Notes From a Collaboration

    Derek Connon•ARTICLE•French Studies•2011

    In 1925 Cocteau received a request from Stravinsky to write a libretto for a work based on Sophocles' Oedipus Rex . After going through various revisions, Cocteau's libretto was eventually translated into Latin before Stravinsky set it to music, with only a series of narrations for the character of the Speaker remaining in French. Various aspects of the performance history of the work contribute to a sense of Cocteau's progressive elision from it…

  • Jean's Just Wild(e) About Oscar

    Derek Connon•ARTICLE•Australian Journal of French…•2012

    In 1908 Jean Cocteau completed with his friend Jacques Renaud an adaptation for the stageof Oscar Wilde's Picture of Dorian Gray. Wilde's death in Paris in 1900 had made him animportant figure for young French writers, and references to his works can be found in anumber of the very early works of Cocteau. The nature of the adaptation and the way that thestructure of the novel facilitates the creation of a stage version are examined, as well as is…

Art (7 works) · Historical and Literary Analyses (6 works) · Historical and Literary Studies (6 works) · History (4 works) · Literature (4 works) · Humanities (3 works) · Rousseau and Enlightenment Thought (3 works) · Art history (2 works) · Comedy (2 works) · Philosophy (2 works)

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