Marlon Jiménez Oviedo
Biographic Data
| ID | 9664439 |
|---|---|
| NAME | Marlon Jiménez Oviedo |
| GIVEN NAMES | Marlon Jiménez |
| FAMILY NAME | Oviedo |
| SIGNATURE | OVIEDO M J |
| AFFILIATIONS | John Brown University |
| ORCID | 0009-0005-2543-5662 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
In search of the lost community
This article examines how two Central American films – Rosa: Historia de una transexual ( Rosa: Love Blooms in the Darkest Places ) (2006) and Abrázame como antes ( Hold Me Like Before ) (2016) – portray the lives of trans women who search for a lost community from which they have been historically excluded. Drawing on Didier Eribon’s reflections on exclusion, social verdicts, the politics of friendship and resubjectivation, the analysis highligh…
Recuperation as Decolonial Practice
In this essay I follow the history of the Boruca Indigenous artistic group named the Non Cuanxa, in Costa Rica, starting in 2009. Their work recuperates oral, visual, and spiritual elements from the past to connect the present-day Boruca people to their ancestors and spirits, and to weave their artistic practice into the communal efforts to strengthen Boruca’s political sovereignty and economic stability. I use the term “recuperation” to refer to…
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Recuperation as Decolonial Practice
In this essay I follow the history of the Boruca Indigenous artistic group named the Non Cuanxa, in Costa Rica, starting in 2009. Their work recuperates oral, visual, and spiritual elements from the past to connect the present-day Boruca people to their ancestors and spirits, and to weave their artistic practice into the communal efforts to strengthen Boruca’s political sovereignty and economic stability. I use the term “recuperation” to refer to…
In search of the lost community
This article examines how two Central American films – Rosa: Historia de una transexual ( Rosa: Love Blooms in the Darkest Places ) (2006) and Abrázame como antes ( Hold Me Like Before ) (2016) – portray the lives of trans women who search for a lost community from which they have been historically excluded. Drawing on Didier Eribon’s reflections on exclusion, social verdicts, the politics of friendship and resubjectivation, the analysis highligh…
Politics (2 works) · Aesthetics (1 work) · African Sexualities and LGBTQ+ Issues (1 work) · Art (1 work) · Computer Science (1 work) · Feminism, Gender, and Sexuality Studies (1 work) · Friendship (1 work) · Gesture (1 work) · Hegemony (1 work) · History (1 work)