Nien-Ying Wang
Biographic Data
| ID | 9664727 |
|---|---|
| NAME | Nien-Ying Wang |
| GIVEN NAMES | Nien-Ying |
| FAMILY NAME | Wang |
| SIGNATURE | WANG N |
| AFFILIATIONS | ISNI: 0000000419371063 Fu Jen Catholic University |
| ORCID | 0009-0004-7991-4848 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Reinventing personal documentaries
The 2000s witnessed a shift in Taiwan’s documentary scene from public engagement to personal exploration. Emerging filmmakers embraced poetic, performative, and self-reflexive approaches, further blurring the lines between fiction and documentary. The mid-2010s saw the continuous evolutions in this trend of personal documentaries. This paper explores these ongoing transformations through the creative use of sound and music in Huang Pang-chuan’s d…
The spectral sounds of fear and fantasy in Bai Jingrui’s Bliss
Four Moods (1970) is a collaborative four-part film directed by Bai Jingrui, King Hu, Li Hsing and Li Han-hsiang, portraying the blurred boundaries between human and inhuman, nature and supernature through distinct emotional ‘moods’, as reflected in its Chinese title: Bliss, Anger, Sadness and Happiness . This article focuses on Bai Jingrui’s Bliss , a reimagining of Pu Songling’s ‘Nie Xiaoqian’ from Strange Tales of Laiozhai . Employing a silent…
No prominent works on this page.
Reinventing personal documentaries
The 2000s witnessed a shift in Taiwan’s documentary scene from public engagement to personal exploration. Emerging filmmakers embraced poetic, performative, and self-reflexive approaches, further blurring the lines between fiction and documentary. The mid-2010s saw the continuous evolutions in this trend of personal documentaries. This paper explores these ongoing transformations through the creative use of sound and music in Huang Pang-chuan’s d…
The spectral sounds of fear and fantasy in Bai Jingrui’s Bliss
Four Moods (1970) is a collaborative four-part film directed by Bai Jingrui, King Hu, Li Hsing and Li Han-hsiang, portraying the blurred boundaries between human and inhuman, nature and supernature through distinct emotional ‘moods’, as reflected in its Chinese title: Bliss, Anger, Sadness and Happiness . This article focuses on Bai Jingrui’s Bliss , a reimagining of Pu Songling’s ‘Nie Xiaoqian’ from Strange Tales of Laiozhai . Employing a silent…
Narrative (2 works) · Acoustics (1 work) · Art (1 work) · BLISS (1 work) · Chinese history and philosophy (1 work) · Cinema and Media Studies (1 work) · Ecocriticism and Environmental Literature (1 work) · Fantasy (1 work) · History (1 work) · Literature (1 work)