Sheila Mctighe
Biographic Data
| ID | 967010 |
|---|---|
| NAME | Sheila Mctighe |
| GIVEN NAMES | Sheila |
| FAMILY NAME | Mctighe |
| SIGNATURE | MCTIGHE S |
| AFFILIATIONS | Courtauld Institute of Art |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Interactive and Sculptural Printmaking in the Renaissance , by Suzanne Karr Schmidt
Early modern predecessors of children’s pop-up books may seem at first a frivolous topic for historical study. This fascinating work by Suzanne Karr Schmidt nonetheless demonstrates beyond all doubt that the printed image with movable parts and the printed illustration meant to be cut out and built into a three-dimensional devotional aid or scientific tool were important developments in print culture across sixteenth-century Europe. The author co…
Print Culture in Early Modern France: Abraham Bosse and the Purposes of Print
Carl Goldstein. Print Culture in Early Modern France: Abraham Bosse and the Purposes of Print. Cambridge: Cambridge University Press, 2012. xvi + 222 pp. $99. ISBN: 978–1–107–01214–1. - Volume 65 Issue 4
The Mastery of Nature: Aspects of Art, Science, and Humanism in the Renaissance
Responding to ongoing debates over the role of humanism in the rise of empirical science, Thomas DaCosta Kaufmann explores the history of Renaissance art to help explain the complex beginnings of the revolution. In a rich collection of new and previously published essays addressing conceptions of the mastery of nature, he discusses the depiction of nature in works of art, scientific approaches to understanding the world, and imperial claims to wo…
No prominent works on this page.
The Mastery of Nature: Aspects of Art, Science, and Humanism in the Renaissance
Responding to ongoing debates over the role of humanism in the rise of empirical science, Thomas DaCosta Kaufmann explores the history of Renaissance art to help explain the complex beginnings of the revolution. In a rich collection of new and previously published essays addressing conceptions of the mastery of nature, he discusses the depiction of nature in works of art, scientific approaches to understanding the world, and imperial claims to wo…
Print Culture in Early Modern France: Abraham Bosse and the Purposes of Print
Carl Goldstein. Print Culture in Early Modern France: Abraham Bosse and the Purposes of Print. Cambridge: Cambridge University Press, 2012. xvi + 222 pp. $99. ISBN: 978–1–107–01214–1. - Volume 65 Issue 4
Interactive and Sculptural Printmaking in the Renaissance , by Suzanne Karr Schmidt
Early modern predecessors of children’s pop-up books may seem at first a frivolous topic for historical study. This fascinating work by Suzanne Karr Schmidt nonetheless demonstrates beyond all doubt that the printed image with movable parts and the printed illustration meant to be cut out and built into a three-dimensional devotional aid or scientific tool were important developments in print culture across sixteenth-century Europe. The author co…
Art (3 works) · Art history (3 works) · Renaissance Literature and Culture (3 works) · History (2 works) · The Renaissance (2 works) · Historical and Literary Analyses (1 works) · Historical Influence and Diplomacy (1 works) · History (1 works) · Humanism (1 works) · Libraries, Manuscripts, and Books (1 works)