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James J Gibson

Biographic Data

ID967428
NAMEJames J Gibson
GIVEN NAMESJames J
FAMILY NAMEGibson
SIGNATUREGIBSON J J
AFFILIATIONSCornell University
VERIFIEDNo
TOTAL WORKS32
TOTAL CITATIONS122
AUTHOR COUNT32
EDITOR COUNT0
FIRST PUBLICATION YEAR1934
LATEST PUBLICATION YEAR2013
H-INDEX7
  • Respiratory symptoms and lung function 8–10 months after community exposure to chlorine gas: A public health intervention and cross-sectional analysis

    Open Access•Kathleen A Clark, Debjani Chanda et al.•ARTICLE•BMC Public Health•2013

    Eight to ten months after acute chlorine exposure, the Graniteville health screening participants under-reported respiratory symptoms when compared to abnormal spirometry results. Sensitivity and specificity were low, and we determined that relying upon the self-report questionnaire was not adequate to objectively assess the lung health of our population following irritant gas exposure

  • Predictors of time to enter medical care after a new HIV diagnosis: A statewide population-based study

    Avnish Tripathi, Lytt I Gardner et al.•ARTICLE•AIDS Care•2011

    Public health benefits of expanded HIV screening will be adequately realized only if an early diagnosis is followed by prompt linkage to care. We characterized rates and factors associated with failure to enter into medical care within three months of HIV diagnosis and assessed the predictors of time to enter care over a follow-up period of up to 60 months. The study cohort included 3697 South Carolina (SC) residents' ≥13 years who were newly HIV…

  • Associations of Rural Residence With Timing of HIV Diagnosis and Stage of Disease at Diagnosis, South Carolina 2001-2005

    Open Access•Kristina E Weis, Angela D Liese et al.•ARTICLE•The Journal of Rural Health•2010

    CONTEXT: Rural areas in the southern United States face many challenges, including limited access to health care services and stigma, which may lead to later HIV diagnosis among rural residents. PURPOSE: To investigate the associations of rural residence with timing of HIV diagnosis and stage of disease at diagnosis. METHODS: Timing of HIV diagnosis was categorized as a diagnosis of acquired immune deficiency syndrome within 1 year of a first pos…

  • Visually Controlled Locomotion and Visual Orientation in Animals

    Open Access•James J Gibson•ARTICLE•British Journal of Psychology•2009•Cited by: 7•References: 11

    A general theory of locomotor behaviour in relation to physical objects is presented. Since the controlling stimulation for such behaviour is mainly optical, this involves novel assumptions about object perception and about what is called 'visual kinaesthesis'. Evidence for these assumptions is cited. On the basis of this theory it is possible to suppose that animals are visually oriented to the surfaces of their environment, not merely to light …

  • Visually Controlled Locomotion and Visual Orientation in Animals

    James J Gibson•ARTICLE•Ecological Psychology•1998

    A general theory of locomotor behavior in relation to physical objects is presented. Since the controlling stimulation for such behavior is mainly optical, this involves novel assumptions about object perception and about what is called visual kinaesthesis. Evidence for these assumptions is cited. On the basis of this theory it is possible to suppose that animals are visually oriented to the surfaces of their environment, not merely to light as s…

  • Visually Controlled Locomotion and Visual Orientation in Animals

    James J Gibson, James Gibson•ARTICLE•Ecological Psychology•1998

  • The Ecological Approach to the Visual Perception of Pictures

    James J Gibson•ARTICLE•Leonardo•1978•Cited by: 10

    Having rejected the picture theory of natural perception we can make a start on picture perception. To see the environment is to extract information from the ambient array of light. What is it, then, to see a picture of something? The information in ambient light does not consist of forms and colors but of invariants. Is it implied that the information in a picture does not consist of forms and colors but of invariants? That sounds very odd, for …

  • The Myth of Passive Perception: A Reply to Richards

    James J Gibson•ARTICLE•Philosophy and Phenomenological…•1976•Cited by: 7

  • On the Failure or Success of Experimental Aesthetics (Continued)

    James J Gibson, R W Pickford•ARTICLE•Leonardo•1976

  • Pickford and the Failure of Experimental Esthetics

    James J Gibson•ARTICLE•Leonardo•1975•Cited by: 1

    The appearance of a careful and scholarly book by R. W. Pickford on experimental esthetics presents an opportunity to review this century-old discipline and try to decide whether or not it has been worth the effort. Has the approach of the experimental psychologist to art taught us anything? Is it something that the artist and the perceiver of art should know about? The title of the book is Psychology and Visual Aesthetics (London: Hutchinson Edu…

  • On Ronchi's 'New Optics

    James J Gibson•ARTICLE•Leonardo•1974

  • Direct visual perception: A reply to Gyr

    James J Gibson•ARTICLE•Psychological Bulletin•1973

  • On Information Available in Pictures (Continued)

    James J Gibson, Dennis Couzin•ARTICLE•Leonardo•1973

  • On Hallucination and Perception

    James J Gibson, Ibrahima Sow et al.•ARTICLE•Leonardo•1971

  • The legacies of Koffka'sPrinciples

    Open Access•James J Gibson•ARTICLE•Journal of the History of the…•1971•References: 1

  • On Information Available in Pictures

    E H Gombrich, Rudolf Arnheim et al.•ARTICLE•Leonardo•1971•Cited by: 10•References: 1

    The author reviews two current conflicting theories of what a picture is: (1) that it consists of a sheaf of light rays coming to a station point orperceiver, each corresponding to a spot of color on the picture surface and hence that the picture can standfor a real object or scene insofar as the rays from the picture are the same as the rays from the real object; (2) that it consists of a set of symbols, more or less like words, and the perceive…

  • The Information Available in Pictures

    James J Gibson•ARTICLE•Leonardo•1971•Cited by: 12

    The author reviews two current conflicting theories of what a picture is: (1) that it consists of a sheaf of light rays coming to a station point or perceiver, each corresponding to a spot of color on the picture surface and hence that the picture can stand for a real object or scene insofar as the rays from the picture are the same as the rays from the real object; (2) that it consists of a set of symbols, more or less like words, and the percei…

  • On the Relation between Hallucination and Perception

    James J Gibson•ARTICLE•Leonardo•1970•Cited by: 5

    The author challenges the concept that hallucination is indistinguishable from perception. His view is that a mental image, such as that occurring in a hallucination, can be differentiated from a percept when perception takes place over a period of time. His theory is supported by the fact that during perception the percept is subject to tests for reality, for example, scanning and inspection with the eyes and by head, hand and body movements, wh…

  • Are there sensory qualities of objects

    Open Access•James J Gibson•ARTICLE•Synthese•1969•Cited by: 1

  • The Battleground of Art and Science

    P K Hoenich, James J Gibson et al.•ARTICLE•Leonardo•1969

  • The Senses Considered as Perceptual Systems

    Gerald Oster, James J Gibson•ARTICLE•Leonardo•1968

  • New reasons for realism

    Open Access•James J Gibson•ARTICLE•Synthese•1967•Cited by: 19

  • The useful dimensions of sensitivity

    James J Gibson•ARTICLE•American Psychologist•1963•Cited by: 12

  • Observations on active touch.

    James J Gibson•ARTICLE•Psychological Review•1962

  • The concept of the stimulus in psychology

    James J Gibson•ARTICLE•American Psychologist•1960•Cited by: 22•References: 1

Next
  • The concept of the stimulus in psychology

    James J Gibson•ARTICLE•American Psychologist•1960•Cited by: 22•References: 1

  • New reasons for realism

    Open Access•James J Gibson•ARTICLE•Synthese•1967•Cited by: 19

  • The Aryan Myth

    James J Gibson•ARTICLE•Journal of Educational Sociology•1939•Cited by: 14

  • The Information Available in Pictures

    James J Gibson•ARTICLE•Leonardo•1971•Cited by: 12

    The author reviews two current conflicting theories of what a picture is: (1) that it consists of a sheaf of light rays coming to a station point or perceiver, each corresponding to a spot of color on the picture surface and hence that the picture can stand for a real object or scene insofar as the rays from the picture are the same as the rays from the real object; (2) that it consists of a set of symbols, more or less like words, and the percei…

  • The useful dimensions of sensitivity

    James J Gibson•ARTICLE•American Psychologist•1963•Cited by: 12

  • The Ecological Approach to the Visual Perception of Pictures

    James J Gibson•ARTICLE•Leonardo•1978•Cited by: 10

    Having rejected the picture theory of natural perception we can make a start on picture perception. To see the environment is to extract information from the ambient array of light. What is it, then, to see a picture of something? The information in ambient light does not consist of forms and colors but of invariants. Is it implied that the information in a picture does not consist of forms and colors but of invariants? That sounds very odd, for …

  • On Information Available in Pictures

    E H Gombrich, Rudolf Arnheim et al.•ARTICLE•Leonardo•1971•Cited by: 10•References: 1

    The author reviews two current conflicting theories of what a picture is: (1) that it consists of a sheaf of light rays coming to a station point orperceiver, each corresponding to a spot of color on the picture surface and hence that the picture can standfor a real object or scene insofar as the rays from the picture are the same as the rays from the real object; (2) that it consists of a set of symbols, more or less like words, and the perceive…

  • Visually Controlled Locomotion and Visual Orientation in Animals

    Open Access•James J Gibson•ARTICLE•British Journal of Psychology•2009•Cited by: 7•References: 11

    A general theory of locomotor behaviour in relation to physical objects is presented. Since the controlling stimulation for such behaviour is mainly optical, this involves novel assumptions about object perception and about what is called 'visual kinaesthesis'. Evidence for these assumptions is cited. On the basis of this theory it is possible to suppose that animals are visually oriented to the surfaces of their environment, not merely to light …

  • The Myth of Passive Perception: A Reply to Richards

    James J Gibson•ARTICLE•Philosophy and Phenomenological…•1976•Cited by: 7

  • On the Relation between Hallucination and Perception

    James J Gibson•ARTICLE•Leonardo•1970•Cited by: 5

    The author challenges the concept that hallucination is indistinguishable from perception. His view is that a mental image, such as that occurring in a hallucination, can be differentiated from a percept when perception takes place over a period of time. His theory is supported by the fact that during perception the percept is subject to tests for reality, for example, scanning and inspection with the eyes and by head, hand and body movements, wh…

  • Survey of Opinions of the Published Work of Ralph Gundlach

    Robert B Macleod, James J Gibson•ARTICLE•American Psychologist•1951•Cited by: 2

  • Pickford and the Failure of Experimental Esthetics

    James J Gibson•ARTICLE•Leonardo•1975•Cited by: 1

    The appearance of a careful and scholarly book by R. W. Pickford on experimental esthetics presents an opportunity to review this century-old discipline and try to decide whether or not it has been worth the effort. Has the approach of the experimental psychologist to art taught us anything? Is it something that the artist and the perceiver of art should know about? The title of the book is Psychology and Visual Aesthetics (London: Hutchinson Edu…

  • Are there sensory qualities of objects

    Open Access•James J Gibson•ARTICLE•Synthese•1969•Cited by: 1

  • Retroaction and the Method of Recognition

    James J Gibson•ARTICLE•The Journal of General Psychology•1934

  • A Technique for Investigating Retroactive and other Inhibitory Efects in Immediate Memory

    James J Gibson, Gertrude Raffel•ARTICLE•The Journal of General Psychology•1936

    Résumé Une forme non-sens quand vue seule est beaucoup mieux rappelée et reproduite que lorsqu'elle est précédée ou suivie d'autres formes dans une série. On décrit une méthode pour mesurer la rétention d'une forme visuellement perçue comme fonction de sa position en série, indépendamment du facteur récence. Dans une série de cinq formes il y a une augmentation progressive des résultats de la rétention depuis la première position jusqu'à la cinqu…

  • The Aryan Myth

    James J Gibson•ARTICLE•Journal of Educational Sociology•1939•Cited by: 14

  • The Perception of the Visual World

    Norman Malcolm, James J Gibson•ARTICLE•The Philosophical Review•1951

  • Survey of Opinions of the Published Work of Ralph Gundlach

    Robert B Macleod, James J Gibson•ARTICLE•American Psychologist•1951•Cited by: 2

  • Perceptual learning: Differentiation or enrichment?

    James J Gibson, Eleanor J Gibson•ARTICLE•Psychological Review•1955

    means different things to different psychologists. To some it implies that human perception is, in large part, learned—that we learn to see depth, for instance, or form, or meaningful objects. In that case the theoretical issue involved is how much of perception is learned, and the corresponding controversy is that of nativism or empiricism. To others the term implies that human learning is in whole or part a matter of perception—that learning de…

  • Reports on a Case of Conditions of Employment

    Stuart D Cook, Stuart Cook et al.•ARTICLE•American Psychologist•1958

  • The concept of the stimulus in psychology

    James J Gibson•ARTICLE•American Psychologist•1960•Cited by: 22•References: 1

  • Observations on active touch.

    James J Gibson•ARTICLE•Psychological Review•1962

  • The useful dimensions of sensitivity

    James J Gibson•ARTICLE•American Psychologist•1963•Cited by: 12

  • New reasons for realism

    Open Access•James J Gibson•ARTICLE•Synthese•1967•Cited by: 19

  • The Senses Considered as Perceptual Systems

    Gerald Oster, James J Gibson•ARTICLE•Leonardo•1968

  • Are there sensory qualities of objects

    Open Access•James J Gibson•ARTICLE•Synthese•1969•Cited by: 1

  • The Battleground of Art and Science

    P K Hoenich, James J Gibson et al.•ARTICLE•Leonardo•1969

  • On the Relation between Hallucination and Perception

    James J Gibson•ARTICLE•Leonardo•1970•Cited by: 5

    The author challenges the concept that hallucination is indistinguishable from perception. His view is that a mental image, such as that occurring in a hallucination, can be differentiated from a percept when perception takes place over a period of time. His theory is supported by the fact that during perception the percept is subject to tests for reality, for example, scanning and inspection with the eyes and by head, hand and body movements, wh…

  • On Hallucination and Perception

    James J Gibson, Ibrahima Sow et al.•ARTICLE•Leonardo•1971

  • The legacies of Koffka'sPrinciples

    Open Access•James J Gibson•ARTICLE•Journal of the History of the…•1971•References: 1

  • On Information Available in Pictures

    E H Gombrich, Rudolf Arnheim et al.•ARTICLE•Leonardo•1971•Cited by: 10•References: 1

    The author reviews two current conflicting theories of what a picture is: (1) that it consists of a sheaf of light rays coming to a station point orperceiver, each corresponding to a spot of color on the picture surface and hence that the picture can standfor a real object or scene insofar as the rays from the picture are the same as the rays from the real object; (2) that it consists of a set of symbols, more or less like words, and the perceive…

  • The Information Available in Pictures

    James J Gibson•ARTICLE•Leonardo•1971•Cited by: 12

    The author reviews two current conflicting theories of what a picture is: (1) that it consists of a sheaf of light rays coming to a station point or perceiver, each corresponding to a spot of color on the picture surface and hence that the picture can stand for a real object or scene insofar as the rays from the picture are the same as the rays from the real object; (2) that it consists of a set of symbols, more or less like words, and the percei…

  • Direct visual perception: A reply to Gyr

    James J Gibson•ARTICLE•Psychological Bulletin•1973

  • On Information Available in Pictures (Continued)

    James J Gibson, Dennis Couzin•ARTICLE•Leonardo•1973

  • On Ronchi's 'New Optics

    James J Gibson•ARTICLE•Leonardo•1974

  • Pickford and the Failure of Experimental Esthetics

    James J Gibson•ARTICLE•Leonardo•1975•Cited by: 1

    The appearance of a careful and scholarly book by R. W. Pickford on experimental esthetics presents an opportunity to review this century-old discipline and try to decide whether or not it has been worth the effort. Has the approach of the experimental psychologist to art taught us anything? Is it something that the artist and the perceiver of art should know about? The title of the book is Psychology and Visual Aesthetics (London: Hutchinson Edu…

  • The Myth of Passive Perception: A Reply to Richards

    James J Gibson•ARTICLE•Philosophy and Phenomenological…•1976•Cited by: 7

  • On the Failure or Success of Experimental Aesthetics (Continued)

    James J Gibson, R W Pickford•ARTICLE•Leonardo•1976

Psychology (20 works) · Computer Science (14 works) · Perception (12 works) · Art (10 works) · Cognitive psychology (10 works) · Neuroscience (9 works) · Visual perception and processing mechanisms (6 works) · Cognitive science (5 works) · Multisensory perception and integration (5 works) · Philosophy (5 works)

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