Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Steven Z Levine

Biographic Data

ID967573
NAMESteven Z Levine
GIVEN NAMESSteven Z
FAMILY NAMELevine
SIGNATURELEVINE S Z
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS4
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR1985
LATEST PUBLICATION YEAR2003
H-INDEX1
  • Self and History

    Steven Z Levine, Aruna D’Souza et al.•ARTICLE•Woman s Art Journal•2003

    A number of prominent art historians pay homage to Linda Nochlin, the pioneering critic and art historian, in a series of essays addressing the intersection of subjectivity and history. Topics include: 18th-century erotic architecture; Pablo Picasso and Joan Miro; and realism in art

  • Representing Women

    Steven Z Levine, Linda Nochlin et al.•ARTICLE•Woman s Art Journal•2001

  • The Exceptional Woman

    Steven Z Levine, Mary D Sheriff et al.•ARTICLE•Woman s Art Journal•1999

  • Nineteenth Century Art

    Steven Z Levine, Stephen F Eisenman et al.•ARTICLE•Woman s Art Journal•1997

  • Virtual Narcissus

    Steven Z Levine•ARTICLE•American imago•1996•Cited by: 1

    Virtual Narcissus: On the Mirror Stage with Monet, Lacan, and Me Steven Z. Levine History Claude Monet was born in Paris in 1840. His mother was thirty-five years old and already the childless widow of a first husband at the time of Monet’s birth. Her second husband, Monet’s father, was then forty, and her only other child, Monet’s only full sibling, a brother, was four. By the time Monet was five, he and his family had moved to the port town of …

  • Painted Love

    Steven Z Levine, Hollis Clayson•ARTICLE•Woman s Art Journal•1994

  • Courbet, Bronzino, and Blasphemy

    Steven Z Levine•ARTICLE•New Literary History•1991

    A BURIAL AT ORNANS, Courbet's major painting for the Salon of 1850, was first exhibited to the public it pictures, the townsfolk of Ornans, in the chapel of the seminary that was Courbet's own first school (fig. 1). Before going on to the riotous reception in Paris that has been so widely described in recent years, the painting was next displayed in the concert hall of the market building in the departmental capital of Besangon where Courbet had …

  • Moxey's Moxie and the Summers of '84

    Steven Z Levine•ARTICLE•New Literary History•1986

    in no sense mere counterfeit or facsimile, but a genuine manifestation of our inner life.2 Its and our are the lock and key of this manifold in perception,3 and Keith Moxey is quite right in his essay in this issue of New Literary History to see the reciprocal dualism of subject and in Cassirer and Panofsky as a legacy of Kantian rationalism. According to Kant, Humean sensory empiricism fails to account for the immutable forms of our knowledge; a…

  • Monet's Series

    Steven Z Levine•ARTICLE•October•1986•Cited by: 2

  • Seascapes of the Sublime

    Steven Z Levine•ARTICLE•New Literary History•1985•Cited by: 1

    southern coast of Brittany (fig. 1). In its fantastic configurations of grottoes, needles, and reefs formed by the incessant workings of the wind and waves, Belle-Ile offers as fine an example as any in France of that category of natural scenery that during the course of the eighteenth and nineteenth centuries came to be designated as the sublime. It is not the sublime forces and forms of nature that can concern us alone, however, for as its theo…

  • Monet's Series

    Steven Z Levine•ARTICLE•October•1986•Cited by: 2

  • Virtual Narcissus

    Steven Z Levine•ARTICLE•American imago•1996•Cited by: 1

    Virtual Narcissus: On the Mirror Stage with Monet, Lacan, and Me Steven Z. Levine History Claude Monet was born in Paris in 1840. His mother was thirty-five years old and already the childless widow of a first husband at the time of Monet’s birth. Her second husband, Monet’s father, was then forty, and her only other child, Monet’s only full sibling, a brother, was four. By the time Monet was five, he and his family had moved to the port town of …

  • Seascapes of the Sublime

    Steven Z Levine•ARTICLE•New Literary History•1985•Cited by: 1

    southern coast of Brittany (fig. 1). In its fantastic configurations of grottoes, needles, and reefs formed by the incessant workings of the wind and waves, Belle-Ile offers as fine an example as any in France of that category of natural scenery that during the course of the eighteenth and nineteenth centuries came to be designated as the sublime. It is not the sublime forces and forms of nature that can concern us alone, however, for as its theo…

  • Seascapes of the Sublime

    Steven Z Levine•ARTICLE•New Literary History•1985•Cited by: 1

    southern coast of Brittany (fig. 1). In its fantastic configurations of grottoes, needles, and reefs formed by the incessant workings of the wind and waves, Belle-Ile offers as fine an example as any in France of that category of natural scenery that during the course of the eighteenth and nineteenth centuries came to be designated as the sublime. It is not the sublime forces and forms of nature that can concern us alone, however, for as its theo…

  • Moxey's Moxie and the Summers of '84

    Steven Z Levine•ARTICLE•New Literary History•1986

    in no sense mere counterfeit or facsimile, but a genuine manifestation of our inner life.2 Its and our are the lock and key of this manifold in perception,3 and Keith Moxey is quite right in his essay in this issue of New Literary History to see the reciprocal dualism of subject and in Cassirer and Panofsky as a legacy of Kantian rationalism. According to Kant, Humean sensory empiricism fails to account for the immutable forms of our knowledge; a…

  • Monet's Series

    Steven Z Levine•ARTICLE•October•1986•Cited by: 2

  • Courbet, Bronzino, and Blasphemy

    Steven Z Levine•ARTICLE•New Literary History•1991

    A BURIAL AT ORNANS, Courbet's major painting for the Salon of 1850, was first exhibited to the public it pictures, the townsfolk of Ornans, in the chapel of the seminary that was Courbet's own first school (fig. 1). Before going on to the riotous reception in Paris that has been so widely described in recent years, the painting was next displayed in the concert hall of the market building in the departmental capital of Besangon where Courbet had …

  • Painted Love

    Steven Z Levine, Hollis Clayson•ARTICLE•Woman s Art Journal•1994

  • Virtual Narcissus

    Steven Z Levine•ARTICLE•American imago•1996•Cited by: 1

    Virtual Narcissus: On the Mirror Stage with Monet, Lacan, and Me Steven Z. Levine History Claude Monet was born in Paris in 1840. His mother was thirty-five years old and already the childless widow of a first husband at the time of Monet’s birth. Her second husband, Monet’s father, was then forty, and her only other child, Monet’s only full sibling, a brother, was four. By the time Monet was five, he and his family had moved to the port town of …

  • Nineteenth Century Art

    Steven Z Levine, Stephen F Eisenman et al.•ARTICLE•Woman s Art Journal•1997

  • The Exceptional Woman

    Steven Z Levine, Mary D Sheriff et al.•ARTICLE•Woman s Art Journal•1999

  • Representing Women

    Steven Z Levine, Linda Nochlin et al.•ARTICLE•Woman s Art Journal•2001

  • Self and History

    Steven Z Levine, Aruna D’Souza et al.•ARTICLE•Woman s Art Journal•2003

    A number of prominent art historians pay homage to Linda Nochlin, the pioneering critic and art historian, in a series of essays addressing the intersection of subjectivity and history. Topics include: 18th-century erotic architecture; Pablo Picasso and Joan Miro; and realism in art

Art (9 works) · Art history (5 works) · Art, Politics, and Modernism (3 works) · Historical Art and Culture Studies (3 works) · History (3 works) · Philosophy (3 works) · Historical Gender and Feminism Studies (2 works) · Historical Studies and Socio-cultural Analysis (2 works) · Law (2 works) · Linguistics (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae