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Nicholas Rzhevsky

Biographic Data

ID968012
NAMENicholas Rzhevsky
GIVEN NAMESNicholas
FAMILY NAMERzhevsky
SIGNATURERZHEVSKY N
AFFILIATIONSState University of New York
VERIFIEDNo
TOTAL WORKS23
TOTAL CITATIONS3
WORKS AS AUTHOR21
WORKS AS EDITOR2
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2012
H-INDEX1
  • The Cambridge Companion to Modern Russian Culture

    Open Access•Nicholas Rzhevsky•EDITOR•BOOK•The Cambridge companion to modern…•2012

    Russia's size, the diversity of its peoples and its unique geographical position straddling East and West have created a culture that is both inward and outward looking. Its history reflects the tension between very different approaches to what culture can and should be, and this tension shapes the vibrancy of its arts today. The highly successful first edition of Rzhevsky's Companion has been updated to include post-Soviet trends and new develop…

  • Temira Pachmuss, 1927-2007

    Open Access•Nicholas Rzhevsky•ARTICLE•Slavic Review•2007

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • An Anthology of Russian Literature from Earliest Writings to Modern Fiction

    Joe Peschio, Nicholas Rzhevsky•ARTICLE•The Slavic and East European…•2006

  • Looking West? Cultural Globalization and Russian Youth Cultures

    Nicholas Rzhevsky, H Pilkington et al.•ARTICLE•The Slavic and East European…•2003

  • The Cambridge Companion to Modern Russian Culture

    Victoria Richter, Nicholas Rzhevsky•ARTICLE•The Slavic and East European…•2000

  • Stanislavsky in Focus

    Nicholas Rzhevsky, Sharon Marie Carnicke et al.•ARTICLE•The Slavic and East European…•2000

    Introduction to the series. List of plates. A Note on Transliteration and Translation. Introduction. Part I Transmission. Chapter 1 From Moscow to New York. Chapter 2 New York Adopts Stanislavsky. Part II Translation . Chapter 3 The Classroom Circuit. Chapter 4 The Publication Maze. Part III Chapter 5 Stanislavsky's Lost Term. Chapter 6 Emotion and the Human Spirit of the Role. Chapter 7 Action and the Human Body in the Role. Afterword. The Syste…

  • The Cambridge Companion to Modern Russian Culture

    Open Access•Dean S Worth, Dmitry S Likhachev et al.•EDITOR•BOOK•The Cambridge companion to modern…•1999

    Russia is a dominant force in the world, whose culture has been shaped by its unique position on the margins of both East and West. As Russia faces new cultural challenges from outside its national boundaries, this volume introduces Russian culture in all its rich diversity, including the historical conditions that helped shape it and the arts that express its highest achievements. Newly commissioned essays by leading scholars explore language, r…

  • Text counter Text

    Nicholas Rzhevsky, Alexander Zholkovsky•ARTICLE•The Russian Review•1996

  • Kozhinov on Bakhtin

    Nicholas Rzhevsky•ARTICLE•New Literary History•1994

    C RITICAL THEORY INSPIRED by Mikhail has rapidly outpaced identification of the historical subject who lived from 1895 to 1975. Carnival, polyphony, and dialogue now produce apprehensions of banality, and topics on the order of Carnival and Political Conflicts or Bakhtin and Punk appear with alarming frequency in Western cultural debate. In Russia, as earlier in the Soviet Union, Bakhtin's views act as moral referents for a wide array of earthbou…

  • Media→←Media Slavic and East European Arts

    Leo Hecht, Charles Emerson et al.•ARTICLE•The Slavic and East European…•1993

  • Dramaturgs and Dramaturgy

    Michal Kobialka, E J Czerwiński et al.•ARTICLE•The Slavic and East European…•1987

  • Russian Literature and Ideology

    Abbott Gleason, Nicholas Rzhevsky•ARTICLE•The Russian Review•1986•Cited by: 1

  • Russian Literature and Ideology

    Ludmila Koehler, Nicholas Rzhevsky•ARTICLE•The Slavic and East European…•1985

  • The Seventh Congress of Soviet Writers and Its Aftermath

    Nicholas Rzhevsky•ARTICLE•The Slavic and East European…•1984

  • The Adolescent

    Nicholas Rzhevsky•ARTICLE•The Slavic and East European…•1982

  • Gogol's Forgotten Book

    Nicholas Rzhevsky, Ruth Sobel et al.•ARTICLE•The Russian Review•1982

  • Fedor Dostoevsky

    Nicholas Rzhevsky, William J Leatherbarrow•ARTICLE•The Russian Review•1982

  • Vsevolod Garshin

    Nicholas Rzhevsky, Edmund Yarwood•ARTICLE•The Russian Review•1982

  • Dostoevskii and Schiller

    Nicholas Rzhevsky, Alexandra H Lyngstad•ARTICLE•The Russian Review•1977

  • Dostoevsky

    Nicholas Rzhevsky, Joseph Frank•ARTICLE•The Russian Review•1977•Cited by: 1

  • Tolstoy

    Nicholas Rzhevsky, E B GREENWOOD•ARTICLE•The Russian Review•1976

    Introduction 1. The Green Stick and the Secret of Happiness 2. Tolstoy's Early Diaries and his Mastery of 'Literary Psychology' 3. Childhood, Boyhood and Youth 4. The Physiognomy of War: The Raid, The Wood-Felling and the Sevastopol Sketches 5. New Paths: The Portrayal of Peasant Life 'A Land-lord's Morning, 'Polikushka' 6. The Cossacks, Strider: the Story of a Horse and Family Happiness 7. The Struggle Against the West: Lucerne 8. Tolstoy and Hi…

  • Leontiev's Prickly Rose

    Open Access•Nicholas Rzhevsky•ARTICLE•Slavic Review•1976•References: 2

    Contemporaries and latter-day critics of Constantine Leontiev have tended to respond to him in one of two ways. The first and by far the more common approach has focused on his reactionary political views, homosexuality, and quirks of personal life; the second, on his talent as a writer. The eccentric psychopolitical image of Leontiev created in the first instance has injected a paradoxical note of disharmony into the appreciation of a seemingly …

  • The Shape of Chaos

    Nicholas Rzhevsky•ARTICLE•The Russian Review•1975•Cited by: 1

  • Russian Literature and Ideology

    Abbott Gleason, Nicholas Rzhevsky•ARTICLE•The Russian Review•1986•Cited by: 1

  • Dostoevsky

    Nicholas Rzhevsky, Joseph Frank•ARTICLE•The Russian Review•1977•Cited by: 1

  • The Shape of Chaos

    Nicholas Rzhevsky•ARTICLE•The Russian Review•1975•Cited by: 1

  • The Shape of Chaos

    Nicholas Rzhevsky•ARTICLE•The Russian Review•1975•Cited by: 1

  • Tolstoy

    Nicholas Rzhevsky, E B GREENWOOD•ARTICLE•The Russian Review•1976

    Introduction 1. The Green Stick and the Secret of Happiness 2. Tolstoy's Early Diaries and his Mastery of 'Literary Psychology' 3. Childhood, Boyhood and Youth 4. The Physiognomy of War: The Raid, The Wood-Felling and the Sevastopol Sketches 5. New Paths: The Portrayal of Peasant Life 'A Land-lord's Morning, 'Polikushka' 6. The Cossacks, Strider: the Story of a Horse and Family Happiness 7. The Struggle Against the West: Lucerne 8. Tolstoy and Hi…

  • Leontiev's Prickly Rose

    Open Access•Nicholas Rzhevsky•ARTICLE•Slavic Review•1976•References: 2

    Contemporaries and latter-day critics of Constantine Leontiev have tended to respond to him in one of two ways. The first and by far the more common approach has focused on his reactionary political views, homosexuality, and quirks of personal life; the second, on his talent as a writer. The eccentric psychopolitical image of Leontiev created in the first instance has injected a paradoxical note of disharmony into the appreciation of a seemingly …

  • Dostoevskii and Schiller

    Nicholas Rzhevsky, Alexandra H Lyngstad•ARTICLE•The Russian Review•1977

  • Dostoevsky

    Nicholas Rzhevsky, Joseph Frank•ARTICLE•The Russian Review•1977•Cited by: 1

  • The Adolescent

    Nicholas Rzhevsky•ARTICLE•The Slavic and East European…•1982

  • Gogol's Forgotten Book

    Nicholas Rzhevsky, Ruth Sobel et al.•ARTICLE•The Russian Review•1982

  • Fedor Dostoevsky

    Nicholas Rzhevsky, William J Leatherbarrow•ARTICLE•The Russian Review•1982

  • Vsevolod Garshin

    Nicholas Rzhevsky, Edmund Yarwood•ARTICLE•The Russian Review•1982

  • The Seventh Congress of Soviet Writers and Its Aftermath

    Nicholas Rzhevsky•ARTICLE•The Slavic and East European…•1984

  • Russian Literature and Ideology

    Ludmila Koehler, Nicholas Rzhevsky•ARTICLE•The Slavic and East European…•1985

  • Russian Literature and Ideology

    Abbott Gleason, Nicholas Rzhevsky•ARTICLE•The Russian Review•1986•Cited by: 1

  • Dramaturgs and Dramaturgy

    Michal Kobialka, E J Czerwiński et al.•ARTICLE•The Slavic and East European…•1987

  • Media→←Media Slavic and East European Arts

    Leo Hecht, Charles Emerson et al.•ARTICLE•The Slavic and East European…•1993

  • Kozhinov on Bakhtin

    Nicholas Rzhevsky•ARTICLE•New Literary History•1994

    C RITICAL THEORY INSPIRED by Mikhail has rapidly outpaced identification of the historical subject who lived from 1895 to 1975. Carnival, polyphony, and dialogue now produce apprehensions of banality, and topics on the order of Carnival and Political Conflicts or Bakhtin and Punk appear with alarming frequency in Western cultural debate. In Russia, as earlier in the Soviet Union, Bakhtin's views act as moral referents for a wide array of earthbou…

  • Text counter Text

    Nicholas Rzhevsky, Alexander Zholkovsky•ARTICLE•The Russian Review•1996

  • The Cambridge Companion to Modern Russian Culture

    Open Access•Dean S Worth, Dmitry S Likhachev et al.•EDITOR•BOOK•The Cambridge companion to modern…•1999

    Russia is a dominant force in the world, whose culture has been shaped by its unique position on the margins of both East and West. As Russia faces new cultural challenges from outside its national boundaries, this volume introduces Russian culture in all its rich diversity, including the historical conditions that helped shape it and the arts that express its highest achievements. Newly commissioned essays by leading scholars explore language, r…

  • The Cambridge Companion to Modern Russian Culture

    Victoria Richter, Nicholas Rzhevsky•ARTICLE•The Slavic and East European…•2000

  • Stanislavsky in Focus

    Nicholas Rzhevsky, Sharon Marie Carnicke et al.•ARTICLE•The Slavic and East European…•2000

    Introduction to the series. List of plates. A Note on Transliteration and Translation. Introduction. Part I Transmission. Chapter 1 From Moscow to New York. Chapter 2 New York Adopts Stanislavsky. Part II Translation . Chapter 3 The Classroom Circuit. Chapter 4 The Publication Maze. Part III Chapter 5 Stanislavsky's Lost Term. Chapter 6 Emotion and the Human Spirit of the Role. Chapter 7 Action and the Human Body in the Role. Afterword. The Syste…

  • Looking West? Cultural Globalization and Russian Youth Cultures

    Nicholas Rzhevsky, H Pilkington et al.•ARTICLE•The Slavic and East European…•2003

  • An Anthology of Russian Literature from Earliest Writings to Modern Fiction

    Joe Peschio, Nicholas Rzhevsky•ARTICLE•The Slavic and East European…•2006

  • Temira Pachmuss, 1927-2007

    Open Access•Nicholas Rzhevsky•ARTICLE•Slavic Review•2007

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • The Cambridge Companion to Modern Russian Culture

    Open Access•Nicholas Rzhevsky•EDITOR•BOOK•The Cambridge companion to modern…•2012

    Russia's size, the diversity of its peoples and its unique geographical position straddling East and West have created a culture that is both inward and outward looking. Its history reflects the tension between very different approaches to what culture can and should be, and this tension shapes the vibrancy of its arts today. The highly successful first edition of Rzhevsky's Companion has been updated to include post-Soviet trends and new develop…

History (11 works) · Art (9 works) · Philosophy (9 works) · Russian Literature and Bakhtin Studies (9 works) · Political science (8 works) · Eastern European Communism and Reforms (7 works) · Philosophy (6 works) · Computer Science (5 works) · Literature (5 works) · History (4 works)

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