Luba Golburt
Biographic Data
| ID | 968729 |
|---|---|
| NAME | Luba Golburt |
| GIVEN NAMES | Luba |
| FAMILY NAME | Golburt |
| SIGNATURE | GOLBURT L |
| AFFILIATIONS | University of California, Berkeley |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Ian Satunovskii
Ian Satunovskii's war lyric is an extensive corpus drawn from the entirety of his poetic career (early 1940s-early 1980s). Focusing on a few closely read selections, this essay attempts to make sense of this body of work, paying particular attention to the compounding of identities and temporalities in Satunovskii's very short texts. How does Satunovskii's poetry resist the hardening and polarization of identities occasioned by war? And how can w…
Alexander Pushkin as a Romantic
This chapter maintains that Pushkin’s artistic project illuminates a paradoxical convergence of nationalism and internationalism at the core of both European and Russian Romanticism: the period’s concurrent commitment, on the national as well as individual scale, to creative solipsism and to circuits of intellectual exchange opened up by the Enlightenment across Europe; its introspection and extroversion; its vitalizing yet ambivalent comparatism…
Catherine's Retinue
Beside her political and cultural legacy, Catherine II bequeathed to the nineteenth century a certain striking image of the body and spirit of the eighteenth: an aging aristocratic lady, inflexible in her behavioral routines and visibly unaware of historical change. This image was codified by Aleksandr Pushkin inThe Queen of Spadesand, much later, satirized by Ivan Turgenev in several of his novels. Highlighting the recurrence of these copies of …
Derzhavin's Ruins and the Birth of Historical Elegy
Through the prism of Gavriil Derzhavin's 1797 poem "Razvaliny" (Ruins), Luba Golburt explores two concurrent developments in Russian cultural history: the fragmentation of Catherine the Great's overwhelming legacy after her death in 1796 and the contemporaneous weakening of the classicist genre system, which gave rise to such hybrid genres as the historical elegy. In its temporal polyvalence, the historical elegy bears great resemblance to the ru…
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Derzhavin's Ruins and the Birth of Historical Elegy
Through the prism of Gavriil Derzhavin's 1797 poem "Razvaliny" (Ruins), Luba Golburt explores two concurrent developments in Russian cultural history: the fragmentation of Catherine the Great's overwhelming legacy after her death in 1796 and the contemporaneous weakening of the classicist genre system, which gave rise to such hybrid genres as the historical elegy. In its temporal polyvalence, the historical elegy bears great resemblance to the ru…
Catherine's Retinue
Beside her political and cultural legacy, Catherine II bequeathed to the nineteenth century a certain striking image of the body and spirit of the eighteenth: an aging aristocratic lady, inflexible in her behavioral routines and visibly unaware of historical change. This image was codified by Aleksandr Pushkin inThe Queen of Spadesand, much later, satirized by Ivan Turgenev in several of his novels. Highlighting the recurrence of these copies of …
Alexander Pushkin as a Romantic
This chapter maintains that Pushkin’s artistic project illuminates a paradoxical convergence of nationalism and internationalism at the core of both European and Russian Romanticism: the period’s concurrent commitment, on the national as well as individual scale, to creative solipsism and to circuits of intellectual exchange opened up by the Enlightenment across Europe; its introspection and extroversion; its vitalizing yet ambivalent comparatism…
Ian Satunovskii
Ian Satunovskii's war lyric is an extensive corpus drawn from the entirety of his poetic career (early 1940s-early 1980s). Focusing on a few closely read selections, this essay attempts to make sense of this body of work, paying particular attention to the compounding of identities and temporalities in Satunovskii's very short texts. How does Satunovskii's poetry resist the hardening and polarization of identities occasioned by war? And how can w…
Art (4 works) · History (4 works) · Literature (4 works) · Philosophy (4 works) · Aesthetics (3 works) · History (3 works) · Philosophy (3 works) · Enlightenment (2 works) · Epistemology (2 works) · Poetry (2 works)