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Kağan KAYA

Biographic Data

ID9688165
NAMEKağan KAYA
GIVEN NAMESKağan
FAMILY NAMEKAYA
SIGNATUREKAYA K
AFFILIATIONSAnkara Sosyal Bilimler Üniversitesi
ORCID0000-0001-9251-0267
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2020
H-INDEX0
  • A Rereading of Anthony Neilson’s the Censor in the Light of Zygmunt Bauman’s Moral Sociology

    Open Access•Kağan KAYA, Sedat BAY•ARTICLE•Avrasya Uluslararası Araştırmalar…•2020

    New writing, In-Yer-Face theatre, rising masculinity, grunge, the rave scene, and hip-hop dominated the world of music, literature, and drama in the nineties. The nineties also displayed that one could reach sexual affairs not only in the political world and on TVs, but also on theatre stages. Anthony Neilson whose works are associated in criticism with the phenomenon variously described as In-Yer-Face Theatre put The Censor on the stage in 1997.…

  • Howard Brenton’ın Arabistan Ardından Lawrence Oyununa Althusserci Bir Yaklaşım

    Open Access•Kağan KAYA•ARTICLE•Gaziantep University Journal of…•2020

    Brenton who mostly brings historical and political facts to his stage is one of the playwrights nurtured by British History after the World War II. In his plays, Brenton intends to reveal Britain's historical and political problems which are the causes of its unsuccessful domestic and foreign policy. "A tragicomedy of a hero" (Brenton, 2016b), Lawrence After Arabia, in which the playwright criticizes British policy is no exception. The elements w…

No prominent works on this page.

  • A Rereading of Anthony Neilson’s the Censor in the Light of Zygmunt Bauman’s Moral Sociology

    Open Access•Kağan KAYA, Sedat BAY•ARTICLE•Avrasya Uluslararası Araştırmalar…•2020

    New writing, In-Yer-Face theatre, rising masculinity, grunge, the rave scene, and hip-hop dominated the world of music, literature, and drama in the nineties. The nineties also displayed that one could reach sexual affairs not only in the political world and on TVs, but also on theatre stages. Anthony Neilson whose works are associated in criticism with the phenomenon variously described as In-Yer-Face Theatre put The Censor on the stage in 1997.…

  • Howard Brenton’ın Arabistan Ardından Lawrence Oyununa Althusserci Bir Yaklaşım

    Open Access•Kağan KAYA•ARTICLE•Gaziantep University Journal of…•2020

    Brenton who mostly brings historical and political facts to his stage is one of the playwrights nurtured by British History after the World War II. In his plays, Brenton intends to reveal Britain's historical and political problems which are the causes of its unsuccessful domestic and foreign policy. "A tragicomedy of a hero" (Brenton, 2016b), Lawrence After Arabia, in which the playwright criticizes British policy is no exception. The elements w…

Art (2 works) · Law (2 works) · Literature (2 works) · Political science (2 works) · Politics (2 works) · Aesthetics (1 work) · Ancient history (1 work) · Archaeology (1 work) · Drama (1 work) · Dramaturgy (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae