Murtaza Talha Altınkaya
Biographic Data
| ID | 9688540 |
|---|---|
| NAME | Murtaza Talha Altınkaya |
| GIVEN NAMES | Murtaza Talha |
| FAMILY NAME | Altınkaya |
| SIGNATURE | ALTINKAYA M T |
| AFFILIATIONS | Dokuz Eylül University |
| ORCID | 0000-0003-2872-5532 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Death, Aging, and Ecology in The Ballad of Narayama (1983)
This study analyzes Shohei Imamura’s The Ballad of Narayama (1983) through the lens of death, aging, and ecology. The film centers on the ubasute ritual, where elderly individuals are taken to a mountain to die, reflecting a pragmatic response to resource scarcity. By portraying death as a societal and ecological necessity, the film challenges modern views on aging and death. Nature is depicted as an active participant, symbolizing the cyclical p…
Barbieland as a Simulacrum
This article provides a Baudrillardian analysis of the 2023 Barbie film by interpreting Barbieland as a simulacrum that reveals the collapse of representation and meaning in postmodern culture. Drawing on Jean Baudrillard’s theory of simulation and the four phases of the image, the article traces how Barbieland transitions from a model rooted in modern ideals to a hyperreal environment where the distinction between reality and representation vani…
Jean Baudrillard’ın Simülasyon Evreninin Film Simülakrları
Jean Baudrillard yaratıcısı olduğu simülasyon kuramında İkinci Dünya Savaşı sonrası Batı dünyasının simülasyon evreni ismi verilen yeni bir toplumsal düzene geçiş yaptığını, bu evrende gerçeğin öldüğünü ve yerine ona çok benzeyen simülakrların geçtiğini iddia etmiştir. Politikadan bilime, gündelik yaşam pratiklerinden medyaya pek çok mecrada eleştiri ve çözümleme yapan Baudrillard’ın metinleri içinde en çok değindiği konulardan biri de kendi ifad…
No prominent works on this page.
Death, Aging, and Ecology in The Ballad of Narayama (1983)
This study analyzes Shohei Imamura’s The Ballad of Narayama (1983) through the lens of death, aging, and ecology. The film centers on the ubasute ritual, where elderly individuals are taken to a mountain to die, reflecting a pragmatic response to resource scarcity. By portraying death as a societal and ecological necessity, the film challenges modern views on aging and death. Nature is depicted as an active participant, symbolizing the cyclical p…
Barbieland as a Simulacrum
This article provides a Baudrillardian analysis of the 2023 Barbie film by interpreting Barbieland as a simulacrum that reveals the collapse of representation and meaning in postmodern culture. Drawing on Jean Baudrillard’s theory of simulation and the four phases of the image, the article traces how Barbieland transitions from a model rooted in modern ideals to a hyperreal environment where the distinction between reality and representation vani…
Jean Baudrillard’ın Simülasyon Evreninin Film Simülakrları
Jean Baudrillard yaratıcısı olduğu simülasyon kuramında İkinci Dünya Savaşı sonrası Batı dünyasının simülasyon evreni ismi verilen yeni bir toplumsal düzene geçiş yaptığını, bu evrende gerçeğin öldüğünü ve yerine ona çok benzeyen simülakrların geçtiğini iddia etmiştir. Politikadan bilime, gündelik yaşam pratiklerinden medyaya pek çok mecrada eleştiri ve çözümleme yapan Baudrillard’ın metinleri içinde en çok değindiği konulardan biri de kendi ifad…
Art (2 works) · Art, Politics, and Modernism (1 work) · Ballad (1 work) · Biology (1 work) · Cinema and Media Studies (1 work) · Cultural Studies and Postmodernism (1 work) · Ecology (1 work) · Fashion and Cultural Textiles (1 work) · Humanities (1 work) · Ideology (1 work)