Erin Sweeney Smith
Biographic Data
| ID | 968920 |
|---|---|
| NAME | Erin Sweeney Smith |
| GIVEN NAMES | Erin Sweeney |
| FAMILY NAME | Smith |
| SIGNATURE | SMITH E S |
| AFFILIATIONS | Film Independent |
| ORCID | 0000-0001-5463-1754 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Singing, Soldiering, and Sheet Music in America during the First World War
Conjuring some magic: Paganism and the musical and visual aesthetics of Florence + the Machine and Bat for Lashes
Magic and mystery shroud Florence + the Machine's and Bat for Lashes's performances and interviews, which frequently frame the two groups' frontwomen, Florence Welch and Natasha Khan, as 'witchy' or magical, or spur comparisons to Pagan aesthetics. This article investigates the unique ways the two bands use Pagan influences to speak to mainstream and Pagan audiences. Ultimately, the two groups set themselves apart from other bands through marketi…
Post-imperialism, imaginary geography and the women of Led Zeppelin'sIV
Led Zeppelin have long been hailed as the ambassadors of cock rock. Yet, the band's fourth album - the commercial behemoth otherwise known asIV- features collaborations with two women: Sandy Denny's vocal contributions to 'The Battle of Evermore' and Memphis Minnie's co-songwriting credit on 'When the Levee Breaks'. The two tracks feature landscapes dominated by powerful female forces via Denny's Queen of Light character and her counterpart embod…
Conjuring some magic: Paganism and the musical and visual aesthetics of Florence + the Machine and Bat for Lashes
Magic and mystery shroud Florence + the Machine's and Bat for Lashes's performances and interviews, which frequently frame the two groups' frontwomen, Florence Welch and Natasha Khan, as 'witchy' or magical, or spur comparisons to Pagan aesthetics. This article investigates the unique ways the two bands use Pagan influences to speak to mainstream and Pagan audiences. Ultimately, the two groups set themselves apart from other bands through marketi…
Post-imperialism, imaginary geography and the women of Led Zeppelin'sIV
Led Zeppelin have long been hailed as the ambassadors of cock rock. Yet, the band's fourth album - the commercial behemoth otherwise known asIV- features collaborations with two women: Sandy Denny's vocal contributions to 'The Battle of Evermore' and Memphis Minnie's co-songwriting credit on 'When the Levee Breaks'. The two tracks feature landscapes dominated by powerful female forces via Denny's Queen of Light character and her counterpart embod…
Post-imperialism, imaginary geography and the women of Led Zeppelin'sIV
Led Zeppelin have long been hailed as the ambassadors of cock rock. Yet, the band's fourth album - the commercial behemoth otherwise known asIV- features collaborations with two women: Sandy Denny's vocal contributions to 'The Battle of Evermore' and Memphis Minnie's co-songwriting credit on 'When the Levee Breaks'. The two tracks feature landscapes dominated by powerful female forces via Denny's Queen of Light character and her counterpart embod…
Singing, Soldiering, and Sheet Music in America during the First World War
Conjuring some magic: Paganism and the musical and visual aesthetics of Florence + the Machine and Bat for Lashes
Magic and mystery shroud Florence + the Machine's and Bat for Lashes's performances and interviews, which frequently frame the two groups' frontwomen, Florence Welch and Natasha Khan, as 'witchy' or magical, or spur comparisons to Pagan aesthetics. This article investigates the unique ways the two bands use Pagan influences to speak to mainstream and Pagan audiences. Ultimately, the two groups set themselves apart from other bands through marketi…
Art (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Art history (2 works) · Folklore, Mythology, and Literature Studies (2 works) · History (2 works) · Musical (2 works) · Acoustics (1 works) · American Sports and Literature (1 works) · Ancient history (1 works)