Soner OKAN
Biographic Data
| ID | 9690864 |
|---|---|
| NAME | Soner OKAN |
| GIVEN NAMES | Soner |
| FAMILY NAME | OKAN |
| SIGNATURE | OKAN S |
| AFFILIATIONS | Kahramanmaraş Sütçü İmam University |
| ORCID | 0000-0001-6749-8163 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Instructor Opinions on Problems and Solution Suggestions in Gaining Interpretation Skills in Violin Education
Interpretation is a highly important skill in violin education. Acquiring this skill is possible only through the accumulation of knowledge gained at every stage of violin training and over a long period of time. The aim of this study, which employs a qualitative research method, is to identify the problems faced by instructors in gaining interpretative skills and to propose solutions. Within a phenomenological framework, interviews were conducte…
Nursal Ünsal’a Ai̇t Hi̇cazkâr Makamindaki̇ Keman Taksi̇mi̇ni̇n Anali̇zi̇
Taksim, icracının notaya bağlı kalmadan anlık duygu ve düşüncelerini belirli kurallar dâhilinde çalgısıyla ifade ettiği bir icra biçimidir. Belirli icracıların yaptığı taksimler, nazari ve teknik açıdan oldukça öğretici ve sanatsal değere sahip yapıtlardır. Dolayısıyla bu tür taksimler incelemeye ve analiz edilmeye değer görülmektedir. Bu araştırmada Türk müziği geleneğinin sürekliliğinde önemli bir köprü görevi üstlenen ve hakkında sınırlı sayıd…
Cevdet Çağla’nın Keman İcrasının İncelenmesi Üç Taksim Örneği
Cevdet ala is a composer and violinist who has an important place in the tradition of violin performance in the Turkish music.ala's various taksims are important sources reflecting his understanding of makam, technique and performance style.In this study, ala's identity as a performer is emphasized and his Sznak taksim, evkefza taksim and transitional taksim which from Uak makam to the ehnaz makam are analyzed.The taksims were conducted within th…
No prominent works on this page.
Nursal Ünsal’a Ai̇t Hi̇cazkâr Makamindaki̇ Keman Taksi̇mi̇ni̇n Anali̇zi̇
Taksim, icracının notaya bağlı kalmadan anlık duygu ve düşüncelerini belirli kurallar dâhilinde çalgısıyla ifade ettiği bir icra biçimidir. Belirli icracıların yaptığı taksimler, nazari ve teknik açıdan oldukça öğretici ve sanatsal değere sahip yapıtlardır. Dolayısıyla bu tür taksimler incelemeye ve analiz edilmeye değer görülmektedir. Bu araştırmada Türk müziği geleneğinin sürekliliğinde önemli bir köprü görevi üstlenen ve hakkında sınırlı sayıd…
Cevdet Çağla’nın Keman İcrasının İncelenmesi Üç Taksim Örneği
Cevdet ala is a composer and violinist who has an important place in the tradition of violin performance in the Turkish music.ala's various taksims are important sources reflecting his understanding of makam, technique and performance style.In this study, ala's identity as a performer is emphasized and his Sznak taksim, evkefza taksim and transitional taksim which from Uak makam to the ehnaz makam are analyzed.The taksims were conducted within th…
Instructor Opinions on Problems and Solution Suggestions in Gaining Interpretation Skills in Violin Education
Interpretation is a highly important skill in violin education. Acquiring this skill is possible only through the accumulation of knowledge gained at every stage of violin training and over a long period of time. The aim of this study, which employs a qualitative research method, is to identify the problems faced by instructors in gaining interpretative skills and to propose solutions. Within a phenomenological framework, interviews were conducte…
Music Education and Analysis (2 works) · Turkish Literature and Culture (2 works) · Cultural and Sociopolitical Studies (1 work) · Diverse Music Education Insights (1 work) · Diverse Musicological Studies (1 work) · Education Practices and Challenges (1 work) · Humanities (1 work) · Interpretative phenomenological analysis (1 work) · Music education (1 work) · Musical (1 work)