Davide Stimilli
Biographic Data
| ID | 969234 |
|---|---|
| NAME | Davide Stimilli |
| GIVEN NAMES | Davide |
| FAMILY NAME | Stimilli |
| SIGNATURE | STIMILLI D |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
The Atlas and the Skyscraper
J. L. Borges compared Orson Welles's masterpiece Citizen Kane to a labyrinth without center, a building expanding horizontally with no limits in space, or synchronically with no limits in time. It may be tempting to compare Warburg's atlas Mnemosyne to a building expanding with no limits vertically, or diachronically; but such a building has also a proper name, that of the Tower of Babel, or, if we were to translate it into a now common noun, a s…
Warburgs Denkraum
Zu den besonderen Wortprägungen des Hamburger Kunst- und Kulturwissenschaftlers Aby Warburg gehört die Figur des Denkraums. Darunter verstand er den »im Kampf mit den dämonischen Lebensmächten« gewonnenen Ort zwischen Objekt und Betrachter, an dem Reflexion erst möglich ist. Bilder verstand er hier als Werkzeuge zur Bewältigung der auch als gefährlich zu verstehenden Energien. Denn den visuellen Objekten sind eigenaktive und unkontrollierbare Ant…
Aby Warburg's Impresa
Crede mihi, plus est, quam quod videatur, imago Ovid, Heroides, XIII.154 In a letter of June 11, 1924 to Alfred Doren, who had raised the timely question of how to celebrate Aby Warburg’s sixtieth birthday in an adequate manner, Fritz Saxl rejected in no uncertain terms the idea of an edition of his writings: Warburg himself had apparently forbidden it, and Saxl considered only with reluctance the possibility of publishing a Festschrift in Warbur…
Secrecy and Betrayal
Research Article| November 01 2012 Secrecy and Betrayal: On Kafka and Welles Davide Stimilli Davide Stimilli Search for other works by this author on: This Site Google CR: The New Centennial Review (2012) 12 (3): 91–114. https://doi.org/10.2307/41949803 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Davide Stimilli; Secrecy and Betrayal: On Kafka and Welles. CR: The New Centennial Review 1 Novemb…
Aby Warburg in America Again
Daimon and Nemesis
The Atlas and the Skyscraper
J. L. Borges compared Orson Welles's masterpiece Citizen Kane to a labyrinth without center, a building expanding horizontally with no limits in space, or synchronically with no limits in time. It may be tempting to compare Warburg's atlas Mnemosyne to a building expanding with no limits vertically, or diachronically; but such a building has also a proper name, that of the Tower of Babel, or, if we were to translate it into a now common noun, a s…
Daimon and Nemesis
Aby Warburg in America Again
Secrecy and Betrayal
Research Article| November 01 2012 Secrecy and Betrayal: On Kafka and Welles Davide Stimilli Davide Stimilli Search for other works by this author on: This Site Google CR: The New Centennial Review (2012) 12 (3): 91–114. https://doi.org/10.2307/41949803 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Davide Stimilli; Secrecy and Betrayal: On Kafka and Welles. CR: The New Centennial Review 1 Novemb…
Aby Warburg's Impresa
Crede mihi, plus est, quam quod videatur, imago Ovid, Heroides, XIII.154 In a letter of June 11, 1924 to Alfred Doren, who had raised the timely question of how to celebrate Aby Warburg’s sixtieth birthday in an adequate manner, Fritz Saxl rejected in no uncertain terms the idea of an edition of his writings: Warburg himself had apparently forbidden it, and Saxl considered only with reluctance the possibility of publishing a Festschrift in Warbur…
Warburgs Denkraum
Zu den besonderen Wortprägungen des Hamburger Kunst- und Kulturwissenschaftlers Aby Warburg gehört die Figur des Denkraums. Darunter verstand er den »im Kampf mit den dämonischen Lebensmächten« gewonnenen Ort zwischen Objekt und Betrachter, an dem Reflexion erst möglich ist. Bilder verstand er hier als Werkzeuge zur Bewältigung der auch als gefährlich zu verstehenden Energien. Denn den visuellen Objekten sind eigenaktive und unkontrollierbare Ant…
The Atlas and the Skyscraper
J. L. Borges compared Orson Welles's masterpiece Citizen Kane to a labyrinth without center, a building expanding horizontally with no limits in space, or synchronically with no limits in time. It may be tempting to compare Warburg's atlas Mnemosyne to a building expanding with no limits vertically, or diachronically; but such a building has also a proper name, that of the Tower of Babel, or, if we were to translate it into a now common noun, a s…
Art (5 works) · Multidisciplinary Warburg-centric Studies (4 works) · Art history (3 works) · History (3 works) · Classics (2 works) · Computer Science (2 works) · History (2 works) · World Wide Web (2 works) · Art, Aesthetics, and Perception (1 work) · Astronomy (1 work)