Léuli Eshrāghi
Biographic Data
| ID | 9694086 |
|---|---|
| NAME | Léuli Eshrāghi |
| GIVEN NAMES | Léuli |
| FAMILY NAME | Eshrāghi |
| SIGNATURE | ESHRĀGHI L |
| AFFILIATIONS | The University of Queensland |
| ORCID | 0000-0002-5772-307X |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Décolonisation et affirmation autochtone dans les pratiques de collectionnement dans les musées
This article falls within the scope of reflection on the decolonization of Canadian museums, in accordance with the 2022 report of the Canadian Museums Association (CMA), which responds to the Truth and Reconciliation Commission of Canada’s Call to Action 67. The article represents a collaborative effort between a professor, an Ilnu museologist and a non-binary Indigenous curator, guided by an Indigenous methodological approach foregrounding reci…
Hawaiʻi Triennial 2022
Entangled and Sustainable Approaches to Museum Practices
In 2022, the University of Queensland (UQ) Art Museum, located in Brisbane, Australia, launched a focused research and programming strategy set to span at least three years, entitled Blue Assembly
Charting hxstories in Sāmoan visual and digital art
In this article, addressing the absences of cultural memory from existing institutional archives is accounted for in the development of new curatorial display territories, both online and in the gallery. The imperatives to claim new digital territories as extensions of homeland territories are contextualized within the discussion of the curated works in the first in a series of exhibitions titled Sāmoan Hxstories, Screens and Intimacies supported…
No prominent works on this page.
Charting hxstories in Sāmoan visual and digital art
In this article, addressing the absences of cultural memory from existing institutional archives is accounted for in the development of new curatorial display territories, both online and in the gallery. The imperatives to claim new digital territories as extensions of homeland territories are contextualized within the discussion of the curated works in the first in a series of exhibitions titled Sāmoan Hxstories, Screens and Intimacies supported…
Hawaiʻi Triennial 2022
Entangled and Sustainable Approaches to Museum Practices
In 2022, the University of Queensland (UQ) Art Museum, located in Brisbane, Australia, launched a focused research and programming strategy set to span at least three years, entitled Blue Assembly
Décolonisation et affirmation autochtone dans les pratiques de collectionnement dans les musées
This article falls within the scope of reflection on the decolonization of Canadian museums, in accordance with the 2022 report of the Canadian Museums Association (CMA), which responds to the Truth and Reconciliation Commission of Canada’s Call to Action 67. The article represents a collaborative effort between a professor, an Ilnu museologist and a non-binary Indigenous curator, guided by an Indigenous methodological approach foregrounding reci…
Art history (3 works) · Art (2 works) · Cultural Heritage Management and Preservation (2 works) · History (2 works) · Indigenous (2 works) · Media studies (2 works) · Museums and Cultural Heritage (2 works) · Sociology (2 works) · Archaeology (1 work) · Asian American and Pacific Histories (1 work)