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H Porter Abbott

Datos Biográficos

ID969426
NOMBREH Porter Abbott
NOMBRESH Porter
APELLIDOAbbott
FIRMAABBOTT H P
AFILIACIONESUniversity of California, Santa Barbara
VERIFICADONo
TOTAL DE OBRAS15
TOTAL DE CITAS27
TOTAL COMO AUTOR15
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1985
AÑO MÁS RECIENTE DE PUBLICACIÓN2016
ÍNDICE H3
  • Fiction, Fitness, and Failure

    H Porter Abbott•ARTICLE•Poetics Today•2016•Referencias: 4

    Book Review| December 01 2016 Fiction, Fitness, and Failure Spolsky, Ellen, The Contracts of Fiction: Cognition, Culture, Community. Oxford University Press, 2015. xxxi + 283 pp. H. Porter Abbott H. Porter Abbott Search for other works by this author on: This Site Google Poetics Today (2016) 37 (4): 675–685. https://doi.org/10.1215/03335372-3638196 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation H…

  • Reading Intended Meaning Where None Is Intended

    H Porter Abbott•ARTICLE•Poetics Today•2011•Citada por: 3•Referencias: 21

    From a cognitivist perspective, I defend the utility of the implied author for the interpretation of fictional texts that support more than one intentional reading. David Herman (2008) provides a foil in his opposition to the implied author as object-like source and his promotion of the reading of intentionality as it appears in a distributed field of cues. This understanding of intentionality, he argues, is embedded in our "folk psychology" and …

  • The Cambridge Introduction to Narrative

    Open Access•H Porter Abbott•BOOK•Cambridge Introduction to Narrative•2008

    What is narrative? How does it work and how does it shape our lives and the texts we read? H. Porter Abbott emphasizes that narrative is found not just in literature, film, and theater, but everywhere in the ordinary course of people's lives. This widely used introduction, now thoroughly revised, is informed throughout by recent developments in the field and includes two new chapters. With its lucid exposition of concepts and suggestions for furt…

  • Narrative and Emergent Behavior

    H Porter Abbott•ARTICLE•Poetics Today•2008•Citada por: 1•Referencias: 7

    The difficulty of understanding emergent behavior is usually attributed to our need to see in it the operation of some kind of centralized control where there is in fact none (Keller 1985, Resnick 1994). Yet as a species, we seem to have little difficulty with complex narratives in which there is no centralized control and in which chance often plays a major role (tragedies, comedies, most novels and films). I argue that the principal reason for …

  • The Art of Making It New, Revisited

    H Porter Abbott•ARTICLE•Poetics Today•2008•Referencias: 1

    Research Article| September 01 2008 The Art of Making It New, Revisited: Beckett and Cliché H. Porter Abbott H. Porter Abbott Search for other works by this author on: This Site Google Poetics Today (2008) 29 (3): 595–601. https://doi.org/10.1215/03335372-077 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation H. Porter Abbott; The Art of Making It New, Revisited: Beckett and Cliché. Poetics Today 1 S…

  • Cognitive Literary Studies

    H Porter Abbott•ARTICLE•Poetics Today•2006•Citada por: 6•Referencias: 13

    Research Article| December 01 2006 Cognitive Literary Studies: The “Second Generation”; The Work of Fiction: Cognition, Culture, and Complexity H. Porter Abbott H. Porter Abbott Search for other works by this author on: This Site Google Poetics Today (2006) 27 (4): 711–722. https://doi.org/10.1215/03335372-2006-009 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation H. Porter Abbott; Cognitive Literar…

  • Humanists, Scientists, and the Cultural Surplus

    H Porter Abbott•ARTICLE•SubStance•2001•Citada por: 1

    H. Porter Abbott, Humanists, Scientists, and the Cultural Surplus, SubStance, Vol. 30, No. 1/2, Issue 94/95: Special Issue: On the Origin of Fictions: Interdisciplinary Perspectives (2001), pp. 203-219

  • Extratextual Intelligence

    H Porter Abbott•ARTICLE•New Literary History•1997

    New Literary History - Volume 28, Number 4, Autumn 1997

  • Character and Modernism

    H Porter Abbott•ARTICLE•New Literary History•1993

    A partir d'extraits de son Journal, dialectique personnage/personnalite et pratique autobiographique dans l'oeuvre de Woolf

  • Tyranny and Theatricality

    H Porter Abbott•ARTICLE•Theatre Journal•1988•Referencias: 1

  • Autobiography, Autography, Fiction

    H Porter Abbott•ARTICLE•New Literary History•1988•Citada por: 16

    ECAUSE IT IS MADE UP, a story ends where it ends. In this way there is a connection between the kind of shape and the kind of truth we expect in fictional narrative. When students come up after class to ask if Lady Brett Ashley or Jake Barnes is going to commit suicide, we ask them to unask the question. Were the deaths of Lady Brett or Jake Barnes at all important, Hemingway would have made them a part of the story. Students of course are free t…

  • Victorian Autobiography

    H Porter Abbott, Linda H Peterson•ARTICLE•Poetics Today•1987

  • Toward a Cultural Poetics of Literary Genres

    Janet Gurkin Altman, H Porter Abbott•ARTICLE•Poetics Today•1986

  • Being in the Text

    H Porter Abbott, Paul Jay•ARTICLE•Poetics Today•1986

  • Story and Situation

    H Porter Abbott, Ross Chambers•ARTICLE•Poetics Today•1985

  • Autobiography, Autography, Fiction

    H Porter Abbott•ARTICLE•New Literary History•1988•Citada por: 16

    ECAUSE IT IS MADE UP, a story ends where it ends. In this way there is a connection between the kind of shape and the kind of truth we expect in fictional narrative. When students come up after class to ask if Lady Brett Ashley or Jake Barnes is going to commit suicide, we ask them to unask the question. Were the deaths of Lady Brett or Jake Barnes at all important, Hemingway would have made them a part of the story. Students of course are free t…

  • Cognitive Literary Studies

    H Porter Abbott•ARTICLE•Poetics Today•2006•Citada por: 6•Referencias: 13

    Research Article| December 01 2006 Cognitive Literary Studies: The “Second Generation”; The Work of Fiction: Cognition, Culture, and Complexity H. Porter Abbott H. Porter Abbott Search for other works by this author on: This Site Google Poetics Today (2006) 27 (4): 711–722. https://doi.org/10.1215/03335372-2006-009 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation H. Porter Abbott; Cognitive Literar…

  • Reading Intended Meaning Where None Is Intended

    H Porter Abbott•ARTICLE•Poetics Today•2011•Citada por: 3•Referencias: 21

    From a cognitivist perspective, I defend the utility of the implied author for the interpretation of fictional texts that support more than one intentional reading. David Herman (2008) provides a foil in his opposition to the implied author as object-like source and his promotion of the reading of intentionality as it appears in a distributed field of cues. This understanding of intentionality, he argues, is embedded in our "folk psychology" and …

  • Narrative and Emergent Behavior

    H Porter Abbott•ARTICLE•Poetics Today•2008•Citada por: 1•Referencias: 7

    The difficulty of understanding emergent behavior is usually attributed to our need to see in it the operation of some kind of centralized control where there is in fact none (Keller 1985, Resnick 1994). Yet as a species, we seem to have little difficulty with complex narratives in which there is no centralized control and in which chance often plays a major role (tragedies, comedies, most novels and films). I argue that the principal reason for …

  • Humanists, Scientists, and the Cultural Surplus

    H Porter Abbott•ARTICLE•SubStance•2001•Citada por: 1

    H. Porter Abbott, Humanists, Scientists, and the Cultural Surplus, SubStance, Vol. 30, No. 1/2, Issue 94/95: Special Issue: On the Origin of Fictions: Interdisciplinary Perspectives (2001), pp. 203-219

  • Story and Situation

    H Porter Abbott, Ross Chambers•ARTICLE•Poetics Today•1985

  • Toward a Cultural Poetics of Literary Genres

    Janet Gurkin Altman, H Porter Abbott•ARTICLE•Poetics Today•1986

  • Being in the Text

    H Porter Abbott, Paul Jay•ARTICLE•Poetics Today•1986

  • Victorian Autobiography

    H Porter Abbott, Linda H Peterson•ARTICLE•Poetics Today•1987

  • Tyranny and Theatricality

    H Porter Abbott•ARTICLE•Theatre Journal•1988•Referencias: 1

  • Autobiography, Autography, Fiction

    H Porter Abbott•ARTICLE•New Literary History•1988•Citada por: 16

    ECAUSE IT IS MADE UP, a story ends where it ends. In this way there is a connection between the kind of shape and the kind of truth we expect in fictional narrative. When students come up after class to ask if Lady Brett Ashley or Jake Barnes is going to commit suicide, we ask them to unask the question. Were the deaths of Lady Brett or Jake Barnes at all important, Hemingway would have made them a part of the story. Students of course are free t…

  • Character and Modernism

    H Porter Abbott•ARTICLE•New Literary History•1993

    A partir d'extraits de son Journal, dialectique personnage/personnalite et pratique autobiographique dans l'oeuvre de Woolf

  • Extratextual Intelligence

    H Porter Abbott•ARTICLE•New Literary History•1997

    New Literary History - Volume 28, Number 4, Autumn 1997

  • Humanists, Scientists, and the Cultural Surplus

    H Porter Abbott•ARTICLE•SubStance•2001•Citada por: 1

    H. Porter Abbott, Humanists, Scientists, and the Cultural Surplus, SubStance, Vol. 30, No. 1/2, Issue 94/95: Special Issue: On the Origin of Fictions: Interdisciplinary Perspectives (2001), pp. 203-219

  • Cognitive Literary Studies

    H Porter Abbott•ARTICLE•Poetics Today•2006•Citada por: 6•Referencias: 13

    Research Article| December 01 2006 Cognitive Literary Studies: The “Second Generation”; The Work of Fiction: Cognition, Culture, and Complexity H. Porter Abbott H. Porter Abbott Search for other works by this author on: This Site Google Poetics Today (2006) 27 (4): 711–722. https://doi.org/10.1215/03335372-2006-009 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation H. Porter Abbott; Cognitive Literar…

  • The Cambridge Introduction to Narrative

    Open Access•H Porter Abbott•BOOK•Cambridge Introduction to Narrative•2008

    What is narrative? How does it work and how does it shape our lives and the texts we read? H. Porter Abbott emphasizes that narrative is found not just in literature, film, and theater, but everywhere in the ordinary course of people's lives. This widely used introduction, now thoroughly revised, is informed throughout by recent developments in the field and includes two new chapters. With its lucid exposition of concepts and suggestions for furt…

  • Narrative and Emergent Behavior

    H Porter Abbott•ARTICLE•Poetics Today•2008•Citada por: 1•Referencias: 7

    The difficulty of understanding emergent behavior is usually attributed to our need to see in it the operation of some kind of centralized control where there is in fact none (Keller 1985, Resnick 1994). Yet as a species, we seem to have little difficulty with complex narratives in which there is no centralized control and in which chance often plays a major role (tragedies, comedies, most novels and films). I argue that the principal reason for …

  • The Art of Making It New, Revisited

    H Porter Abbott•ARTICLE•Poetics Today•2008•Referencias: 1

    Research Article| September 01 2008 The Art of Making It New, Revisited: Beckett and Cliché H. Porter Abbott H. Porter Abbott Search for other works by this author on: This Site Google Poetics Today (2008) 29 (3): 595–601. https://doi.org/10.1215/03335372-077 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation H. Porter Abbott; The Art of Making It New, Revisited: Beckett and Cliché. Poetics Today 1 S…

  • Reading Intended Meaning Where None Is Intended

    H Porter Abbott•ARTICLE•Poetics Today•2011•Citada por: 3•Referencias: 21

    From a cognitivist perspective, I defend the utility of the implied author for the interpretation of fictional texts that support more than one intentional reading. David Herman (2008) provides a foil in his opposition to the implied author as object-like source and his promotion of the reading of intentionality as it appears in a distributed field of cues. This understanding of intentionality, he argues, is embedded in our "folk psychology" and …

  • Fiction, Fitness, and Failure

    H Porter Abbott•ARTICLE•Poetics Today•2016•Referencias: 4

    Book Review| December 01 2016 Fiction, Fitness, and Failure Spolsky, Ellen, The Contracts of Fiction: Cognition, Culture, Community. Oxford University Press, 2015. xxxi + 283 pp. H. Porter Abbott H. Porter Abbott Search for other works by this author on: This Site Google Poetics Today (2016) 37 (4): 675–685. https://doi.org/10.1215/03335372-3638196 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation H…

Art (11 obras) · Literature (11 obras) · Philosophy (7 obras) · Aesthetics (4 obras) · Computer Science (4 obras) · History (4 obras) · Language, Metaphor, and Cognition (4 obras) · Linguistics (4 obras) · Poetics (4 obras) · Poetry (4 obras)

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