Ariadne Mikou
Biographic Data
| ID | 9694712 |
|---|---|
| NAME | Ariadne Mikou |
| GIVEN NAMES | Ariadne |
| FAMILY NAME | Mikou |
| SIGNATURE | MIKOU A |
| AFFILIATIONS | Artistic Realization Technologies |
| ORCID | 0000-0002-8984-3535 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Tracing the Disappeared Videodance Festivals of Italy
The focus of this short paper is on Italy’s first videodance festivals that emerged in the beginning of the 1990s and contributed to the flourishing of screendance, known in Italian as videodanza (videodance). Pioneers of this kind of audiovisual curation have been the Naples-based festival known as Il Coreografo Elettronico (1990); the Danza & Video festival (1991) -- later transformed into an open archive known as Cro.me. -- and the recently “r…
Liquid Manifestations of Repertory in the Field of Contemporary Dance-making
This text is based on the testimonies of four contemporary choreographers – Lara Barsacq, the founder of CollettivO CineticO, Francesca Pennini, Luna Cenere and Andrea Costanzo Martini – who presented their works in the frame of B.Motion Danza, an international dance festival in northern Italy that in 2023 focused on the theme of repertory.Exploring feminism, Lara Barsacq with her Fruit Tree revisited Les Noces, a seminal work from the era of the…
‘Meta-Choreographies’ Between the Desktop and the Stage
How does one re-use pre-existing material in order to form an expanded choreographic practice of relating to audio-visual archive without being considered of stealing or lacking originality? Copying, re-using and appropriation, not innocent from copyright implications but often entrapped in the modernist myth of originality, are practices that have been enhanced by the growth of the digital archive available on the internet and the expansion of t…
A Forum of Questions for Active Viewing, Learning and Creating on Screen(s) During a Global Pandemic
No abstract available
Screendance Narratives from around the Mediterranean Sea
The European Mediterranean appears to be an active key player for the production and circulation of screendance. Focusing this research on the pre-pandemic state of screendance in Italy, France, Greece and Spain and employing a methodology of one-to-one interviews, this text examines the art policies that have been in place for potentially supporting the production of screendance, the ways that spectatorship and social engagement kept on growing …
No prominent works on this page.
Screendance Narratives from around the Mediterranean Sea
The European Mediterranean appears to be an active key player for the production and circulation of screendance. Focusing this research on the pre-pandemic state of screendance in Italy, France, Greece and Spain and employing a methodology of one-to-one interviews, this text examines the art policies that have been in place for potentially supporting the production of screendance, the ways that spectatorship and social engagement kept on growing …
A Forum of Questions for Active Viewing, Learning and Creating on Screen(s) During a Global Pandemic
No abstract available
‘Meta-Choreographies’ Between the Desktop and the Stage
How does one re-use pre-existing material in order to form an expanded choreographic practice of relating to audio-visual archive without being considered of stealing or lacking originality? Copying, re-using and appropriation, not innocent from copyright implications but often entrapped in the modernist myth of originality, are practices that have been enhanced by the growth of the digital archive available on the internet and the expansion of t…
Liquid Manifestations of Repertory in the Field of Contemporary Dance-making
This text is based on the testimonies of four contemporary choreographers – Lara Barsacq, the founder of CollettivO CineticO, Francesca Pennini, Luna Cenere and Andrea Costanzo Martini – who presented their works in the frame of B.Motion Danza, an international dance festival in northern Italy that in 2023 focused on the theme of repertory.Exploring feminism, Lara Barsacq with her Fruit Tree revisited Les Noces, a seminal work from the era of the…
Tracing the Disappeared Videodance Festivals of Italy
The focus of this short paper is on Italy’s first videodance festivals that emerged in the beginning of the 1990s and contributed to the flourishing of screendance, known in Italian as videodanza (videodance). Pioneers of this kind of audiovisual curation have been the Naples-based festival known as Il Coreografo Elettronico (1990); the Danza & Video festival (1991) -- later transformed into an open archive known as Cro.me. -- and the recently “r…
Art (3 works) · Dance (3 works) · Diversity and Impact of Dance (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Computer Science (2 works) · History (2 works) · Literature (2 works) · Psychology (2 works) · Sport and Mega-Event Impacts (2 works)