Matthias Sperling
Biographic Data
| ID | 9694786 |
|---|---|
| NAME | Matthias Sperling |
| GIVEN NAMES | Matthias |
| FAMILY NAME | Sperling |
| SIGNATURE | SPERLING M |
| ORCID | 0009-0000-7166-7134 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Engaged and confused
Rehearsing Exits
This article reflects on the creation of The Last Quartet, a dance work conceived by choreographer and performer Seke Chimutengwende, with collaborators Temitope Ajose-Cutting, Charlie Ashwell, Matthias Sperling, composer Jamie McCarthy and dramaturg Efrosini Protopapa. Beginning from the question of what it might mean to dance ‘at the end’, the text approaches ‘lastness’ as a premise that shapes the thinking, the working principles, and the felt…
No prominent works on this page.
Rehearsing Exits
This article reflects on the creation of The Last Quartet, a dance work conceived by choreographer and performer Seke Chimutengwende, with collaborators Temitope Ajose-Cutting, Charlie Ashwell, Matthias Sperling, composer Jamie McCarthy and dramaturg Efrosini Protopapa. Beginning from the question of what it might mean to dance ‘at the end’, the text approaches ‘lastness’ as a premise that shapes the thinking, the working principles, and the felt…
Engaged and confused
Dance (2 works) · Aesthetics (1 work) · Art (1 work) · Art Education and Development (1 work) · Ballet (1 work) · Choreography (1 work) · Diverse Musicological Studies (1 work) · Diversity and Impact of Dance (1 work) · Human auditory perception and evaluation (1 work) · Literature and Cultural Memory (1 work)