Adriana La Selva
Biographic Data
| ID | 9694947 |
|---|---|
| NAME | Adriana La Selva |
| GIVEN NAMES | Adriana |
| FAMILY NAME | La Selva |
| SIGNATURE | LA SELVA A |
| AFFILIATIONS | Ghent University Hospital |
| ORCID | 0000-0002-8524-5327 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Algo-Ritmos
Editorial: Algo-Ritmos: novas fronteiras na documentação performativa
“Dog Boy, media whore. It's who the hell you take me for
Este artigo investiga a persona de Brian Molko, vocalista da banda Placebo, criada no final dos anos 1990, em diálogo com abordagens contemporâneas de performance de persona. Por meio de arquivos de fãs e artigos de revistas musicais (1997-1999), analisa-se como Molko negociou uma "extraordinariedade ordinária", antecipando o fenômeno das "personas relutantes" na música pop atual. A pesquisa utiliza a teoria anedótica (Gallop, 2002) para explorar…
Assemblages of presence
This paper investigates the integration of immersive technologies in an archive of performance practices, investigating how different modes of knowledge production can intersect to create a new spatial ecology. It examines how these intersections between artistic practices and scientific methods evoke enchantment, bridging traditional divides between organic and technical knowledge. This convergence creates new forms of knowledge, opening pathway…
From capture to texture
The notion of ‘pre-expressivity' is central to the field of ‘theatre anthropology', explored by Eugenio Barba and his theatre group Odin Teatret. It refers to the elementary level of the energetic dynamics that render an actor's body scenically ‘alive' and 'present'. In the current study, we explore the potential of immersive technologies and bodily interaction interfaces for supporting the transmission of embodied knowledge. We begin by outlinin…
Echolocation and Reverberation
This multi-authored text aims to both reflect and reflect upon the polyphonic praxis of Cross Pollination (CP), a nomadic laboratory promoting dialogues in-between different arts practices. CP was established in 2017 by Marije Nie and Adriana La Selva, performers and scholars with a longstanding connection to Nordisk Teaterlaboratorium (Denmark). Over the past three years, Nie and La Selva have gathered a transnational group of core artist-resear…
Cross Pollination's Nomadic Laboratory
This collaborative writing presents the ways in which practitioner-researchers from Cross Pollination (CP), an international arts research platform with a focus on knowledge exchange, create nomadic and temporary laboratory spaces. It is argued that the encounter between different experiences of performative craft generates epistemic insights that enable members of the platform to rearticulate their practices through the reterritorialization of s…
Parliament of Practices
Many practitioner-researchers have built up a constellation of experience, practice, techniques and knowledge regarding the art of the performer and its relation to society at large. However, many contemporary performers, theatermakers and researchers have an isolated, fragmented, production-oriented practice and experience little context around their work. The idea of continuous personal artistic research, horizontal exchange and nourishment bet…
No prominent works on this page.
Parliament of Practices
Many practitioner-researchers have built up a constellation of experience, practice, techniques and knowledge regarding the art of the performer and its relation to society at large. However, many contemporary performers, theatermakers and researchers have an isolated, fragmented, production-oriented practice and experience little context around their work. The idea of continuous personal artistic research, horizontal exchange and nourishment bet…
Echolocation and Reverberation
This multi-authored text aims to both reflect and reflect upon the polyphonic praxis of Cross Pollination (CP), a nomadic laboratory promoting dialogues in-between different arts practices. CP was established in 2017 by Marije Nie and Adriana La Selva, performers and scholars with a longstanding connection to Nordisk Teaterlaboratorium (Denmark). Over the past three years, Nie and La Selva have gathered a transnational group of core artist-resear…
Cross Pollination's Nomadic Laboratory
This collaborative writing presents the ways in which practitioner-researchers from Cross Pollination (CP), an international arts research platform with a focus on knowledge exchange, create nomadic and temporary laboratory spaces. It is argued that the encounter between different experiences of performative craft generates epistemic insights that enable members of the platform to rearticulate their practices through the reterritorialization of s…
From capture to texture
The notion of ‘pre-expressivity' is central to the field of ‘theatre anthropology', explored by Eugenio Barba and his theatre group Odin Teatret. It refers to the elementary level of the energetic dynamics that render an actor's body scenically ‘alive' and 'present'. In the current study, we explore the potential of immersive technologies and bodily interaction interfaces for supporting the transmission of embodied knowledge. We begin by outlinin…
Algo-Ritmos
Editorial: Algo-Ritmos: novas fronteiras na documentação performativa
“Dog Boy, media whore. It's who the hell you take me for
Este artigo investiga a persona de Brian Molko, vocalista da banda Placebo, criada no final dos anos 1990, em diálogo com abordagens contemporâneas de performance de persona. Por meio de arquivos de fãs e artigos de revistas musicais (1997-1999), analisa-se como Molko negociou uma "extraordinariedade ordinária", antecipando o fenômeno das "personas relutantes" na música pop atual. A pesquisa utiliza a teoria anedótica (Gallop, 2002) para explorar…
Assemblages of presence
This paper investigates the integration of immersive technologies in an archive of performance practices, investigating how different modes of knowledge production can intersect to create a new spatial ecology. It examines how these intersections between artistic practices and scientific methods evoke enchantment, bridging traditional divides between organic and technical knowledge. This convergence creates new forms of knowledge, opening pathway…
Art (3 works) · Geography (3 works) · Theatre and Performance Studies (3 works) · Artificial Intelligence (2 works) · Artistic and Creative Research (2 works) · Computer Science (2 works) · Political science (2 works) · Psychology (2 works) · Sociology (2 works) · Virtual Reality Applications and Impacts (2 works)