Thomas Studley
Biographic Data
| ID | 9695719 |
|---|---|
| NAME | Thomas Studley |
| GIVEN NAMES | Thomas |
| FAMILY NAME | Studley |
| SIGNATURE | STUDLEY T |
| AFFILIATIONS | Queensland University of Technology |
| ORCID | 0000-0003-4178-5791 |
| VERIFIED | Yes |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Meta-music and the sonic storytelling of Baldur’s Gate 3
The video game Baldur’s Gate 3 adapts the fictional setting and rule systems of the classic tabletop roleplaying game Dungeons & Dragons . For most of its branching three-act story, the music of Baldur’s Gate 3 serves the conventional nondiegetic purpose of supporting narrative immersion and communicating key gameplay information to players. However, Baldur’s Gate 3 also employs a range of metareferential musical devices which foreground the arti…
No prominent works on this page.
Meta-music and the sonic storytelling of Baldur’s Gate 3
The video game Baldur’s Gate 3 adapts the fictional setting and rule systems of the classic tabletop roleplaying game Dungeons & Dragons . For most of its branching three-act story, the music of Baldur’s Gate 3 serves the conventional nondiegetic purpose of supporting narrative immersion and communicating key gameplay information to players. However, Baldur’s Gate 3 also employs a range of metareferential musical devices which foreground the arti…
Art (1 work) · Digital Games and Media (1 work) · Digital Humanities and Scholarship (1 work) · Literature (1 work) · Media, Communication, and Education (1 work) · Narrative (1 work) · Storytelling (1 work)