Susan Wollenberg
Biographic Data
| ID | 969584 |
|---|---|
| NAME | Susan Wollenberg |
| GIVEN NAMES | Susan |
| FAMILY NAME | Wollenberg |
| SIGNATURE | WOLLENBERG S |
| AFFILIATIONS | Lady Margaret Hall, Oxford |
| VERIFIED | No |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Reflections on Women in Music
Four substantial volumes dedicated to women in music, all published within the past couple of years, give welcome indication of the continuing growth of this area of study. 1 Following some general background, I first survey the books, then consider each individually. That I select chapters to discuss in detail does not mean that others would not deserve comparable attention. I can give only a glimpse of the riches these books contain
Sara Levy’s World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin. Ed. by Rebecca Cypess and Nancy Sinkoff
Until relatively recently the history of Western music in the eighteenth and nineteenth centuries has been written with scant (if any) attention to the interests of those less favoured in European society – among them, notably, women and Jews. Rebecca Cypess and Nancy Sinkoff have produced a magnificent tribute to a figure who represents both those strands in the male-dominated and overwhelmingly Christian culture of her time. Their volume makes …
Marianna Martines: A Woman Composer in the Vienna of Mozart and Haydn. By Irving Godt and edited by John A. Rice
Poglietti, Alessandro
Muffat, Georg
Muffat, Gottlieb
Oxford
The New Grove Dictionary of Women Composers
Gradus ad Parnassum' (1725): Concluding Chapters
Tribute to a Great Man
[Letter from Susan Wollenberg]
Bishop and 19th-Century Oxford
Haydn's Baryton Trios and the ‘Gradus’
Journal Article HAYDN'S BARYTON TRIOS AND THE ‘GRADUS’ Get access SUSAN WOLLENBERG SUSAN WOLLENBERG Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LIV, Issue 2, April 1973, Pages 170–178, https://doi.org/10.1093/ml/LIV.2.170 Published: 01 April 1973
A 17th-Century Organ Tutor
The Unknown ‘Gradus’
THE UNKNOWN ‘GRADUS’ Get access SUSAN WOLLENBERG SUSAN WOLLENBERG Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LI, Issue 4, October 1970, Pages 423–434, https://doi.org/10.1093/ml/LI.4.423 Published: 01 October 1970
No prominent works on this page.
The Unknown ‘Gradus’
THE UNKNOWN ‘GRADUS’ Get access SUSAN WOLLENBERG SUSAN WOLLENBERG Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LI, Issue 4, October 1970, Pages 423–434, https://doi.org/10.1093/ml/LI.4.423 Published: 01 October 1970
A 17th-Century Organ Tutor
Haydn's Baryton Trios and the ‘Gradus’
Journal Article HAYDN'S BARYTON TRIOS AND THE ‘GRADUS’ Get access SUSAN WOLLENBERG SUSAN WOLLENBERG Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LIV, Issue 2, April 1973, Pages 170–178, https://doi.org/10.1093/ml/LIV.2.170 Published: 01 April 1973
Bishop and 19th-Century Oxford
[Letter from Susan Wollenberg]
Tribute to a Great Man
Gradus ad Parnassum' (1725): Concluding Chapters
The New Grove Dictionary of Women Composers
Poglietti, Alessandro
Muffat, Georg
Muffat, Gottlieb
Oxford
Marianna Martines: A Woman Composer in the Vienna of Mozart and Haydn. By Irving Godt and edited by John A. Rice
Sara Levy’s World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin. Ed. by Rebecca Cypess and Nancy Sinkoff
Until relatively recently the history of Western music in the eighteenth and nineteenth centuries has been written with scant (if any) attention to the interests of those less favoured in European society – among them, notably, women and Jews. Rebecca Cypess and Nancy Sinkoff have produced a magnificent tribute to a figure who represents both those strands in the male-dominated and overwhelmingly Christian culture of her time. Their volume makes …
Reflections on Women in Music
Four substantial volumes dedicated to women in music, all published within the past couple of years, give welcome indication of the continuing growth of this area of study. 1 Following some general background, I first survey the books, then consider each individually. That I select chapters to discuss in detail does not mean that others would not deserve comparable attention. I can give only a glimpse of the riches these books contain
Art (10 works) · Computer Science (6 works) · Musicology and Musical Analysis (6 works) · Art history (5 works) · History (5 works) · Philosophy (3 works) · Aesthetics (2 works) · Diverse Musicological Studies (2 works) · Library science (2 works) · Period (music) (2 works)