Frans Ari Prasetyo
Biographic Data
| ID | 9703863 |
|---|---|
| NAME | Frans Ari Prasetyo |
| GIVEN NAMES | Frans Ari |
| FAMILY NAME | Prasetyo |
| SIGNATURE | PRASETYO F A |
| AFFILIATIONS | York University and the Ethnography Lab, University of Toronto |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Creative is not always lucrative
In this article, we examine the phenomenon of film communities in post-authoritarian Indonesia by taking four Bandung-based grassroots film communities as our case studies. Drawing on a research work underpinned by a non-exploitative insider methodology grounded in a dialogical participatory observation supplemented with semi-structured in-depth interviews with key participants, we argue that these grassroots film communities defy the ‘creativisa…
Bandung dan Pemaknaan Dago dalam Sejarah
This article explores the history of Bandung, in particular the Dago street area, as a history of place. It looks into how Bandung include Dago has been defined, its etymology and the way in which the people that inhabit the place use and place meaning to these urban spaces. The article argues that civic meaning is rooted in the historic creation of place. It also looks into civic design and civic reform going through different governmentality fr…
No prominent works on this page.
Bandung dan Pemaknaan Dago dalam Sejarah
This article explores the history of Bandung, in particular the Dago street area, as a history of place. It looks into how Bandung include Dago has been defined, its etymology and the way in which the people that inhabit the place use and place meaning to these urban spaces. The article argues that civic meaning is rooted in the historic creation of place. It also looks into civic design and civic reform going through different governmentality fr…
Creative is not always lucrative
In this article, we examine the phenomenon of film communities in post-authoritarian Indonesia by taking four Bandung-based grassroots film communities as our case studies. Drawing on a research work underpinned by a non-exploitative insider methodology grounded in a dialogical participatory observation supplemented with semi-structured in-depth interviews with key participants, we argue that these grassroots film communities defy the ‘creativisa…
Law (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Archaeology (1 work) · Architectural and Urban Studies (1 work) · Art (1 work) · Artistic and Creative Research (1 work) · Authoritarianism (1 work) · Autonomy (1 work)