Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Aden Kumler

Biographic Data

ID970551
NAMEAden Kumler
GIVEN NAMESAden
FAMILY NAMEKumler
SIGNATUREKUMLER A
AFFILIATIONSUniversity of Chicago
ORCID0000-0002-9137-7916
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS2
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Writing on the world beyond the page

    Open Access•Aden Kumler•ARTICLE•Deutsche Vierteljahrsschrift für…•2023

    From the twelfth to the fifteenth centuries texts proliferated upon the surfaces of objects, monuments and architecture, ensuring that medieval people lived with texts, even if they never turned a page. Examining a series of inscribed objects, monuments, and buildings, this article focuses upon three constitutive features of this large-scale dynamic: epigraphic prosopopoeia, the use and effects of deixis in medieval inscriptions, and the device o…

  • Narration / abstraction

    Open Access•Yve-Alain Bois, Vincent Debiais et al.•ARTICLE•Perspective•2022

    International audience

  • Manufacturing the Sacred in the Middle Ages

    Aden Kumler•ARTICLE•English Language Notes•2015

    Research Article| September 01 2015 Manufacturing the Sacred in the Middle Ages: The eucharist and other medieval works of ars Aden Kumler Aden Kumler University of Chicago [email protected] Aden Kumler is associate professor in the department of Art History at the University of Chicago. She holds a PhD from Harvard University, an MA from the Centre for Medieval Studies, University of Toronto, and a LMS from the Pontifical Institute of Mediaev…

  • Imitatio Rerum

    Aden Kumler•ARTICLE•Journal of Medieval and Early…•2014•Cited by: 1

    In the late fourteenth-century Processional (London, British Library, MS Add. 57534) made for St. Giles’s Hospital, Norwich, nine brightly colored paintings describe a series of liturgical processions in exceptional detail. The manuscript’s images are, however, most remarkable for what they do not render visible: the human figures who enacted each ritual performance. In the Processional’s paintings the beholder is instead offered a vision of litu…

  • The multiplication of the species

    Open Access•Aden Kumler•ARTICLE•Res: Anthropology and Aesthetics•2011•Cited by: 1

  • Imitatio Rerum

    Aden Kumler•ARTICLE•Journal of Medieval and Early…•2014•Cited by: 1

    In the late fourteenth-century Processional (London, British Library, MS Add. 57534) made for St. Giles’s Hospital, Norwich, nine brightly colored paintings describe a series of liturgical processions in exceptional detail. The manuscript’s images are, however, most remarkable for what they do not render visible: the human figures who enacted each ritual performance. In the Processional’s paintings the beholder is instead offered a vision of litu…

  • The multiplication of the species

    Open Access•Aden Kumler•ARTICLE•Res: Anthropology and Aesthetics•2011•Cited by: 1

  • The multiplication of the species

    Open Access•Aden Kumler•ARTICLE•Res: Anthropology and Aesthetics•2011•Cited by: 1

  • Imitatio Rerum

    Aden Kumler•ARTICLE•Journal of Medieval and Early…•2014•Cited by: 1

    In the late fourteenth-century Processional (London, British Library, MS Add. 57534) made for St. Giles’s Hospital, Norwich, nine brightly colored paintings describe a series of liturgical processions in exceptional detail. The manuscript’s images are, however, most remarkable for what they do not render visible: the human figures who enacted each ritual performance. In the Processional’s paintings the beholder is instead offered a vision of litu…

  • Manufacturing the Sacred in the Middle Ages

    Aden Kumler•ARTICLE•English Language Notes•2015

    Research Article| September 01 2015 Manufacturing the Sacred in the Middle Ages: The eucharist and other medieval works of ars Aden Kumler Aden Kumler University of Chicago [email protected] Aden Kumler is associate professor in the department of Art History at the University of Chicago. She holds a PhD from Harvard University, an MA from the Centre for Medieval Studies, University of Toronto, and a LMS from the Pontifical Institute of Mediaev…

  • Narration / abstraction

    Open Access•Yve-Alain Bois, Vincent Debiais et al.•ARTICLE•Perspective•2022

    International audience

  • Writing on the world beyond the page

    Open Access•Aden Kumler•ARTICLE•Deutsche Vierteljahrsschrift für…•2023

    From the twelfth to the fifteenth centuries texts proliferated upon the surfaces of objects, monuments and architecture, ensuring that medieval people lived with texts, even if they never turned a page. Examining a series of inscribed objects, monuments, and buildings, this article focuses upon three constitutive features of this large-scale dynamic: epigraphic prosopopoeia, the use and effects of deixis in medieval inscriptions, and the device o…

Art (5 works) · History (4 works) · Historical and Religious Studies of Rome (3 works) · Medieval Literature and History (3 works) · Philosophy (3 works) · Archaeology (2 works) · Art history (2 works) · Byzantine Studies and History (2 works) · Classics (2 works) · Computer Science (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae