Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Norfarizah Mohd Bakhir

Biographic Data

ID9705571
NAMENorfarizah Mohd Bakhir
GIVEN NAMESNorfarizah Mohd
FAMILY NAMEBakhir
SIGNATUREBAKHIR N M
AFFILIATIONSUniversiti Sains Malaysia
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS0
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2024
LATEST PUBLICATION YEAR2024
H-INDEX0
  • The Female Body and the Body Politic in Sex Scenes of Lou Ye’s Film: A Multimodal Discourse Analysis of Summer Palace

    Open Access•Xiaoling Zhan, Xiaoling Zhan Xiaoling Zhan et al.•ARTICLE•Wacana Seni•2024

    This article discusses the body politic of Yu Hong in the postsocialist Chinese film–Summer Palace (2006). Director Lou Ye places Yu Hong’s body in the sex scenes that metaphorically expresses a traumatic and sensitive political event, the “June Fourth Incident.” The portrayal of sexual intercourse, nudity, and this historical event is the unspeakable “secret” in mainland Chinese media. Therefore, the authors raise the question that, when sexual …

  • Visual ethnography of the Aneuk Jamee bridal chamber as an effort to preserve cultural products in Tapak Tuan, Aceh Province

    Open Access•Lindawati Lindawati, Norfarizah Mohd Bakhir et al.•ARTICLE•Dewa Ruci Jurnal Pengkajian dan…•2024

    This article investigates the bridal chamber aisle of the Aneuk Jamee tribe in Tapaktuan District which is rarely used by the community. This aisle is one of the visual cultural products that need to be preserved. The research uses a visual ethnography approach. Visual ethnography provides a new way of revealing, describing, and analyzing cultural products and human experiences. Data were obtained through interviews, observation, and documentatio…

No prominent works on this page.

  • The Female Body and the Body Politic in Sex Scenes of Lou Ye’s Film: A Multimodal Discourse Analysis of Summer Palace

    Open Access•Xiaoling Zhan, Xiaoling Zhan Xiaoling Zhan et al.•ARTICLE•Wacana Seni•2024

    This article discusses the body politic of Yu Hong in the postsocialist Chinese film–Summer Palace (2006). Director Lou Ye places Yu Hong’s body in the sex scenes that metaphorically expresses a traumatic and sensitive political event, the “June Fourth Incident.” The portrayal of sexual intercourse, nudity, and this historical event is the unspeakable “secret” in mainland Chinese media. Therefore, the authors raise the question that, when sexual …

  • Visual ethnography of the Aneuk Jamee bridal chamber as an effort to preserve cultural products in Tapak Tuan, Aceh Province

    Open Access•Lindawati Lindawati, Norfarizah Mohd Bakhir et al.•ARTICLE•Dewa Ruci Jurnal Pengkajian dan…•2024

    This article investigates the bridal chamber aisle of the Aneuk Jamee tribe in Tapaktuan District which is rarely used by the community. This aisle is one of the visual cultural products that need to be preserved. The research uses a visual ethnography approach. Visual ethnography provides a new way of revealing, describing, and analyzing cultural products and human experiences. Data were obtained through interviews, observation, and documentatio…

Art (2 works) · Psychology (2 works) · Sociology (2 works) · Aesthetics (1 works) · Aisle (1 works) · Anthropology (1 works) · Asian Culture and Media Studies (1 works) · Body politic (1 works) · Computer Science (1 works) · Cultural and Artistic Studies (1 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae