Ana Colomer-Sánchez
Biographic Data
| ID | 9710157 |
|---|---|
| NAME | Ana Colomer-Sánchez |
| GIVEN NAMES | Ana |
| FAMILY NAME | Colomer-Sánchez |
| SIGNATURE | COLOMER-SÁNCHEZ A |
| AFFILIATIONS | Universidad Nebrija |
| ORCID | 0000-0002-8056-6797 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Historical background of the academic dance
This article takes the reader on a tour of the origins of academic dance that begins with the arrival of Catherine de’ Medici to the French court as the future consort of King Henry II. The emerging Humanism ideas of the Renaissance renew the concept of «dance» that evolves from Medieval sin, when mundane was denied, to a performing art whose scenic space will dominate the French shortly after the life of its age, for show and power to get identi…
Spanish ballet school
Academic ballet is one of the iconic manifestations of High Culture. In Nineteenth-century Spain, it failed to take root in the form of stable companies, schools, and venues. There were various social, political, and cultural reasons for this, even though conditions at the time seemed propitious. Those reasons and conditions form the subject of this paper. The methodological approach employs Bourdieu’s sociological Field Theory, and neo-instituti…
No prominent works on this page.
Spanish ballet school
Academic ballet is one of the iconic manifestations of High Culture. In Nineteenth-century Spain, it failed to take root in the form of stable companies, schools, and venues. There were various social, political, and cultural reasons for this, even though conditions at the time seemed propitious. Those reasons and conditions form the subject of this paper. The methodological approach employs Bourdieu’s sociological Field Theory, and neo-instituti…
Historical background of the academic dance
This article takes the reader on a tour of the origins of academic dance that begins with the arrival of Catherine de’ Medici to the French court as the future consort of King Henry II. The emerging Humanism ideas of the Renaissance renew the concept of «dance» that evolves from Medieval sin, when mundane was denied, to a performing art whose scenic space will dominate the French shortly after the life of its age, for show and power to get identi…
Art (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Ballet (1 work) · Bourgeoisie (1 work) · Dance education (1 work) · Law (1 work) · Mathematics education (1 work)