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Brian Hope-Taylor

Biographic Data

ID971274
NAMEBrian Hope-Taylor
GIVEN NAMESBrian
FAMILY NAMEHope-Taylor
SIGNATUREHOPE-TAYLOR B
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS16
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1950
LATEST PUBLICATION YEAR1967
H-INDEX3
  • Archaeological Draughtsmanship: Principles and Practice Part III: Lines of Communication

    Open Access•Brian Hope-Taylor•ARTICLE•Antiquity•1967•Cited by: 3

    Time and again, at international gatherings of archaeologists, the language barrier topples at the touch of a pencil on the back of an envelope. There is already a universal visual language, because archaeological evidences exist in the same visual terms the world over. Translate such data into words, and not only are they removed one step further from reality but also their meaning is put internationally at risk. They have to be translated yet a…

  • Archaeological Draughtsmanship: Principles and Practice. Part II: Ends and Means

    Open Access•Brian Hope-Taylor•ARTICLE•Antiquity•1966•Cited by: 3

    First I have a think, and then I draw a line around my think.' Those words, which were said by a child, offer the key to draughtsmanship. That key is usually lost during the business of growing up, and has to be rediscovered. To regain the clear uninhibited vision of what drawing is really about, the adult as often as not has to rid himself of various irrelevant and confused notions. That done, he can once more draw as naturally as he speaks. Men…

  • Farnham Castle

    Open Access•Brian Hope-Taylor•ARTICLE•Antiquity•1959

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Excavations at Farnham Castle

    Open Access•Brian Hope-Taylor•ARTICLE•Antiquity•1959

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Lagore Crannog: An Irish Residence of the 7th to 10th Centuries. By Hugh Hencken, D. Litt. , m.r.i.a. , f.s.a. Proceedings Royal Irish Academy , Vol. Liii, Section C , No. 1 (Dublin: Hodges, Figgis an…

    Open Access•Brian Hope-Taylor•ARTICLE•Antiquity•1954

    LAGORE CRANNOG: AN IRISH RESIDENCE OF THE 7TH TO 10TH CENTURIES. By Hugh Hencken, D. LITT., M.R.I.A., F.S.A. Proceedings Royal Irish Academy, vol. LIII, Section C, No. 1 (Dublin: Hodges, Figgis and Co.) 19 plates (incl. 4 folders), 117 figs. Price, 25s. - Volume 28 Issue 111

  • The Excavation of a Motte at Abinger in Surrey

    Brian Hope-Taylor•ARTICLE•Archaeological Journal•1950•Cited by: 10

    (1950). The Excavation of a Motte at Abinger in Surrey. Archaeological Journal: Vol. 107, No. 1, pp. 15-43

  • The Excavation of a Motte at Abinger in Surrey

    Brian Hope-Taylor•ARTICLE•Archaeological Journal•1950•Cited by: 10

    (1950). The Excavation of a Motte at Abinger in Surrey. Archaeological Journal: Vol. 107, No. 1, pp. 15-43

  • Archaeological Draughtsmanship: Principles and Practice Part III: Lines of Communication

    Open Access•Brian Hope-Taylor•ARTICLE•Antiquity•1967•Cited by: 3

    Time and again, at international gatherings of archaeologists, the language barrier topples at the touch of a pencil on the back of an envelope. There is already a universal visual language, because archaeological evidences exist in the same visual terms the world over. Translate such data into words, and not only are they removed one step further from reality but also their meaning is put internationally at risk. They have to be translated yet a…

  • Archaeological Draughtsmanship: Principles and Practice. Part II: Ends and Means

    Open Access•Brian Hope-Taylor•ARTICLE•Antiquity•1966•Cited by: 3

    First I have a think, and then I draw a line around my think.' Those words, which were said by a child, offer the key to draughtsmanship. That key is usually lost during the business of growing up, and has to be rediscovered. To regain the clear uninhibited vision of what drawing is really about, the adult as often as not has to rid himself of various irrelevant and confused notions. That done, he can once more draw as naturally as he speaks. Men…

  • The Excavation of a Motte at Abinger in Surrey

    Brian Hope-Taylor•ARTICLE•Archaeological Journal•1950•Cited by: 10

    (1950). The Excavation of a Motte at Abinger in Surrey. Archaeological Journal: Vol. 107, No. 1, pp. 15-43

  • Lagore Crannog: An Irish Residence of the 7th to 10th Centuries. By Hugh Hencken, D. Litt. , m.r.i.a. , f.s.a. Proceedings Royal Irish Academy , Vol. Liii, Section C , No. 1 (Dublin: Hodges, Figgis an…

    Open Access•Brian Hope-Taylor•ARTICLE•Antiquity•1954

    LAGORE CRANNOG: AN IRISH RESIDENCE OF THE 7TH TO 10TH CENTURIES. By Hugh Hencken, D. LITT., M.R.I.A., F.S.A. Proceedings Royal Irish Academy, vol. LIII, Section C, No. 1 (Dublin: Hodges, Figgis and Co.) 19 plates (incl. 4 folders), 117 figs. Price, 25s. - Volume 28 Issue 111

  • Farnham Castle

    Open Access•Brian Hope-Taylor•ARTICLE•Antiquity•1959

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Excavations at Farnham Castle

    Open Access•Brian Hope-Taylor•ARTICLE•Antiquity•1959

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Archaeological Draughtsmanship: Principles and Practice. Part II: Ends and Means

    Open Access•Brian Hope-Taylor•ARTICLE•Antiquity•1966•Cited by: 3

    First I have a think, and then I draw a line around my think.' Those words, which were said by a child, offer the key to draughtsmanship. That key is usually lost during the business of growing up, and has to be rediscovered. To regain the clear uninhibited vision of what drawing is really about, the adult as often as not has to rid himself of various irrelevant and confused notions. That done, he can once more draw as naturally as he speaks. Men…

  • Archaeological Draughtsmanship: Principles and Practice Part III: Lines of Communication

    Open Access•Brian Hope-Taylor•ARTICLE•Antiquity•1967•Cited by: 3

    Time and again, at international gatherings of archaeologists, the language barrier topples at the touch of a pencil on the back of an envelope. There is already a universal visual language, because archaeological evidences exist in the same visual terms the world over. Translate such data into words, and not only are they removed one step further from reality but also their meaning is put internationally at risk. They have to be translated yet a…

History (6 works) · Archaeology (3 works) · Art (3 works) · History (3 works) · Archaeological Research and Protection (2 works) · Computer Science (2 works) · Engineering (2 works) · Excavation (2 works) · Philosophy (2 works) · 3D Surveying and Cultural Heritage (1 works)

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