Pedro de Senna
Biographic Data
| ID | 9712832 |
|---|---|
| NAME | Pedro de Senna |
| GIVEN NAMES | Pedro |
| FAMILY NAME | de Senna |
| SIGNATURE | DE SENNA P |
| AFFILIATIONS | Middlesex University |
| ORCID | 0000-0002-6032-0132 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Performance and the Right
Editorial for Special Issue \nAn introduction to the Special Issue, this editorial highlights the changes (or otherwise) in the global socio-political landscape since the Special Issue was first proposed in late 2018. It offers a brief introduction to each article, a rationale for the structure of this issue, and advocates for the importance of scholarship that examines the relationship between performance and right-wing politics
The Garden of Dystopian Pleasures
This article offers a reflection on the authors’ curation of (Dousos and Ieropoulos) and participation in (de Senna and Pfützenreuter) The Garden of Dystopian Pleasures, a performance festival that took place at the Athens School of Fine Arts in 2018. Dousos and Ieropoulos present their thoughts around the need to curate such an event in the first place, discussing the context within which they operate, the Athenian art scene, while making the ca…
Freedom in the margins
This paper presents a conversation between Lucia Gayotto and Marcio Meirelles curated by Pedro de Senna. In it, Gayotto and Meirelles discuss their experiences, respectively, at the Escola Livre de Teatro de Santo André and the Universidade Livre do Teatro Vila Velha, both theatre schools operating at the margins of the official Brazilian educational establishment and making use of overtly Freirean pedagogical models
No prominent works on this page.
Performance and the Right
Editorial for Special Issue \nAn introduction to the Special Issue, this editorial highlights the changes (or otherwise) in the global socio-political landscape since the Special Issue was first proposed in late 2018. It offers a brief introduction to each article, a rationale for the structure of this issue, and advocates for the importance of scholarship that examines the relationship between performance and right-wing politics
The Garden of Dystopian Pleasures
This article offers a reflection on the authors’ curation of (Dousos and Ieropoulos) and participation in (de Senna and Pfützenreuter) The Garden of Dystopian Pleasures, a performance festival that took place at the Athens School of Fine Arts in 2018. Dousos and Ieropoulos present their thoughts around the need to curate such an event in the first place, discussing the context within which they operate, the Athenian art scene, while making the ca…
Freedom in the margins
This paper presents a conversation between Lucia Gayotto and Marcio Meirelles curated by Pedro de Senna. In it, Gayotto and Meirelles discuss their experiences, respectively, at the Escola Livre de Teatro de Santo André and the Universidade Livre do Teatro Vila Velha, both theatre schools operating at the margins of the official Brazilian educational establishment and making use of overtly Freirean pedagogical models
Art (3 works) · Sociology (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Art history (2 works) · Law (2 works) · Performance art (2 works) · Political science (2 works) · Politics (2 works) · Ambiguity (1 work)