Simon Stanton-Sharma
Biographic Data
| ID | 9713817 |
|---|---|
| NAME | Simon Stanton-Sharma |
| GIVEN NAMES | Simon |
| FAMILY NAME | Stanton-Sharma |
| SIGNATURE | STANTON-SHARMA S |
| AFFILIATIONS | University of Salford |
| ORCID | 0009-0005-5234-6614 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
The Unfinished Business of Astley Castle
In this article, we explain how we used the concept of the palimpsest to establish an interdisciplinary and collaborative Practice Research method for representing on film the intangible heritage associated with historic buildings – in this case, Astley Castle, a RIBA Sterling Award-winning building in Warwickshire. In contemporary use, the palimpsest refers broadly to anything that contains multilayered records of alterations and developments ov…
The making of All That Is Buried
This article argues for the utility of Mikhail Bakhtin’s literary theories in developing dialogic and decolonial filmmaking practices. Using the example of our research-led documentary film, All That Is Buried, we challenge traditionally hierarchical structures of film production in which primary authorship lies with the Director/Producer, by implementing dialogic methods of co-creation between filmmakers, researchers and participants. We explain…
No prominent works on this page.
The making of All That Is Buried
This article argues for the utility of Mikhail Bakhtin’s literary theories in developing dialogic and decolonial filmmaking practices. Using the example of our research-led documentary film, All That Is Buried, we challenge traditionally hierarchical structures of film production in which primary authorship lies with the Director/Producer, by implementing dialogic methods of co-creation between filmmakers, researchers and participants. We explain…
The Unfinished Business of Astley Castle
In this article, we explain how we used the concept of the palimpsest to establish an interdisciplinary and collaborative Practice Research method for representing on film the intangible heritage associated with historic buildings – in this case, Astley Castle, a RIBA Sterling Award-winning building in Warwickshire. In contemporary use, the palimpsest refers broadly to anything that contains multilayered records of alterations and developments ov…
Archaeology (1 work) · Artistic and Creative Research (1 work) · Chronotope (1 work) · Cinema and Media Studies (1 work) · Computer Science (1 work) · Cultural Industries and Urban Development (1 work) · Decoloniality (1 work) · Dialog box (1 work) · Embodied cognition (1 work) · Filmmaking (1 work)