Jorlin Jose
Biographic Data
| ID | 9715213 |
|---|---|
| NAME | Jorlin Jose |
| GIVEN NAMES | Jorlin |
| FAMILY NAME | Jose |
| SIGNATURE | JOSE J |
| AFFILIATIONS | Indian Institute of Space Science and Technology |
| ORCID | 0000-0003-4342-9133 |
| VERIFIED | Yes |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2026 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Digitally inflected avant-gardisms
This article examines how contemporary digital performance reactivates and transforms avant-garde techniques to produce politically subversive modes of spectatorship. Through four case studies — Riccardo Reina's Alle Armi (Italy), Rafik Jebali's Le Fou (Tunisia), Einat Weizman's How to Make a Revolution (Palestine), and Nisha Abdulla's How Long is February? (India) — the article analyses how estrangement, montage, mediated embodiment and formal f…
No prominent works on this page.
Digitally inflected avant-gardisms
This article examines how contemporary digital performance reactivates and transforms avant-garde techniques to produce politically subversive modes of spectatorship. Through four case studies — Riccardo Reina's Alle Armi (Italy), Rafik Jebali's Le Fou (Tunisia), Einat Weizman's How to Make a Revolution (Palestine), and Nisha Abdulla's How Long is February? (India) — the article analyses how estrangement, montage, mediated embodiment and formal f…
Digital culture (1 works) · Digital media (1 works) · Diversity and Impact of Dance (1 works) · New media (1 works) · Politics (1 works) · Samuel Beckett and Modernism (1 works) · Scholarship (1 works) · Subversion (1 works) · Theatre and Performance Studies (1 works)