TAO Dongfeng
Biographic Data
| ID | 9715247 |
|---|---|
| NAME | TAO Dongfeng |
| GIVEN NAMES | TAO |
| FAMILY NAME | Dongfeng |
| SIGNATURE | DONGFENG T |
| AFFILIATIONS | Guangzhou University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Knowledge Production in the Theory of Literature and Art in Contemporary China
In the field of theory of literature and art (i.e., the discipline of Wenyi xue) in contemporary China, the post-1930s and the post-1950s generations (scholars who were born between 1930 and 1939 and between 1950 and 1959, respectively) are the most influential ones. They are father and son generations both in a physiological and a sociocultural sense; both occupied or are still occupying important positions in Chinese academia. Their profound di…
Making Fun of the Canon in Contemporary China
This article provides a systematic study of Canon-Mocking Literature, an important cultural phenomenon in contemporary China. From the combined perspective of stylistics and cultural studies, the article suggests that Canon-Mocking Literature is a subversion of the discursive order of traditional canons, including their underlying aesthetics, morality, and cultural codes. The productive pleasure of Canon-Mocking Literature – that is of parody, co…
Interview with Feng Xiaogang
Research Article| February 01 1999 Interview with Feng Xiaogang Michael Keane; Michael Keane Search for other works by this author on: This Site Google Tao Dongfeng Tao Dongfeng Search for other works by this author on: This Site Google positions (1999) 7 (1): 192–200. https://doi.org/10.1215/10679847-7-1-192 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Michael Keane, Tao Dongfeng; Interview wi…
Making Fun of the Canon in Contemporary China
This article provides a systematic study of Canon-Mocking Literature, an important cultural phenomenon in contemporary China. From the combined perspective of stylistics and cultural studies, the article suggests that Canon-Mocking Literature is a subversion of the discursive order of traditional canons, including their underlying aesthetics, morality, and cultural codes. The productive pleasure of Canon-Mocking Literature – that is of parody, co…
Interview with Feng Xiaogang
Research Article| February 01 1999 Interview with Feng Xiaogang Michael Keane; Michael Keane Search for other works by this author on: This Site Google Tao Dongfeng Tao Dongfeng Search for other works by this author on: This Site Google positions (1999) 7 (1): 192–200. https://doi.org/10.1215/10679847-7-1-192 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Michael Keane, Tao Dongfeng; Interview wi…
Interview with Feng Xiaogang
Research Article| February 01 1999 Interview with Feng Xiaogang Michael Keane; Michael Keane Search for other works by this author on: This Site Google Tao Dongfeng Tao Dongfeng Search for other works by this author on: This Site Google positions (1999) 7 (1): 192–200. https://doi.org/10.1215/10679847-7-1-192 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Michael Keane, Tao Dongfeng; Interview wi…
Making Fun of the Canon in Contemporary China
This article provides a systematic study of Canon-Mocking Literature, an important cultural phenomenon in contemporary China. From the combined perspective of stylistics and cultural studies, the article suggests that Canon-Mocking Literature is a subversion of the discursive order of traditional canons, including their underlying aesthetics, morality, and cultural codes. The productive pleasure of Canon-Mocking Literature – that is of parody, co…
Knowledge Production in the Theory of Literature and Art in Contemporary China
In the field of theory of literature and art (i.e., the discipline of Wenyi xue) in contemporary China, the post-1930s and the post-1950s generations (scholars who were born between 1930 and 1939 and between 1950 and 1959, respectively) are the most influential ones. They are father and son generations both in a physiological and a sociocultural sense; both occupied or are still occupying important positions in Chinese academia. Their profound di…
Aesthetics (2 works) · China (2 works) · Chinese history and philosophy (2 works) · Computer Science (2 works) · Epistemology (2 works) · Philosophy (2 works) · Sociology (2 works) · Archaeology (1 works) · Art (1 works) · Canon (1 works)