Anthony Siu
Biographic Data
| ID | 9715296 |
|---|---|
| NAME | Anthony Siu |
| GIVEN NAMES | Anthony |
| FAMILY NAME | Siu |
| SIGNATURE | SIU A |
| AFFILIATIONS | Wenzao Ursuline University of Languages |
| ORCID | 0000-0002-1647-4396 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Necropolitics and Visuality: Remembering ‘Speculative Fictions’ in Hong Kong after Rancière and Mbembe
In his article, “Necropolitics and Visuality: Remembering ‘Speculative Fictions’ in Hong Kong after Rancière and Mbembe,” Anthony Siu examines images from Defiance.Voices, a two-volume collection that gathers photography and art illustrations about the Hong Kong Protests. He studies how paintings from the second volume register politics and events, arguing that visual art can be viewed as a new form of “speculative fictions,” a material ontology …
Smog Signals, Dog Sirens: Jia Zhangke, Lacan, and the Anthropocene
This study is a critique of two overlooked shorts of Jia Zhangke, a leading figure from the sixth generation of Chinese filmmakers: Smog Journeys (2015) and The Condition of Dogs (2001). Contemplating the imminent demise of human and animal lives represented, it argues that the looming ecological crises in the films stress biological finitude to such an extent that fear and pity disavow the truth about capitalist co-optation. To understand capita…
No prominent works on this page.
Smog Signals, Dog Sirens: Jia Zhangke, Lacan, and the Anthropocene
This study is a critique of two overlooked shorts of Jia Zhangke, a leading figure from the sixth generation of Chinese filmmakers: Smog Journeys (2015) and The Condition of Dogs (2001). Contemplating the imminent demise of human and animal lives represented, it argues that the looming ecological crises in the films stress biological finitude to such an extent that fear and pity disavow the truth about capitalist co-optation. To understand capita…
Necropolitics and Visuality: Remembering ‘Speculative Fictions’ in Hong Kong after Rancière and Mbembe
In his article, “Necropolitics and Visuality: Remembering ‘Speculative Fictions’ in Hong Kong after Rancière and Mbembe,” Anthony Siu examines images from Defiance.Voices, a two-volume collection that gathers photography and art illustrations about the Hong Kong Protests. He studies how paintings from the second volume register politics and events, arguing that visual art can be viewed as a new form of “speculative fictions,” a material ontology …
Aesthetics (2 works) · Art (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Anthropocene (1 works) · Art history (1 works) · Capitalism (1 works) · Close reading (1 works)