Michael Issacharoff
Biographic Data
| ID | 972443 |
|---|---|
| NAME | Michael Issacharoff |
| GIVEN NAMES | Michael |
| FAMILY NAME | Issacharoff |
| SIGNATURE | ISSACHAROFF M |
| AFFILIATIONS | University of Western Ontario |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 24 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1974 |
| LATEST PUBLICATION YEAR | 1995 |
| H-INDEX | 2 |
Nommer
Lelia Madrid to name Exploring the difference between proper names and nouns suggests that proper names are « out of language » while the processes by which proper names do become nouns is paradigmatic of the creation of nouns. Such an approach renews our understanding of the link between thought and language
Bobby Watson and the Philosophy of Language
BOBBY WATSON AND THE PHILOSOPHY OF LANGUAGE MICHAEL ISSACHAROFF MICHAEL ISSACHAROFF UNIVERSITY OF WESTERN ONTARIO Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XLVI, Issue 3, July 1992, Pages 272–279, https://doi.org/10.1093/fs/XLVI.3.272 Published: 01 July 1992
A Sociosemiotic Theory of Theatre
Signer l'ellipse ou le cercle et son double
Signing the ellipse: the circle and its double. Different narrative techniques - repetitivity, circularity, instability of the referential processes - allow a story to hinder the hermeneutic function and to defer meaning indefinitely. Mérimée' s "Venus of Ille", usually read either as a fantastic novel or as a precursor of the detective novel, is exemplary of this genre of narration - the « récit-ellipse » : the uncertainty concerning its genre r…
Discourse as Performance
The Play out of Context: Transferring Plays from Culture to Culture
List of illustrations List of contributors 1. Introduction Hanna Scolnicov 2. The play: gateway to cultural dialogue Gershon Shaked, translated by Jeffrey Green 3. Problems of translation for the stage: interculturalism and post-modern theatre Patrice Pavis, translated by Loren Kruger 4. Space: the final frontier Peter Holland 5. 'If the salt have lost his savour': some 'useful' plays in and out of context on the London stage James Redmond 6. Mim…
Le Spectacle du discours
Sartre et la mise en signe
Sartre et la mise en signe
Texte theatral et didascalecture
Typologie des didascalies ( nominative, destinatrice, melodique ) et analyse des fonctions du discours didascalique. Specificite de ce discours: son statut communicatif et referentiel, ses possibilites combinatoires, son mode de fonctionnement. Les manieres dont les d. se referent au texte prononce. D., enonce et enonciation. D. et lecture
Space and Reference in Drama
If, following Beckett's example, one can banish from a play various elements, such as movement, or even dialogue, the element that must remain constant and be retained in any text written for theatrical performance is, of course, space. A play when enacted must take place somewhere. Its performance must occur in some real, visible space, on a stage or in an area fulfilling that purpose. That much is obvious. But what is perhaps less obvious is ho…
Drama and the Reader
Trois Contes et le problème de la non-linéarité
The Play out of Context: Transferring Plays from Culture to Culture
List of illustrations List of contributors 1. Introduction Hanna Scolnicov 2. The play: gateway to cultural dialogue Gershon Shaked, translated by Jeffrey Green 3. Problems of translation for the stage: interculturalism and post-modern theatre Patrice Pavis, translated by Loren Kruger 4. Space: the final frontier Peter Holland 5. 'If the salt have lost his savour': some 'useful' plays in and out of context on the London stage James Redmond 6. Mim…
Space and Reference in Drama
If, following Beckett's example, one can banish from a play various elements, such as movement, or even dialogue, the element that must remain constant and be retained in any text written for theatrical performance is, of course, space. A play when enacted must take place somewhere. Its performance must occur in some real, visible space, on a stage or in an area fulfilling that purpose. That much is obvious. But what is perhaps less obvious is ho…
A Sociosemiotic Theory of Theatre
Trois Contes et le problème de la non-linéarité
Texte theatral et didascalecture
Typologie des didascalies ( nominative, destinatrice, melodique ) et analyse des fonctions du discours didascalique. Specificite de ce discours: son statut communicatif et referentiel, ses possibilites combinatoires, son mode de fonctionnement. Les manieres dont les d. se referent au texte prononce. D., enonce et enonciation. D. et lecture
Space and Reference in Drama
If, following Beckett's example, one can banish from a play various elements, such as movement, or even dialogue, the element that must remain constant and be retained in any text written for theatrical performance is, of course, space. A play when enacted must take place somewhere. Its performance must occur in some real, visible space, on a stage or in an area fulfilling that purpose. That much is obvious. But what is perhaps less obvious is ho…
Drama and the Reader
Sartre et la mise en signe
Sartre et la mise en signe
Le Spectacle du discours
The Play out of Context: Transferring Plays from Culture to Culture
List of illustrations List of contributors 1. Introduction Hanna Scolnicov 2. The play: gateway to cultural dialogue Gershon Shaked, translated by Jeffrey Green 3. Problems of translation for the stage: interculturalism and post-modern theatre Patrice Pavis, translated by Loren Kruger 4. Space: the final frontier Peter Holland 5. 'If the salt have lost his savour': some 'useful' plays in and out of context on the London stage James Redmond 6. Mim…
Bobby Watson and the Philosophy of Language
BOBBY WATSON AND THE PHILOSOPHY OF LANGUAGE MICHAEL ISSACHAROFF MICHAEL ISSACHAROFF UNIVERSITY OF WESTERN ONTARIO Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XLVI, Issue 3, July 1992, Pages 272–279, https://doi.org/10.1093/fs/XLVI.3.272 Published: 01 July 1992
A Sociosemiotic Theory of Theatre
Signer l'ellipse ou le cercle et son double
Signing the ellipse: the circle and its double. Different narrative techniques - repetitivity, circularity, instability of the referential processes - allow a story to hinder the hermeneutic function and to defer meaning indefinitely. Mérimée' s "Venus of Ille", usually read either as a fantastic novel or as a precursor of the detective novel, is exemplary of this genre of narration - the « récit-ellipse » : the uncertainty concerning its genre r…
Discourse as Performance
Nommer
Lelia Madrid to name Exploring the difference between proper names and nouns suggests that proper names are « out of language » while the processes by which proper names do become nouns is paradigmatic of the creation of nouns. Such an approach renews our understanding of the link between thought and language
Art (9 works) · Philosophy (6 works) · Linguistics and Discourse Analysis (4 works) · Philosophy (4 works) · Computer Science (3 works) · Historical Linguistics and Language Studies (3 works) · History (3 works) · History (3 works) · Literature (3 works) · Theatre and Performance Studies (3 works)