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Niklas Nenzén

Biographic Data

ID9726407
NAMENiklas Nenzén
GIVEN NAMESNiklas
FAMILY NAMENenzén
SIGNATURENENZÉN N
AFFILIATIONSUppsala University
ORCID0000-0003-2232-5175
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2020
H-INDEX0
  • Mystik och polemik

    Open Access•Niklas Nenzén•ARTICLE•AURA - Tidsskrift for akademiske…•2020

    In recent studies of Western esotericism, the essentialist status and “religionist” design of the concept of gnosis has been disputed. Current aspects of the concept to discuss are gnosis as modern construction, as reflective surface of a secular worldview, and as an element in revisionary historiographies. This article explores the dynamic of tradition and renewal of the concept of gnosis, employing as a case study the Lectorium Rosicrucianum, a…

  • The Epistemology of the “Great Invisibles”

    Niklas Nenzén•ARTICLE•Aries•2020

    The central collective myth of surrealism, Les grands transparents , was designed by André Breton in 1947 as a means for imagining a desirable society through effecting a vitalizing sense of the unknown and a “decentering of man”. As a contribution to the recent re-examination of surrealism in view of theoretical developments in the field of Western esotericism, this article argues that Breton utilizes his mythic narrative to articulate a transfo…

No prominent works on this page.

  • Mystik och polemik

    Open Access•Niklas Nenzén•ARTICLE•AURA - Tidsskrift for akademiske…•2020

    In recent studies of Western esotericism, the essentialist status and “religionist” design of the concept of gnosis has been disputed. Current aspects of the concept to discuss are gnosis as modern construction, as reflective surface of a secular worldview, and as an element in revisionary historiographies. This article explores the dynamic of tradition and renewal of the concept of gnosis, employing as a case study the Lectorium Rosicrucianum, a…

  • The Epistemology of the “Great Invisibles”

    Niklas Nenzén•ARTICLE•Aries•2020

    The central collective myth of surrealism, Les grands transparents , was designed by André Breton in 1947 as a means for imagining a desirable society through effecting a vitalizing sense of the unknown and a “decentering of man”. As a contribution to the recent re-examination of surrealism in view of theoretical developments in the field of Western esotericism, this article argues that Breton utilizes his mythic narrative to articulate a transfo…

Epistemology (2 works) · Philosophy (2 works) · Religious Studies and Spiritual Practices (2 works) · Sociology (2 works) · Aesthetics (1 work) · Alchemy (1 work) · Appeal (1 work) · Art (1 work) · Dualism (1 work) · Essentialism (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae