Andrada Yunusoğlu
Biographic Data
| ID | 9727973 |
|---|---|
| NAME | Andrada Yunusoğlu |
| GIVEN NAMES | Andrada |
| FAMILY NAME | Yunusoğlu |
| SIGNATURE | YUNUSOĞLU A |
| AFFILIATIONS | University of Bucharest |
| ORCID | 0000-0001-6096-2429 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Longing and Belonging in If They Come for Us by Fatimah Asghar and Home Is Not a Country by Safia Elhillo
In this study I shall analyse the sense of belonging in Fatimah Asghar’s debut poetry collection If They Come for Us, and in Safia Elhillo’s novel Home Is Not a Country. Both writers describe a specific experience – being Muslim in the US, and also trying to recover places that were once home. Moreover, these books discuss identity from a feminist perspective, especially from an intersectional point of view, taking into account their multiple ide…
The Bodies We Inhabit
In this study I shall analyse peluda (2017) by Melissa Lozada-Oliva, and New American Best Friend (2017) and Life of the Party (2019) by Olivia Gatwood, focusing on how feminism and confessional poetry are used as means of empowerment and awareness for non-conforming identities. I shall analyse the most recurrent motifs and themes used by both poets in conjunction with feminist theory, highlighting the relationship between female identity and tex…
“The Harem Within”
In a post-modern world where selfhood is defined by diversity and multiplicity, Elif Shafak’s Black Milk outlines how women’s experiences depict a tragic fate. In this memoir Elif Shafak writes about motherhood and authorship and the many stereotypes women face in a patriarchal society. For many women writers, motherhood became a burden, because they had to choose between being a “good” mother and a “good” author. This article aims to explore the…
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The Bodies We Inhabit
In this study I shall analyse peluda (2017) by Melissa Lozada-Oliva, and New American Best Friend (2017) and Life of the Party (2019) by Olivia Gatwood, focusing on how feminism and confessional poetry are used as means of empowerment and awareness for non-conforming identities. I shall analyse the most recurrent motifs and themes used by both poets in conjunction with feminist theory, highlighting the relationship between female identity and tex…
“The Harem Within”
In a post-modern world where selfhood is defined by diversity and multiplicity, Elif Shafak’s Black Milk outlines how women’s experiences depict a tragic fate. In this memoir Elif Shafak writes about motherhood and authorship and the many stereotypes women face in a patriarchal society. For many women writers, motherhood became a burden, because they had to choose between being a “good” mother and a “good” author. This article aims to explore the…
Longing and Belonging in If They Come for Us by Fatimah Asghar and Home Is Not a Country by Safia Elhillo
In this study I shall analyse the sense of belonging in Fatimah Asghar’s debut poetry collection If They Come for Us, and in Safia Elhillo’s novel Home Is Not a Country. Both writers describe a specific experience – being Muslim in the US, and also trying to recover places that were once home. Moreover, these books discuss identity from a feminist perspective, especially from an intersectional point of view, taking into account their multiple ide…
Aesthetics (3 works) · Art (3 works) · Gender Studies (3 works) · Sociology (3 works) · Literature (2 works) · Poetry (2 works) · Confessional (1 work) · Diaspora, migration, transnational identity (1 work) · Empowerment (1 work) · Feminism (1 work)