Radu TEAMPĂU
Biographic Data
| ID | 9728798 |
|---|---|
| NAME | Radu TEAMPĂU |
| GIVEN NAMES | Radu |
| FAMILY NAME | TEAMPĂU |
| SIGNATURE | TEAMPĂU R |
| AFFILIATIONS | Babeș-Bolyai University |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Dilemma and Theatre
Starting from the way in which director Andrei Șerban works closely with the actor, during rehearsals, taking him out of his often superficial dilemmatic states, the present paper analyzes the concept of dilemma from several perspectives, including Sophocle’s and William Shakespeare’s perspectives in Antigone and Hamlet. The dilemma, if it is seen as a vague concept, carrying vague meanings, can easily mislead the one who experiences it, especial…
Emotion in theatre as abuse, excess and acting technique
The present paper starts from the idea of abuse that is generated by emotionality that is not properly managed either by spectators or stage professionals. Taking into consideration the psychological aspects of emotion and the way emotion is used in stage expression, it is emphasized that the idea of controlling emotion is as pernicious as the idea of letting oneself fall prey to emotion. It is noted that emotion, seen as a process of survival of…
Correspondences Between Reflection and Scenic Action
The present paper aims to highlight the connection between the scenic action and the necessity to reflect on it from the point of view of performing arts practitioners. By considering the act of improvisation as an act independent from the act of reflection, we observe an interdependence between them from the spectator’s point of view. At the same time, considering theory and practice inappropriately separated, we analyse how the two ways of know…
Metaphor and Theatre
This paper aims to analyze how metaphor operates in the theatrical realm. Metaphor viewed from a linguistic point of view has a certain impact on theatre and is a consequence of looking at theatre as language. But viewed from a pragmatic point of view, beyond the linguistic aspect, as a model of thinking, metaphor becomes a cognitive tool. Between these two perspectives lies a wide range of ways in which theatrical metaphor intervenes in the scen…
"On Theatre-Mirror, Theatre-Hammer, Theatre-Veil in the Romanian Theatre"
"Starting from the Shakespearian observation that the theatre seems to be a mirroring of its age, we notice how in the The Theatre magazine – published from 1956 to 1989 – this allegory is treated. At the same time, we turn our attention to the way in which this allegory is appreciated by the Romanian theatre people nowadays. At the same time, we investigate the way in which the socialist-realism was aesthetically and ideologically evaluated in t…
Emergence and Artificial Intelligence in the Performing Arts
Starting from a brief analysis of the validity and applicability as a cognitive tool of the concept of emergency in the examination of the theatrical phenomenon, we evaluate the aspects related to the radical novelty that emergence implies as a phenomenon of systemic self-organization. Thus, taking into account both the ostensible nature of theatrical process and emergency and their ambiguous nature, any theatre performance can be considered as c…
Identity from a Theatrical Perspective
The present paper aims to revisit the definitions given to identity from the perspective of social sciences and philosophy in order to eliminate the variables and extract the constants that might form the basis of a conceptual tool which can be used from a theatrical perspective. The analysis of the notion of identity is based on the idea that it is not synonymous with the notions of self, ego or soul. The fact that identity, from the perspective…
Limit
This paper intends to deal with the problem of transcending the limit from the performing arts perspective. To achieve this goal, we proceed to an analysis of the concept of limit from both philosophical and theatrical perspectives. There is a wide range of possible definitions of limit as the concept in itself turns out to be ambiguous. To reflect upon different ways of surpassing the limit firstly requires the identification and investigation o…
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Limit
This paper intends to deal with the problem of transcending the limit from the performing arts perspective. To achieve this goal, we proceed to an analysis of the concept of limit from both philosophical and theatrical perspectives. There is a wide range of possible definitions of limit as the concept in itself turns out to be ambiguous. To reflect upon different ways of surpassing the limit firstly requires the identification and investigation o…
Emergence and Artificial Intelligence in the Performing Arts
Starting from a brief analysis of the validity and applicability as a cognitive tool of the concept of emergency in the examination of the theatrical phenomenon, we evaluate the aspects related to the radical novelty that emergence implies as a phenomenon of systemic self-organization. Thus, taking into account both the ostensible nature of theatrical process and emergency and their ambiguous nature, any theatre performance can be considered as c…
Identity from a Theatrical Perspective
The present paper aims to revisit the definitions given to identity from the perspective of social sciences and philosophy in order to eliminate the variables and extract the constants that might form the basis of a conceptual tool which can be used from a theatrical perspective. The analysis of the notion of identity is based on the idea that it is not synonymous with the notions of self, ego or soul. The fact that identity, from the perspective…
"On Theatre-Mirror, Theatre-Hammer, Theatre-Veil in the Romanian Theatre"
"Starting from the Shakespearian observation that the theatre seems to be a mirroring of its age, we notice how in the The Theatre magazine – published from 1956 to 1989 – this allegory is treated. At the same time, we turn our attention to the way in which this allegory is appreciated by the Romanian theatre people nowadays. At the same time, we investigate the way in which the socialist-realism was aesthetically and ideologically evaluated in t…
Correspondences Between Reflection and Scenic Action
The present paper aims to highlight the connection between the scenic action and the necessity to reflect on it from the point of view of performing arts practitioners. By considering the act of improvisation as an act independent from the act of reflection, we observe an interdependence between them from the spectator’s point of view. At the same time, considering theory and practice inappropriately separated, we analyse how the two ways of know…
Metaphor and Theatre
This paper aims to analyze how metaphor operates in the theatrical realm. Metaphor viewed from a linguistic point of view has a certain impact on theatre and is a consequence of looking at theatre as language. But viewed from a pragmatic point of view, beyond the linguistic aspect, as a model of thinking, metaphor becomes a cognitive tool. Between these two perspectives lies a wide range of ways in which theatrical metaphor intervenes in the scen…
Emotion in theatre as abuse, excess and acting technique
The present paper starts from the idea of abuse that is generated by emotionality that is not properly managed either by spectators or stage professionals. Taking into consideration the psychological aspects of emotion and the way emotion is used in stage expression, it is emphasized that the idea of controlling emotion is as pernicious as the idea of letting oneself fall prey to emotion. It is noted that emotion, seen as a process of survival of…
Dilemma and Theatre
Starting from the way in which director Andrei Șerban works closely with the actor, during rehearsals, taking him out of his often superficial dilemmatic states, the present paper analyzes the concept of dilemma from several perspectives, including Sophocle’s and William Shakespeare’s perspectives in Antigone and Hamlet. The dilemma, if it is seen as a vague concept, carrying vague meanings, can easily mislead the one who experiences it, especial…
Aesthetics (4 works) · Computer Science (4 works) · Epistemology (4 works) · Philosophy (4 works) · Art (3 works) · Artificial Intelligence (3 works) · Sociology (3 works) · Theatre and Performance Studies (3 works) · Notice (2 works) · Political science (2 works)