Martin Swales

Dados Biográficos

ID972887
NOMEMartin Swales
PRENOMESMartin
SOBRENOMESwales
ASSINATURASWALES M
AFILIAÇÕESUCL Australia
VERIFICADONão
TOTAL DE OBRAS34
TOTAL DE CITAÇÕES2
TOTAL COMO AUTOR33
TOTAL COMO EDITOR1
PRIMEIRO ANO DE PUBLICAÇÃO1967
ANO MAIS RECENTE DE PUBLICAÇÃO2019
ÍNDICE H1

  • The German Novelle

    Martin Swales, Martin W SwalesBOOKGerman NOVELLE2019

  • German Novelle

    Martin SwalesBOOKGerman NOVELLE2019

  • Günter Grass's ‘Im Krebsgang’ and the Novelle

    Open AccessMartin SwalesARTICLEGerman Life and Letters2017

    This paper explores the literary‐generic implications of Günter Grass's ‘Im Krebsgang’, which has as its subtitle ‘Novelle’. Central to the story is the issue of how appropriately to commemorate German wartime suffering – in this case the sinking of a ship, the Wilhelm Gustloff , in January 1945 with a huge loss of civilian life. The story has a second subtitle, which is ‘in memoriam’. Grass combines real historical events and people with fiction…

  • Es hat niemand Gewissen als der Betrachtende”

    Martin SwalesARTICLEThe Germanic Review Literature…2010

  • German Romantic Literary Theory

    Ernst Behler, H B Nisbet et al.BOOKGerman Romantic Literary Theory2009

  • The acceptable face of theory? The contribution of Wolfgang Iser

    Open AccessMartin SwalesARTICLEComparative Critical Studies2004Citada por: 1

  • Representing the German Nation

    Osman Durrani, Mary Fulbrook et al.ARTICLEThe Modern Language Review2003

    Questions concerning the representation of have for some time been central to debates in both literary criticism and historiography. This collection of essays is concerned with these issues of representation, interpretation and identity. Modern Germany - with its dramatic political ruptures from late unification in 1871 through to the formation of two opposing German states - provides a case study for an analysis of these themes. This study bring…

  • Reading Goethe

    Thomas P Saine, Martin Swales et al.ARTICLEGerman Studies Review2003

  • Events and Non-Events… Cultural Reflections of and on 1848

    Open AccessMartin SwalesCHAPTER18482000

    Bertolt Brecht was fond of noting the fact that Shakespeare nowhere in his creative oeuvre mentions — let alone discusses — the most dramatic political event-sequence of his age: the rivalry with Spain culminating in the defeat of the Armada. On the face of it, it was a gift to a dramatist, for it was a constellation that involved everything and everybody: intense public interest, with matters of national integrity and pride very much at stake; t…

  • Metonymic Cohabitation

    Open AccessMartin Swales, Erika SwalesARTICLEGerman Life and Letters2000Citada por: 1

    This paper begins by registering the paradox that, although Bertolt Brecht was in his lifetime frequently exploitative of women (both erotically and, in terms of his creative work, collaboratively), his poetic and dramatic oeuvre is wonderfully res‐onant in its picturing of women figures. A number of concerns within that portrait‐ure are highlighted: the perception of women’s closeness to the material universe as such; their intimacy with everyda…

  • Epochenbuch Realismus

    Gail Finney, Martin SwalesARTICLEThe German Quarterly1999

    Swales, Martin. Epochenbuch Realismus: Romane und Erzahlungen. Berlin: Schmidt, 1997. 204 pp. DM 39.80 paperback. This comprehensive introduction to German realism, which is aimed at a lay audience as well as a scholarly one, problematizes the cliche of a German Sonderweg and takes issue with the common view that German realism, by comparison with European versions (above all French and English), is defined by lacks and failures. Swales points in…

  • Realism in European Literature

    Gabriele A Wittig Davis, Nicholas Boyle et al.ARTICLEGerman Studies Review1989

    Foreword Note on the text 1. Notes on language, its deconstruction and on translating Erich Heller 2. Significant objects: a possibility of realism in early narratives Wolfgang Harms 3. 'Enter Mariners, wet': realism in Shakespeare's last plays Anne Barton 4. Language and reality in Bleak House Graham Hough 5. The problem of nineteenth-century German realism Martin Swales 6. Proust's Balzac Sheila Stern 7. Realism, modernism, and 'language-consci…

  • German Poetry

    Priscilla Hayden-Roy, Priscilla A Hayden-Roy et al.ARTICLEThe German Quarterly1988

  • Adalbert Stifter. A Critical Study

    R K Angress, Martin Swales et al.ARTICLEThe German Quarterly1986

  • Narzissmus und illusionare Existenzform

    Martin Swales, Hans WyslingARTICLEThe Modern Language Review1984

  • Arthur Schnitzler's Occasions

    Open AccessMartin SwalesARTICLEGerman Life and Letters1983

  • What is Criticism

    Martin Swales, Paul HernadiARTICLEThe German Quarterly1982

  • The German Novelle

    Ehrhard Bahr, Martin SwalesARTICLEThe German Quarterly1981

  • The German Bildungsroman from Wieland to Hesse

    Ellen Summerfield, Martin SwalesARTICLEModern Language Notes1981

  • Any More for the Magic Mountain

    Open AccessMartin SwalesARTICLEGerman Life and Letters1980

  • The Dual Voice

    Martin Swales, Roy PascalARTICLEThe Modern Language Review1979

  • The German Bildungsroman from Wieland to Hesse

    Frederick Betz, Martin SwalesARTICLEGerman Studies Review1979

    Although some of the most distinguished German novels written since about 1770 are generally considered to be Bildungsromane, the term Bildungsroman is all too frequently used in English without an awareness of the tradition from which it arose. Professor Swales concentrates on the roles of plot, characterization, and narrative commentary in novels by Wieland, Goethe, Stifter, Keller, Mann, and Hesse. By pointing out that the goal in each work is…

  • The German Novelle

    John M Ellis, Martin SwalesARTICLEModern Language Notes1979

  • The Consciousness and the Conscience of the Artist

    Open AccessMartin SwalesARTICLEGerman Life and Letters1979

  • The German Tradition of Self-Cultivation

    Martin SwalesARTICLEThe Journal of Modern History1978