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Alexandra FELSEGHI

Biographic Data

ID9728928
NAMEAlexandra FELSEGHI
GIVEN NAMESAlexandra
FAMILY NAMEFELSEGHI
SIGNATUREFELSEGHI A
AFFILIATIONSBabeș-Bolyai University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Fear and pity

    Alexandra FELSEGHI•ARTICLE•Theatrical Colloquia•2023

    "The present article aims to discuss two theatre adaptations of the ancient tragedy as they were interpreted by the British director and playwright Robert Icke: Oresteia and Oedipus. Introduced in the Romanian theatre landscape by Andrei Șerban, who staged Oedipus at the Hungarian State Theatre of Cluj, Icke proves to be one of the most interesting recent dramaturgical discoveries. I have chosen to discuss the two plays in relation with the pract…

  • Female image from Euripides to Churchill

    Alexandra FELSEGHI•ARTICLE•Theatrical Colloquia•2022

    This article aims to present some methods in which classical and contemporary playwrights choose to treat female characters in their writings. In close connection with a socio-political context that is continuously changing, female characters in dramaturgy are substantially evolving. If in the past centuries they developed almost exclusively in relation with the masculine characters, today they have a distinct, powerful voice, which is profoundly…

  • Severed Green

    Alexandra FELSEGHI•ARTICLE•Theatrical Colloquia•2022

    An open letter signed by a large group of Romanian cultural NGOs and published in Scena.ro review (no. 49 (3)/2020) signaled the danger of disappearance of the entire independent cultural sector. The authors reported the authorities’ lack of involvement concerning this sector’s support during the pandemic crisis, the inability of those in a decisional position to understand how it functions or the fact that the artists working here are the innova…

No prominent works on this page.

  • Female image from Euripides to Churchill

    Alexandra FELSEGHI•ARTICLE•Theatrical Colloquia•2022

    This article aims to present some methods in which classical and contemporary playwrights choose to treat female characters in their writings. In close connection with a socio-political context that is continuously changing, female characters in dramaturgy are substantially evolving. If in the past centuries they developed almost exclusively in relation with the masculine characters, today they have a distinct, powerful voice, which is profoundly…

  • Severed Green

    Alexandra FELSEGHI•ARTICLE•Theatrical Colloquia•2022

    An open letter signed by a large group of Romanian cultural NGOs and published in Scena.ro review (no. 49 (3)/2020) signaled the danger of disappearance of the entire independent cultural sector. The authors reported the authorities’ lack of involvement concerning this sector’s support during the pandemic crisis, the inability of those in a decisional position to understand how it functions or the fact that the artists working here are the innova…

  • Fear and pity

    Alexandra FELSEGHI•ARTICLE•Theatrical Colloquia•2023

    "The present article aims to discuss two theatre adaptations of the ancient tragedy as they were interpreted by the British director and playwright Robert Icke: Oresteia and Oedipus. Introduced in the Romanian theatre landscape by Andrei Șerban, who staged Oedipus at the Hungarian State Theatre of Cluj, Icke proves to be one of the most interesting recent dramaturgical discoveries. I have chosen to discuss the two plays in relation with the pract…

Aesthetics (2 works) · Art (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Political science (2 works) · Sociology (2 works) · Theatre and Performance Studies (2 works) · Archaeology (1 work) · Bankruptcy (1 work)

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